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Original Essays | April 30, 2013
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Dada Art and Anti-Art (World of Art)by Hans Richter
Synopses & ReviewsPublisher Comments:'Where and how Dada began is almost as difficult to determine as Homer's birthplace', writes Hans Richter, the artist and film-maker closely associated with this radical and transforming movement from its earliest days. Here he records and traces Dada's history, from its inception in about 1916 in wartime Zurich, to its collapse in Paris in 1922 when many of its members were to join the Surrealist movement, down to the present day when its spirit re-emerged first in the 1960s with, for example, Pop Art.
This absorbing eye witness narrative is greatly enlivened by extensive use of Dada documents, illustrations and a variety of texts by fellow Dadaists. It is a unique document of the movement, whether in Zurich, Berlin, Hanover, Paris or New York. The complex relationships and contributions of, among others, Hugo Ball, Tristan Tzara, Picabia, Arp, Schwitters, Hausmann, Duchamp, Ernst and Man Ray, are vividly brought to life. Synopsis:The late Hans Richter was well known as both a painter, a filmmaker, and sire of the Dada movementborn in Zurich around the time of the First World War. Here, through selections from key manifestos and other documents of the time, is Dada's history, including its "death" in the 1920s and reincarnation during the '60s. Hans Richter died in 1976. 179 illus. 8 in color.
Synopsis:"One of the best documents on this extraordinary movement."--The Sunday Times
Synopsis:In this absorbing first-hand account, available again after nearly 20 years, the author closely associated with the radical and transforming movement from its earliest days, records and traces Dada's history from its inception around 1916, in wartime Zurich, to its collapse in the Paris of the 1920s.
Description:Includes bibliographical references (p. 229-237) and index.
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