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Caravaggio : a Genius Beyond His Time (00 Edition)

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Caravaggio : a Genius Beyond His Time (00 Edition) Cover

 

Synopses & Reviews

Please note that used books may not include additional media (study guides, CDs, DVDs, solutions manuals, etc.) as described in the publisher comments.

Publisher Comments:

A genius beyond his time
 
Notorious bad boy of Italian Baroque painting, Caravaggio (1571-1610) is finally getting the recognition he deserves. Though his name may be familiar to all of us, his work has been habitually detested and forced into obscurity. Not only was his theatrical realism unfashionable in his time, but his sacrilegious subject matter and use of lower class models were violently scorned.

Caravaggio’s great work had the misfortune of enduring centuries of disrepute. It wasn’t until the end of the 19th century that he was rediscovered and, quite posthumously, deemed a great master. He is now considered the most important painter of the early Baroque period; without him there would have been no Ribera, Zurbarán, Velázquez, Vermeer or Georges de la Tour. Franz Hals, Rembrandt, Delacroix, and Manet would have been different.

In this new book you’ll find over 50 of Caravaggio’s best paintings; we think you’ll agree that he was a genius beyond his time.
 
About the Series:
Each book in TASCHEN’s Basic Art series features:
  • a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
  • a concise biography
  • approximately 100 illustrations with explanatory captions

Synopsis:

Caravaggio was one of the most mysterious and revolutionary painters in the history of art. As this volume in Taschen's Art Album series shows, he created a new language of theatrical realism that lives on through his paintings.

Synopsis:

Notorious bad boy of Italian Baroque painting, Caravaggio (1571-1610) is finally getting the recognition he deserves. Though his name may be familiar to all of us, his work has been habitually detested and forced into obscurity. Not only was his theatrical realism unfashionable in his time, but his sacrilegious subject matter and use of lower class models were violently scorned. Michelangelo Mirisi de Caravaggio lived a life riddled with crime and scandal, producing a body of work that wouldn't be appreciated until centuries after his mysterious death. Though his body was never found, he is assumed to have been murdered by ruffians on a beach south of Rome-a fate strangely similar to that of controversial Italian director Pier Paolo Pasolini who was, like Caravaggio, a homosexual.

Caravaggio's reputation was decidedly poor during his lifetime; sometimes rich, sometimes penniless, when he wasn't in prison he was running away from the police or his enemies. Perhaps no other painter has suffered such injustice: his works were often attributed to more respected painters while he was given the credit for just about anything vulgar painted in the chiaroscuro style. Caravaggio's great work had the misfortune of enduring centuries of disrepute. It wasn't until the end of the 19th century that he was rediscovered and, quite posthumously, deemed a great master.

About the Author

Gilles Néret (1933-2005) was an art historian, journalist, writer and museum correspondent. He organized several art retrospectives in Japan and founded the SEIBU museum and the Wildenstein Gallery in Tokyo. He directed art reviews such as L‛il and Connaissance des Arts and received the Elie Faure Prize in 1981 for his publications. His TASCHEN titles include Salvador Dalí: The Paintings, Matisse, and Erotica Universalis.

Product Details

ISBN:
9783822863053
Editor:
Neret, Gilles
Author:
Neret, Gilles
Author:
Lambert, Gilles
Publisher:
Taschen
Location:
Kèoln
Subject:
General
Subject:
Artists, Architects, Photographers
Subject:
Painters
Subject:
History - Baroque & Rococo
Subject:
European
Subject:
Individual Artist
Subject:
Individual Artists - General
Subject:
Art - General
Edition Description:
Print PDF
Series:
25
Series Volume:
no. 98/519
Publication Date:
20000831
Binding:
TRADE PAPER
Language:
English
Illustrations:
Yes
Pages:
96
Dimensions:
8.98x7.42x.34 in. .77 lbs.

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Related Subjects

Arts and Entertainment » Art » Artists
Arts and Entertainment » Art » Europe General
Arts and Entertainment » Art » General
Arts and Entertainment » Art » History and Criticism
Health and Self-Help » Health and Medicine » Medical Specialties

Caravaggio : a Genius Beyond His Time (00 Edition) Used Trade Paper
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$6.00 In Stock
Product details 96 pages Taschen - English 9783822863053 Reviews:
"Synopsis" by , Caravaggio was one of the most mysterious and revolutionary painters in the history of art. As this volume in Taschen's Art Album series shows, he created a new language of theatrical realism that lives on through his paintings.
"Synopsis" by ,
Notorious bad boy of Italian Baroque painting, Caravaggio (1571-1610) is finally getting the recognition he deserves. Though his name may be familiar to all of us, his work has been habitually detested and forced into obscurity. Not only was his theatrical realism unfashionable in his time, but his sacrilegious subject matter and use of lower class models were violently scorned. Michelangelo Mirisi de Caravaggio lived a life riddled with crime and scandal, producing a body of work that wouldn't be appreciated until centuries after his mysterious death. Though his body was never found, he is assumed to have been murdered by ruffians on a beach south of Rome-a fate strangely similar to that of controversial Italian director Pier Paolo Pasolini who was, like Caravaggio, a homosexual.

Caravaggio's reputation was decidedly poor during his lifetime; sometimes rich, sometimes penniless, when he wasn't in prison he was running away from the police or his enemies. Perhaps no other painter has suffered such injustice: his works were often attributed to more respected painters while he was given the credit for just about anything vulgar painted in the chiaroscuro style. Caravaggio's great work had the misfortune of enduring centuries of disrepute. It wasn't until the end of the 19th century that he was rediscovered and, quite posthumously, deemed a great master.

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