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The First Moderns: Profiles in the Origins of Twentieth-Century Thought

by

The First Moderns: Profiles in the Origins of Twentieth-Century Thought Cover

 

Synopses & Reviews

Publisher Comments:

A lively and accessible history of Modernism, The First Moderns is filled with portraits of genius, and intellectual breakthroughs, that richly evoke the fin-de-siècle atmosphere of Paris, Vienna, St. Louis, and St. Petersburg. William Everdell offers readers an invigorating look at the unfolding of an age.

"This exceptionally wide-ranging history is chock-a-block with anecdotes, factoids, odd juxtapositions, and useful insights. Most impressive. . . . For anyone interested in learning about late 19th- and early 20th- century imaginative thought, this engagingly written book is a good place to start."—Washington Post Book World

"The First Moderns brilliantly maps the beginning of a path at whose end loom as many diasporas as there are men."—Frederic Morton, The Los Angeles Times Book Review

"In this truly exciting study of the origins of modernist thought, poet and teacher Everdell roams freely across disciplinary lines. . . . A brilliant book that will prove useful to scholars and generalists for years to come; enthusiastically recommended."—Library Journal, starred review

"Everdell has performed a rare service for his readers. Dispelling much of the current nonsense about 'postmodernism,' this book belongs on the very short list of profound works of cultural analysis."—Booklist

"Innovative and impressive . . . [Everdell] has written a marvelous, erudite, and readable study."-Mark Bevir, Spectator

"A richly eclectic history of the dawn of a new era in painting, music, literature, mathematics, physics, genetics, neuroscience, psychiatry and philosophy."—Margaret Wertheim, New Scientist

"[Everdell] has himself recombined the parts of our era's intellectual history in new and startling ways, shedding light for which the reader of The First Moderns will be eternally grateful."—Hugh Kenner, The New York Times Book Review

"Everdell shows how the idea of "modernity" arose before the First World War by telling the stories of heroes such as T. S. Eliot, Max Planck, and Georges Serault with such a lively eye for detail, irony, and ambiance that you feel as if you're reliving those miraculous years."—Jon Spayde, Utne Reader

Synopsis:

With astounding range and scholarly command, "The First Moderns" provides "a comprehensive, insightful study of that elusive monster of an intellectual subject known as 'modernism'" (John Patrick Diggins, Professor of History, CUNY)--narrating portraits of genius, profiling intellectual breakthroughs, and richly evoking the "fin-de-siecle" atmosphere of Paris, Vienna, St. Louis, and St. Petersburg.

Synopsis:

A lively and accessible history of Modernism, The First Moderns is filled with portraits of genius, and intellectual breakthroughs, that richly evoke the fin-de-siecle atmosphere of Paris, Vienna, St. Louis, and St. Petersburg. William Everdell offers readers an invigorating look at the unfolding of an age.This exceptionally wide-ranging history is chock-a-block with anecdotes, factoids, odd juxtapositions, and useful insights. Most impressive. . . . For anyone interested in learning about late 19th- and early 20th- century imaginative thought, this engagingly written book is a good place to start.--Washington Post Book WorldThe First Moderns brilliantly maps the beginning of a path at whose end loom as many diasporas as there are men.--Frederic Morton, The Los Angeles Times Book ReviewIn this truly exciting study of the origins of modernist thought, poet and teacher Everdell roams freely across disciplinary lines. . . . A brilliant book that will prove useful to scholars and generalists for years to come; enthusiastically recommended.--Library Journal, starred reviewEverdell has performed a rare service for his readers. Dispelling much of the current nonsense about 'postmodernism, ' this book belongs on the very short list of profound works of cultural analysis.--BooklistInnovative and impressive . . . Everdell has written a marvelous, erudite, and readable study.-Mark Bevir, SpectatorA richly eclectic history of the dawn of a new era in painting, music, literature, mathematics, physics, genetics, neuroscience, psychiatry and philosophy.--Margaret Wertheim, New Scientist Everdell has himself recombined the parts of our era's intellectual history in newand startling ways, shedding light for which the reader of The First Moderns will be eternally grateful.--Hugh Kenner, The New York Times Book ReviewEverdell shows how the idea of modernity arose before the First World War by telling the stories of heroes such as T. S. Eliot, Max Planck, and Georges Serault with such a lively eye for detail, irony, and ambiance that you feel as if you're reliving those miraculous years.--Jon Spayde, Utne Reader

Description:

Includes bibliographical references (p. 423-461) and index.

