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The Monkey Wrench Gangby Edward Abbey
He's often compared to Thoreau, and one of his mottos was taken from Emerson: "resist much, obey little." While Abbey has much in common with the forefathers of environmental conservation, he certainly took it a few giant steps further. Abbey and his Monkey Wrench Gang are often credited with germination the seeds of the eco-sabotage movement (including Earth First!). This is the story of four rugged individuals in the American West, witnesses to the destruction of a pristine landscape, who will do whatever it takes to halt the devouring mechanism that is corporate and governmental greed. This uproarious and cleverly written classic will, in turns, make you seethe with anger, hold your breath in anticipation, and laugh out loud. In more ways than one, it's a truly incendiary tale.
Synopses & Reviews
Dr. Sarvis with his bald mottled dome and savage visage, grim and noble as Sibelius, was out night-riding on a routine neighborhood beautification project, burning billboards along the highway-- U.S. 66, later to be devoured by the superstate's interstate autobahn. His procedure was simple, surgically deft. With a five-gallon can of gasoline he sloshed about the legs and support members of the selected target, then applied a match. Everyone should have a hobby.
In the lurid glare which followed he could be seen shambling back to the Lincoln Continental Mark IV parked nearby, empty gas can banging on his insouciant shanks. A tall and ponderous man, shaggy as a bear, he cast a most impressive shadow in the light of the flames, across the and scene of broken whiskey bottles, prickly pear and buckhorn cholla, worn-out tires and strips of retread. In the fire's glare his little red eyes burned with a fierce red fire of their own, matching the candescent coal of the cigar in his teeth--three smoldering and fanatic red bulbs glowing through the dark. He paused to admire his work:
WELCOME TO ALBUQUERQUE, NEW MEXICO
HUB OF THE LAND OF ENCHANTMENT
Headlights swept across him from the passing traffic. Derisive horns bellowed as sallow pimply youths with undescended testicles drove by in stripped-down zonked-up Mustangs, Impalas, Stringrays and Beetles, each with a lush-lashed truelove wedged hard overlapping-pelvis-style on the driver's lap, so that seen from the back through the rear window in silhouette against oncoming headlights the car appeared to be "operated" by a single occupant with--anomaly--two heads; other lovers screamed past jammedbutt to groin on the buddy seats of 880-cc chopped Kawasaki motorbikes with cherry-bomb exhaust tubes--like hara-kiri, kamikaze, karate and the creeping kudzu vine, a gift from the friendly people who gave us (remember?) Pearl Harbor--which, blasting sparks and chips of cylinder wall, roared shattering like spastic technical demons through the once-wide stillness of Southwestern night.
No one ever stopped. Except the Highway Patrol arriving promptly fifteen minutes late, radioing the report of an inexplicable billboard fire to a casually scornful dispatcher at headquarters, then ejecting self from vehicle, extinguisher in gloved hand, to ply the flames for a while with little limp gushes of liquid sodium hydrochloride ("wetter than water" because it adheres better, like soapsuds) to the pyre. Futile if gallant efforts. Dehydrated by months, sometimes years of desert winds and thirsty desert air, the pine and paper of the noblest most magnificent of billboards yearned in every molecule for quick combustion, wrapped itself in fire with the mad lust, the rapt intensity, of lovers fecundating. All-cleansing fire, all-purifying flame, before which the asbestos-hearted plutonic pyromaniac can only genuflect and pray.
Doc Sarvis by this time had descended the crumbly bank of the roadside under a billowing glare from his handiwork, dumped his gas can into trunk of car, slammed the lid--where a bright and silver caduceus glisters in the firelight--and slumped down in the front seat beside his driver.
"Next?" she says.
He flipped away his cigar butt, out the open window into the ditch--the trace of burning arc remains for a moment in the night, a retinal afterglow with rainbow-styletrajectory, its terminal spatter of sparks the pot of gold-and unwrapped another Marsh-Wheeling, his famous surgeon's hand revealing not a twitch or tremor.
"Let's work the west side," he says.
