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Madame Bovary (Signet Classics)by Gustave Flaubert
Synopses & Reviews
Both embodiment and victim of the self-satisfied nineteenth-century French bourgeoisie, Emma Bovary lives in pursuit of something more, like the world depicted in the romance novels that have come to define her. Emma is oblivious to the realities of life, and her romantic delusions and search for transcendence through sex, money, and social position serve only to drive the increasingly troubled woman into an irreversible moral, emotional, and spiritual decline. That the author depicted his heroine in neutral terms, without condemnation, resulted in obscenity charges from the French courts, which likened the “lascivious” Madame Bovary’s “lack of restraint” to “a woman who throws off all garments.” Exactly. Madame Bovary remains one of the most daring and liberating novels ever written.
Includes The Trial of Madame Bovary
Translated by Mildred Marmur
With an Introduction by Robin Morgan and a New Afterword by Frederick Brown
"As for the intimate, deeper center of the book, there is no doubt that it resides in the adulterous woman; she alone possesses all the attributes of a worthy hero, albeit in the guise of a disgraced victim." Charles Baudelaire, L'artiste
Set amid the stifling atmosphere of nineteenth-century bourgeois France, Madame Bovary is at once an unsparing depiction of a woman’s gradual corruption and a savagely ironic study of human shallowness and stupidity. Neither Emma, nor her lovers, nor Homais, the man of science, escapes the author’s searing castigation; and it is the book’s final profound irony that only Charles, Emma’s oxlike, eternally deceived husband, emerges with a measure of human grace through his stubborn and selfless love. With its rare formal perfection, Madame Bovary represents, as Frank O’Connor has declared, “possibly the most beautifully written book ever composed; undoubtedly the most beautifully written novel…a book that invites superlatives…the most important novel of the century.”
Set amidst the stifling atmosphere of 19th-century bourgeois France, Flaubert's classic is at once an unsparing depiction of a woman's gradual corruption and a savagely ironic study of human stupidity. This repackaged edition features a new Introduction by leading feminist Robin Morgan.
About the Author
Gustave Flaubert (1821–80) was attracted to literature at an early age, and after his recovery from a nervous breakdown suffered while a law student, he turned his total energies to writing. Aside from journeys to the Near East, Greece, Italy, and North Africa and a stormy liaison with the poet Louise Colet, his life was dedicated to the practice of his art. The success of Madame Bovary (1857) was marred by government prosecution for “immorality.” Salammbô (1862) and The Sentimental Education (1869) received a cool public reception. Not until the publication of Three Tales (1877) was his genius popularly acknowledged. Among fellow writers, however, his reputation was supreme. His final bitterness and disillusion were vividly evidenced in the savagely satiric Bouvard and Pécuchet, left unfinished at his death.
An award-winning writer, feminist leader, political theorist, journalist, and editor, Robin Morgan has published seventeen books, including six of poetry, two of fiction, and the classic anthologies Sisterhood Is Powerful and Sisterhood Is Global. A founder of contemporary U.S. feminism, she has also been a leader in the international women’s movement for twenty-five years, and she is the author of a book of poetry, A Hot January: Poems 1996–1999, and the acclaimed Saturday’s Child: A Memoir. In 1990, as Editor-in-Chief of Ms., she relaunched the magazine as an international, award-winning bimonthly free of advertising, then resigned in 1993 to become Consulting Editor. A recipient of the National Endowment for the Arts Prize (Poetry), the Front Page Award for Distinguished Journalism, the Feminist Majority Foundation Award, and numerous other honors, she lives in New York City.
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