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"In her tale of an aspiring white writer in 1960s Mississippi who decides to secretly compile the untold stories of black domestic workers, Kathryn Stockett attempts to work out her own complicated feelings about race relations in her native South. She throws herself into the attempt with gusto and gravitas, a risk that pays off to a point: The Help is buoyant in its most sober moments, occasionally insightful. Skeeter Phelan is a misfit, a 24-year-old college grad growing uneasy with the social hierarchies of home; the two black women who risk their lives and livelihoods to help collect the interviews she seeks, Aibileen and Minny, are sympathetically if somewhat predictably drawn. Yet the buoyancy often undermines the book's more serious intentions; ultimately, The Help can't decide if it's modern Faulkner or pop lit with some racial lessons thrown in for fiber." Erin Aubry Kaplan, Ms. magazine (read the entire Ms. review)
Synopses & Reviews
Publisher Comments:
Three ordinary women are about to take one extraordinary step.
Twenty-two-year-old Skeeter has just returned home after graduating from Ole Miss. She may have a degree, but it is 1962, Mississippi, and her mother will not be happy till Skeeter has a ring on her finger. Skeeter would normally find solace with her beloved maid Constantine, the woman who raised her, but Constantine has disappeared and no one will tell Skeeter where she has gone.
Aibileen is a black maid, a wise, regal woman raising her seventeenth white child. Something has shifted inside her after the loss of her own son, who died while his bosses looked the other way. She is devoted to the little girl she looks after, though she knows both their hearts may be broken.
Minny, Aibileen's best friend, is short, fat, and perhaps the sassiest woman in Mississippi. She can cook like nobody's business, but she can't mind her tongue, so she's lost yet another job. Minny finally finds a position working for someone too new to town to know her reputation. But her new boss has secrets of her own.
Seemingly as different from one another as can be, these women will nonetheless come together for a clandestine project that will put them all at risk. And why? Because they are suffocating within the lines that define their town and their times. And sometimes lines are made to be crossed.
In pitch-perfect voices, Kathryn Stockett creates three extraordinary women whose determination to start a movement of their own forever changes a town, and the way women-mothers, daughters, caregivers, friends-view one another. A deeply moving novel filled with poignancy, humor, and hope, The Help is a timeless and universal story about the lines we abide by, and the ones we don't.
Review:
Southern whites' guilt for not expressing gratitude to the black maids who raised them threatens to become a familiar refrain. But don't tell Kathryn Stockett because her first novel is a nuanced variation on the theme that strikes every note with authenticity. In a page-turner that brings new resonance to the moral issues involved, she spins a story of social awakening as seen from both sides of the... Washington Post Book Review (read the entire Washington Post review) American racial divide. Newly graduated from Ole Miss with a degree in English but neither an engagement ring nor a steady boyfriend, Eugenia "Skeeter" Phelan returns to her parents' cotton farm in Jackson. Although it's 1962, during the early years of the civil rights movement, she is largely unaware of the tensions gathering around her town. Skeeter is in some ways an outsider. Her friends, bridge partners and fellow members of the Junior League are married. Most subscribe to the racist attitudes of the era, mistreating and despising the black maids whom they count on to raise their children. Skeeter is not racist, but she is naive and unwittingly patronizing. When her best friend makes a political issue of not allowing the "help" to use the toilets in their employers' houses, she decides to write a book in which the community's maids — their names disguised — talk about their experiences. Fear of discovery and retribution at first keep the maids from complying, but a stalwart woman named Aibileen, who has raised and nurtured 17 white children, and her friend Minny, who keeps losing jobs because she talks back when insulted and abused, sign on with Skeeter's risky project, and eventually 10 others follow. Aibileen and Minny share the narration with Skeeter, and one of Stockett's accomplishments is reproducing African American vernacular and racy humor without resorting to stilted dialogue. She unsparingly delineates the conditions of black servitude a century after the Civil War. The murders of Medgar Evers and Martin Luther King Jr. are seen through African American eyes, but go largely unobserved by the white community. Meanwhile, a room "full of cake-eating, Tab-drinking, cigarette-smoking women" pretentiously plan a fundraiser for the "Poor Starving Children of Africa." In general, Stockett doesn't sledgehammer her ironies, though she skirts caricature with a "white trash" woman who has married into an old Jackson family. Yet even this character is portrayed with the compassion and humor that keep the novel levitating above its serious theme. Reviewed by Sybil Steinberg, who was Forecasts editor of Publishers Weekly, Washington Post Book World (Copyright 2006 Washington Post Book World Service/Washington Post Writers Group) (hide most of this review)
Synopsis:
In Jackson, Mississippi, in 1962, there are lines that are not crossed. With the civil rights movement exploding all around them, three women start a movement of their own, forever changing a town and the way women--black and white, mothers and daughters--view one another.
Synopsis:
It’s 1950, and as the French Quarter of New Orleans simmers with secrets, seventeen-year-old Josie Moraine is silently stirring a pot of her own. Known among locals as the daughter of a brothel prostitute, Josie wants more out of life than the Big Easy has to offer. She devises a plan get out, but a mysterious death in the Quarter leaves Josie tangled in an investigation that will challenge her allegiance to her mother, her conscience, and Willie Woodley, the brusque madam on Conti Street.
