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Fool (Large Print)

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Fool (Large Print) Cover

 

Synopses & Reviews

Publisher Comments:

A man of infinite jest, Pocket has been Lear's cherished fool for years, from the time the king's grown daughters—selfish, scheming Goneril, sadistic (but erotic-fantasy-grade-hot) Regan, and sweet, loyal Cordelia—were mere girls. So naturally Pocket is at his brainless, elderly liege's side when Lear—at the insidious urging of Edmund, the bastard (in every way imaginable) son of the Earl of Gloucester—demands that his kids swear their undying love and devotion before a collection of assembled guests. Of course Goneril and Regan are only too happy to brownnose Dad. But Cordelia believes that her father's request is kind of . . . well . . . stupid, and her blunt honesty ends up costing her her rightful share of the kingdom and earns her a banishment to boot.

Well, now the bangers and mash have really hit the fan. The whole damn country's about to go to hell in a handbasket because of a stubborn old fart's wounded pride. And the only person who can possibly make things right . . . is Pocket, a small and slight clown with a biting sense of humor. He's already managed to sidestep catastrophe (and the vengeful blades of many an offended nobleman) on numerous occasions, using his razor-sharp mind, rapier wit . . . and the equally well-honed daggers he keeps conveniently hidden behind his back. Now he's going to have to do some very fancy maneuvering—cast some spells, incite a few assassinations, start a war or two (the usual stuff)—to get Cordelia back into Daddy Lear's good graces, to derail the fiendish power plays of Cordelia's twisted sisters, to rescue his gigantic, gigantically dim, and always randy friend and apprentice fool, Drool, from repeated beatings . . . and to shag every lusciously shaggable wench who's amenable to shagging along the way.

Pocket may be a fool . . . but he's definitely not an idiot.

Synopsis:

“Hilarious, always inventive, this is a book for all, especially uptight English teachers, bardolaters, and ministerial students.”
—Dallas Morning News

Fool—the bawdy and outrageous New York Times bestseller from the unstoppable Christopher Moore—is a hilarious new take on William Shakespeares King Lear…as seen through the eyes of the foolish lieges clownish jester, Pocket. A rousing tale of “gratuitous shagging, murder, spanking, maiming, treason, and heretofore unexplored heights of vulgarity and profanity,” Fool joins Moores own Lamb, Fluke, The Stupidest Angel, and You Suck! as modern masterworks of satiric wit and sublimely twisted genius, prompting Carl Hiassen to declare Christopher Moore “a very sick man, in the very best sense of the word.”

About the Author

Christopher Moore is the author of eleven other novels including Bloodsucking Fiends, The Stupidest Angel, and Island of the Sequined Love Nun.

Product Details

ISBN:
9780061719875
Subtitle:
A Novel
Author:
Moore, Christopher
Author:
by Christopher Moore
Publisher:
HarperLuxe
Subject:
General
Subject:
General Fiction
Subject:
Literature-A to Z
Copyright:
Edition Description:
Large Print
Large Print:
Y
Publication Date:
20090224
Binding:
Paperback
Grade Level:
General/trade
Language:
English
Illustrations:
Y
Pages:
432
Dimensions:
8.98x6.04x1.03 in. 1.04 lbs.

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Related Subjects

Fiction and Poetry
Fiction and Poetry » Literature » A to Z

Fool (Large Print) Used Trade Paper
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$7.95 In Stock
Product details 432 pages Harperluxe - English 9780061719875 Reviews:
"Synopsis" by , “Hilarious, always inventive, this is a book for all, especially uptight English teachers, bardolaters, and ministerial students.”
—Dallas Morning News

Fool—the bawdy and outrageous New York Times bestseller from the unstoppable Christopher Moore—is a hilarious new take on William Shakespeares King Lear…as seen through the eyes of the foolish lieges clownish jester, Pocket. A rousing tale of “gratuitous shagging, murder, spanking, maiming, treason, and heretofore unexplored heights of vulgarity and profanity,” Fool joins Moores own Lamb, Fluke, The Stupidest Angel, and You Suck! as modern masterworks of satiric wit and sublimely twisted genius, prompting Carl Hiassen to declare Christopher Moore “a very sick man, in the very best sense of the word.”

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