Table of Contents

Acknowledgments

1. Introduction: What Modernism Is and What It Probably Isn't

2. The Century Ends in Vienna: Modernism's Time Lost, 1899

3. Georg Cantor, Richard Dedekind, and Gottlob Frege: What Is a Number, 1872-1883

4. Ludwig Boltzmann: Statistical Gases, Entropy, and the Direction of Time, 1872-1877

5. Georges Seurat: Divisionism, Cloisonnism, and Chronophotography, 1885

6. Whitman, Rimbaud, and Jules Laforgue: Poems without Meter, 1886

7. Santiago Ramon y Cajal: The Atoms of Brain, 1889

8. Valeriano Weyler y Nicolau: Inventing the Concentration Camp, 1896

9. Sigmund Freud: Time Repressed and Ever-Present, 1899

10. The Century Begins in Paris: Modernism on the Verge, 1900

11. Hugo de Vries and Max Planck: The Gene and the Quantum, 1900

12. Bertrand Russell and Edmund Husserl: Phenomenology, Number, and the Fall of Logic, 1901

13. Edwin S. Porter: Parts at Sixteen per Second, 1903

14. Meet Me in Saint Louis: Modernism Comes to Middle America, 1904

15. Albert Einstein: The Space-Time Interval and the Quantum of Light, 1905

16. Pablo Picasso: Seeing All Sides, 1906-1907

17. August Strindberg: Staging a Broken Dream, 1907

18. Arnold Schoenberg: Music in No Key, 1908

19. James Joyce: The Novel Goes to Pieces, 1909-1910

20. Vassily Kandisky: Art with No Object, 1911-1912

21. Annus Mirabilis: Vienna, Paris, and St. Petersburg, 1913

22. Discontinuous Epilogues: Heisenberg and Bohr, Godel and Turing, Merce Cunningham and Michael Foucault

Notes

Select Bibliography

Index

Product Details

ISBN:
9780226224800
Subtitle:
Profiles in the Origins of Twentieth-Century Thought
Author:
Everdell, William R.
Author:
Everdell, William R.
Publisher:
University Of Chicago Press
Location:
Chicago :
Subject:
Science
Subject:
History
Subject:
World
Subject:
History, modern
Subject:
Modern - 20th Century
Subject:
20th century
Subject:
Intellectual life
Subject:
Thought and thinking
Subject:
Modern - 19th Century
Subject:
Modernism
Subject:
Science -- History -- 20th century.
Subject:
World - General
Subject:
Thought and thinking -- History -- 20th century.
Subject:
Intellectual life -- History -- 20th century.
Subject:
World History-1650 to Present
Copyright:
Edition Description:
1
Series Volume:
map GP-691
Publication Date:
19970515
Binding:
Hardback
Grade Level:
General/trade
Language:
English
Illustrations:
Yes
Pages:
509
Dimensions:
9 x 6 in

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Related Subjects

History and Social Science » Western Civilization » 20th Century
History and Social Science » World History » 1650 to Present
Humanities » Literary Criticism » General
Humanities » Philosophy » General

The First Moderns: Profiles in the Origins of Twentieth-Century Thought Used Hardcover
0 stars - 0 reviews
$14.95 In Stock
Product details 509 pages University of Chicago Press - English 9780226224800 Reviews:
"Synopsis" by , With astounding range and scholarly command, "The First Moderns" provides "a comprehensive, insightful study of that elusive monster of an intellectual subject known as 'modernism'" (John Patrick Diggins, Professor of History, CUNY)--narrating portraits of genius, profiling intellectual breakthroughs, and richly evoking the "fin-de-siecle" atmosphere of Paris, Vienna, St. Louis, and St. Petersburg.
"Synopsis" by , A lively and accessible history of Modernism, The First Moderns is filled with portraits of genius, and intellectual breakthroughs, that richly evoke the fin-de-siecle atmosphere of Paris, Vienna, St. Louis, and St. Petersburg. William Everdell offers readers an invigorating look at the unfolding of an age.This exceptionally wide-ranging history is chock-a-block with anecdotes, factoids, odd juxtapositions, and useful insights. Most impressive. . . . For anyone interested in learning about late 19th- and early 20th- century imaginative thought, this engagingly written book is a good place to start.--Washington Post Book WorldThe First Moderns brilliantly maps the beginning of a path at whose end loom as many diasporas as there are men.--Frederic Morton, The Los Angeles Times Book ReviewIn this truly exciting study of the origins of modernist thought, poet and teacher Everdell roams freely across disciplinary lines. . . . A brilliant book that will prove useful to scholars and generalists for years to come; enthusiastically recommended.--Library Journal, starred reviewEverdell has performed a rare service for his readers. Dispelling much of the current nonsense about 'postmodernism, ' this book belongs on the very short list of profound works of cultural analysis.--BooklistInnovative and impressive . . . Everdell has written a marvelous, erudite, and readable study.-Mark Bevir, SpectatorA richly eclectic history of the dawn of a new era in painting, music, literature, mathematics, physics, genetics, neuroscience, psychiatry and philosophy.--Margaret Wertheim, New Scientist Everdell has himself recombined the parts of our era's intellectual history in newand startling ways, shedding light for which the reader of The First Moderns will be eternally grateful.--Hugh Kenner, The New York Times Book ReviewEverdell shows how the idea of modernity arose before the First World War by telling the stories of heroes such as T. S. Eliot, Max Planck, and Georges Serault with such a lively eye for detail, irony, and ambiance that you feel as if you're reliving those miraculous years.--Jon Spayde, Utne Reader
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