Josie is caught between the dream of an elite college and a clandestine underworld. New Orleans lures her in her quest for truth, dangling temptation at every turn, and escalating to the ultimate test.
With characters as captivating as those in her internationally bestselling novel Between Shades of Gray, Ruta Sepetys skillfully creates a rich story of secrets, lies, and the haunting reminder that decisions can shape our destiny.
Synopsis:
Visit www.penguin.com for the latest news, tour information and more.
Listen to an excerpt from the audiobook.The wildly popular New York Times bestseller and reading group favorite
Aibileen is a black maid in 1962 Jackson, Mississippi, who's always taken orders quietly, but lately she's unable to hold her bitterness back. Her friend Minny has never held her tongue but now must somehow keep secrets about her employer that leave her speechless. White socialite Skeeter just graduated college. She's full of ambition, but without a husband, she's considered a failure. Together, these seemingly different women join together to write a tell-all book about work as a black maid in the South, that could forever alter their destinies and the life of a small town...
Kathryn Stockett was born and raised in Jackson, Mississippi. After graduating from the University of Alabama with a degree in English and creative writing, she moved to New York City, where she worked in magazine publishing and marketing for nine years. This is her first novel.
DebZ, March 3, 2012 (view all comments by DebZ)
I read many appalling things in this book; my mouth literally dropped open a few times. I found myself often considering how cruel people can be, in all kinds of situations. But, I laughed, too - out loud. I found the dialect sticking with me throughout the day; I would stand at the sink doing dishes and "hear" Minny and Aibileen. I do not pretend to be fluent in any Southern dialect but thought the author did a fine job of keeping it consistent. I'm sure the situation was much, much worse for many at that time but that this offered a good balance of the good and the bad within individuals trying to co-exist. I think the book has done a good service. Also, it was well-written and flowed impeccably well. The book did what I expect any good book to do: it entertained me while running me through a gamut of emotions.
Was this comment helpful? | Yes | No (2 of 4 readers found this comment helpful)
tina blacksmith, March 1, 2012 (view all comments by tina blacksmith)
I'm not even done with this book (still have a little over 100 pages left) but it is such a good book. Stockett did such a good job of displaying the emotions that these people had to have felt back then. Excellent read!!
Was this comment helpful? | Yes | No (2 of 4 readers found this comment helpful)
fritter, January 31, 2012 (view all comments by fritter)
This book makes a point that one person seeing injustice can change it with the help of other courageous people.
Was this comment helpful? | Yes | No (3 of 5 readers found this comment helpful)
"Review A Day"
by Erin Aubry Kaplan, Ms. magazine,
"In her tale of an aspiring white writer in 1960s Mississippi who decides to secretly compile the untold stories of black domestic workers, Kathryn Stockett attempts to work out her own complicated feelings about race relations in her native South. She throws herself into the attempt with gusto and gravitas, a risk that pays off to a point: The Help is buoyant in its most sober moments, occasionally insightful. Skeeter Phelan is a misfit, a 24-year-old college grad growing uneasy with the social hierarchies of home; the two black women who risk their lives and livelihoods to help collect the interviews she seeks, Aibileen and Minny, are sympathetically if somewhat predictably drawn. Yet the buoyancy often undermines the book's more serious intentions; ultimately, The Help can't decide if it's modern Faulkner or pop lit with some racial lessons thrown in for fiber." (read the entire Ms. review)
"Synopsis"
by Ingram,
In Jackson, Mississippi, in 1962, there are lines that are not crossed. With the civil rights movement exploding all around them, three women start a movement of their own, forever changing a town and the way women--black and white, mothers and daughters--view one another.
"Synopsis"
by Penguin,
It’s 1950, and as the French Quarter of New Orleans simmers with secrets, seventeen-year-old Josie Moraine is silently stirring a pot of her own. Known among locals as the daughter of a brothel prostitute, Josie wants more out of life than the Big Easy has to offer. She devises a plan get out, but a mysterious death in the Quarter leaves Josie tangled in an investigation that will challenge her allegiance to her mother, her conscience, and Willie Woodley, the brusque madam on Conti Street.
Josie is caught between the dream of an elite college and a clandestine underworld. New Orleans lures her in her quest for truth, dangling temptation at every turn, and escalating to the ultimate test.
With characters as captivating as those in her internationally bestselling novel Between Shades of Gray, Ruta Sepetys skillfully creates a rich story of secrets, lies, and the haunting reminder that decisions can shape our destiny.
"Synopsis"
by Firebrand,
Visit www.penguin.com for the latest news, tour information and more.
Listen to an excerpt from the audiobook.The wildly popular New York Times bestseller and reading group favorite
Aibileen is a black maid in 1962 Jackson, Mississippi, who's always taken orders quietly, but lately she's unable to hold her bitterness back. Her friend Minny has never held her tongue but now must somehow keep secrets about her employer that leave her speechless. White socialite Skeeter just graduated college. She's full of ambition, but without a husband, she's considered a failure. Together, these seemingly different women join together to write a tell-all book about work as a black maid in the South, that could forever alter their destinies and the life of a small town...
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