The big car glided forward with murmurous motor, wheels crunching tin cans and plastic picnic plates on the berm, packed bearings sliding in the servile grease, the pistons, bathed in oil, slipping up and down in the firm but gentle grasp of cylinders, connecting rods to crankshaft, crankshaft to drive shaft through differential's scrotal housing via axle, all power to the wheels.
They progressed. That is to say, they advanced, in thoughtful silence, toward the jittery neon, the spastic anapestic rock, the apoplectic roll of Saturday night in Albuquerque, New Mexico. (To be an American for one Saturday night downtown you'd sell your immortal soul.) Down Glassy Gulch they drove toward the twenty-story towers of finance burning like blocks of radium under the illuminated smog.
"I love you, Abbzug."
"I know, Doc."
Past a lit-up funeral parlor in territorial burnt-adobe brick: Strong-Thorne Mortuary--"Oh Death Where Is Thy Sting?" Dive! Beneath the overpass of the Sante Fe (Holy Faith) Railroad--"Go Santa Fe All the Way."
"Ah," sighed the doctor, "I like this. I like this. . .
"Yeah, but it interferes with my driving if you don't mind."
"El Mano Negro strikes again."
"Yeah, Doc, okay, but you're gonna get us in a wreck and my mother will sue."
"True," he says, "but it's worth it."
Beyond the prewar motels of stucco and Spanish tile at the city's western fringe, they drove out on a long low bridge.
She stopped the car. Doc Sarvis gazed downat the river, the Rio Grande, great river of New Mexico, its dark and complicated waters shining with cloud-reflected city light.
"My river," he says.
"Let's take that river trip."
"Soon, soon." He held up a finger. "Listen..."
They listened. The river was mumbling something down below, something like a message: Come flow with me, Doctor, through the deserts of New Mexico, down through the canyons of Big Bend and on to the sea the Gulf the Caribbean, down where those young sireens weave their seaweed garlands for your hairless head, 0 Doc. Are you there? Doc?
"A think of beauty...a wildly funny, infinitely wise, near to tragic tale of man against the bog god machine." Houston Chronicle
"Destroying eyesores is simply another way of creating beauty, and Edward Abbey's dedicated crew are masters of this particular renaissance. Of course, what The Money Wrench Gang does is outrageous, un-American and inimical to the sacred concept of property, and I thoroughly condemn them. If unchecked, they may even start dumping tea in Boston Harbor." Bradford Richard
"The Monkey Wrench Gang is a laconicI comedy played out in a vast open space Abbey loves and knows well." Newsweek
"A Real romp." Saturday Review
Four irate rebels join forces to wage war on the stripminers, clear-cutters, and the highway and dam and bridge builders who are turning their natural habitat into a wasteland. A new Introduction by historian Brinkley puts this enduring cult classic in perspective by placing it at the forefront of an important historical movement.
Edward Abbey called The Monkey Wrench Gang a "comic extravaganza," which it is, although one with a clear, serious message: to protect the American wilderness from the forces of commercial enterprise. The story centers on George Hayduke, an ex-Green Beret and Vietnam vet, who returns to the Southwestern desert after the war to find his beloved canyons and rivers threatened by industrial development. On a whitewater rafting trip down the Colorado River, Hayduke joins forces with three others who share his indignation and want to do something about it: feminist saboteur and Bronx exile Bonnie Abzug, wilderness guide and outcast Mormon Seldom Seen Smith, and libertarian billboard torcher Doc Sarvis, M.D. Together they venture off to become eco-raiders, waging war on the strip miners, clear-cutters, and the highway, dam, and bridge builders who are turning their natural habitat into a wasteland. The misadventures of this motley group make for an uproarious blend of chaos, conflict, and comedy.
Four irate rebels join forces to wage war on the stripminers, clear-cutters, and the highway, dam, and bridge builders who are turning their natural habitat into a wasteland. A new introduction by historian Douglas Brinkley puts this enduring cult classic in perspective by placing it at the forefront of an important historical movement.
About the Author
Edward Abbey, a onetime forest ranger, was born in Home, Pennsylvania, and spent most of his life in the American Southwest. He is the author of numerous works of fiction and nonfiction, including the muchcelebrated Desert Solitaire,which decried the waste of America's wilderness and established Abbey as one of the country's foremost defenders of the natural environment. Abbey died in 1989.
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