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Rewired: Post-cyberpunk Anthology (07 Edition)by Kelly
Synopses & ReviewsPlease note that used books may not include additional media (study guides, CDs, DVDs, solutions manuals, etc.) as described in the publisher comments.
Cyberpunk is dead. The revolution has been co-opted by half-assed heroes, overclocked CGI, and tricked-out shades. Once radical, cyberpunk is now nothing more than a brand.
Time to stop flipping the channel.
These sixteen extreme stories reveal a government ninja routed by a bicycle repairman, the inventor of digitized paper hijacked by his college crush, a dead boy trapped in a warped storybook paradise, and the queen of England attacked with the deadliest of forbidden technology: a working modem. Youll meet Manfred Macx, renegade meme-broker, Red Sonja, virtual reality sex-goddess, and Felix, humble sys-admin and post-apocalyptic hero.
Editors James Patrick Kelly and John Kessel (Feeling Very Strange: The Slipstream Anthology) have united cyberpunk visionaries William Gibson, Bruce Sterling, and Pat Cadigan with the new post-cyberpunk vanguard, including Cory Doctorow, Charles Stross, and Jonathan Lethem. Including a canon-establishing introduction and excerpts from a hotly contested online debate, Rewired is the first anthology to define and capture the crackling excitement of the post-cyberpunks.
From the grittiness of Mirrorshades to the Singularity and beyond, its time to revive the revolution.
"Arranged loosely in order of publication, the 16 diverse selections in this decade-spanning anthology add up to a plausible snapshot of cyberpunk's short-form evolution. Kelly and Kessel (Feeling Very Strange) clearly describe cyberpunk counterculture in a cogent introduction, yet draw only one story from a nongenre source (Greg Egan's 'Yeyuka') and greatly undervalue the subgenre's ability, at its most popular, to reach beyond SF's core audience. While some entries (Charles Stross's 'Lobsters'; Cory Doctorow's 'When Sysadmins Ruled the Earth') focus strongly on techno-geek culture, others apply high-tech ideas in more down-to-earth contexts (Mary Rosenblum's 'Search Engine'; Paolo Bacigalupi's 'The Calorie Man'). The critical matter is too scant for academic readers and too intrusive for genre fans; discussion of specific stories is extremely sparse, and excerpts from correspondence between Kessel and Bruce Sterling distract rather than enlighten. Readers seeking a thorough critical study should look elsewhere, but those looking for well-told stories will be satisfied." Publishers Weekly (Copyright Reed Business Information, Inc.)
Following the rapid evolution of cyberpunk from Bruce Sterling and William Gibson into the current millennium, this vivid anthology welcomes a new generation of exciting writers to take the genre in new and unexpected directions. Cyberpunk freewheels with punk rock energy, careening between the internet, bioengineering, and international politics, its influence saturating entertainment and the mass media. Drawing on the traditions of the pioneering cyberpunk manifesto, Mirrorshades, each story delves into the gritty world of technological change. Legendary Mirrorshades editor and contributor Bruce Sterling is back, alongside such cutting-edge writers as Cory Doctorow, Jonathan Lethem, Gwyneth Jones, Hal Duncan, Charles Stross, and Pat Cadigan. With a daring introduction from James Patrick Kelly and John Kessel, editors of the controversial Feeling Very Strange: The Slipstream Anthology, this collection is an exhilarating snapshot of a vibrant literary movement.
About the Author
James Patrick Kelly is the winner of two Hugo Awards and is the author of Burn, Think Like a Dinosaur, and Wildlife. He is a columnist for Asimov's Science Fiction Magazine and serves as chair of the New Hampshire State Council on the Arts. He lives in Nottingham, New Hampshire. John Kessel is a Nebula, Sturgeon, Tiptree, and Locus award winner and the author of Corrupting Dr. Nice, Good News from Outer Space, and The Pure Product. He teaches science fiction, fantasy, and fiction writing at North Carolina State University and his criticism has appeared in Foundation, Los Angeles Times Book Review, The New York Review of Science Fiction, and Science Fiction Age. He lives in Raleigh, North Carolina.
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