- STAFF PICKS
- GIFTS + GIFT CARDS
- SELL BOOKS
- FIND A STORE
Used Trade Paper
Ships in 1 to 3 days
Everything You Always Wanted to Know about Lacan: But Were Afraid to Ask Hitchcockby Slavoj Zizek
Synopses & Reviews
‘A modernist work of art is by definition ‘incomprehensible’; it functions as a shock, as the irruption of a trauma which undermines the complacency of our daily routine and resists being integrated. What postmodernism does, however, is the very opposite: it objects par excellence are products with mass appeal; the aim of the postmodernist treatment is to estrange their initial homeliness: ‘you think what you see is a simple melodrama your granny would have no difficulty in following? Yet without taking into account the difference between symptom and sinthom/the structure of the Borromean knot/the fact that Woman is one of the Names-of-the-Father ... you’ve totally missed the point!’ if there is an author whose name epitomises this interpretive pleasure of ‘estranging’ the most banal content, it is Alfred Hitchcock (and—useless to deny it—this book partakes unrestrainedly in this madness).’
Hitchcock is placed on the analyst’s couch in this extraordinary volume of case studies, as its contributors bring to bear an unrivalled enthusiasm and theoretical sweep on the entire Hitchcock oeuvre, from Rear Window to Psycho, as an exemplar of ‘postmodern’ defamiliarization. Starting from the premise that ‘everything has meaning’, the films’ ostensible narrative content and formal procedures are analysed to reveal a rich proliferation of ideological and psychical mechanisms at work. But Hitchcock is here to lure the reader into ‘serious’ Marxist and Lacanian considerations on the construction of meaning. Timely, provocative and original, this is sure to become a landmark of Hitchcock studies.
Contributors: Frederic Jameson, Pascal Bonitzer, Miran Bozovic, Michel Chion, Mlladen Dolar, Stojan Pellko, Renata Salecl, Alenka Zupancic and Slavoj iek.
Hitchcock gets onto the analyst"s couch in this extraordinary volume of case studies.
The contributors bring to bear an unrivalled enthusiasm and theoretical sweep on the entire Hitchcock oeuvre, from Rear Windowto Psycho, which is shown to be an exemplary source of postmodern defamiliarization. Starting from the premise that 'everything has meaning,' the authors analyze the films" ostensible narrative content and formal procedures to discover a rich proliferation of ideological and psychic mechanisms at work. But Hitchcock is also a bait to lure the reader into a serious Marxist and Lacanian exploration of the construction of meaning. An extraordinary landmark in Hitchcock studies, this edition features a brand new essay by Slavoj Zizek.
Hitchcock is placed on the analyst's couch in this extraordinary volume of case studies.
About the Author
Slavoj iek is a Slovenian philosopher and cultural critic. He is a professor at the European Graduate School, International Director of the Birkbeck Institute for the Humanities, Birkbeck College, University of London, and a senior researcher at the Institute of Sociology, University of Ljubljana, Slovenia. His books include Living in the End Times, First as Tragedy, Then as Farce, In Defense of Lost Causes, four volumes of the Essential iek, and many more.
What Our Readers Are Saying
Other books you might like
Arts and Entertainment » Film and Television » Criticism and Theory