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Masterpiece Comics

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Masterpiece Comics Cover

 

Synopses & Reviews

Publisher Comments:

HILARIOUS PARODIES OF CLASSIC LITERATURE REIMAGINED WITH CLASSIC COMICS

Masterpiece Comics adapts a variety of classic literary works with the most iconic visual idioms of twentieth-century comics. Dense with exclamation marks and lurid colors, R. Sikoryaks parodies remind us of the sensational excesses of the canon, or, if you prefer, of the economical expressiveness of classic comics from Batman to Garfield. In "Blond Eve,” Dagwood and Blondie are ejected from the Garden of Eden into their archetypal suburban home; Oscar Wildes Dorian Gray is reimagined as a foppish Little Nemo; and Camuss Stranger becomes a brooding, chain-smoking Golden Age Superman. Other source material includes Dante, Shakespeare, Dostoyevsky, bubblegum wrappers, superhero comics, kid cartoons, and more. 

Sikoryaks classics have appeared in landmark anthologies such as RAW and Drawn & Quarterly, all of which are collected in Masterpiece Comics, along with brilliant new graphic literary satires. His drawings have appeared on The Daily Show with Jon Stewart, as well as in The New Yorker, The Onion, Mad, and Nickelodeon Magazine.

Review:

"This slim but densely sly volume collects, at long last, 20 years of Sikoryak's classic lit/classic comics mashups. Blondie and Dagwood act out Genesis in 'Blonde Eve'; Garfield tempts Jon into a deal with the devil in 'Mephistofield'; and Batman turns into Raskol for a reworking of 'Crime and Punishment.' What could be simple parody in other hands is elevated to multileveled artistry by Sikoryak's uncanny ability to mimic the line of artists from Winsor McCay through Jack Davis to Charles Schulz. He goes far beyond mere imitation to eerily inhabit the artistic sensibilities of a dozen cartoonists; the result is as funny as it is impressive. These retellings linger on the philosophical underpinnings of such tales; coupled with the allusions and baggage of these familiar cartoon characters, the crossovers take on a life of their own to become legitimate adaptations. For instance, Little Pearl in 'Red Letter Day' features Marjorie Henderson Buell/John Stanley's Little Lulu characters in a note for note retelling of Hawthorne's The Scarlet Letter, contrasting the grim Puritan narrative with the animated expressions of the Bueel/Stanley originals to cast the sin-obsessed settlers into even sharper relief. Readers who pick this up for the well-deserved laughter will get a bonus with the thoughtful metaphors. (Sept.)" Publishers Weekly (Starred Review) (Copyright Reed Business Information, Inc.)

About the Author

R. Sikoryak is an animator, illustrator, and cartoonist living in New York with his wife. He is in the speakers program of the New York Council of the Humanities and teaches in the illustration department at Parsons School of Design.

Product Details

ISBN:
9781897299845
Author:
Sikoryak, R
Publisher:
Drawn & Quarterly
Author:
Sikoryak, R.
Subject:
General
Subject:
Graphic Novels
Subject:
Comic books, strips, etc.
Subject:
Graphic Novels - General
Copyright:
Edition Description:
Hardcover
Publication Date:
20090931
Binding:
HARDCOVER
Grade Level:
General/trade
Language:
English
Illustrations:
Full-Color Illustrations Throughout
Pages:
64
Dimensions:
12.00 x 9.00 in

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Related Subjects

Arts and Entertainment » Humor » Parodies
Fiction and Poetry » Graphic Novels » General
Fiction and Poetry » Graphic Novels » Oversized Books

Masterpiece Comics Used Hardcover
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$9.95 In Stock
Product details 64 pages Drawn & Quarterly - English 9781897299845 Reviews:
"Publishers Weekly Review" by , "This slim but densely sly volume collects, at long last, 20 years of Sikoryak's classic lit/classic comics mashups. Blondie and Dagwood act out Genesis in 'Blonde Eve'; Garfield tempts Jon into a deal with the devil in 'Mephistofield'; and Batman turns into Raskol for a reworking of 'Crime and Punishment.' What could be simple parody in other hands is elevated to multileveled artistry by Sikoryak's uncanny ability to mimic the line of artists from Winsor McCay through Jack Davis to Charles Schulz. He goes far beyond mere imitation to eerily inhabit the artistic sensibilities of a dozen cartoonists; the result is as funny as it is impressive. These retellings linger on the philosophical underpinnings of such tales; coupled with the allusions and baggage of these familiar cartoon characters, the crossovers take on a life of their own to become legitimate adaptations. For instance, Little Pearl in 'Red Letter Day' features Marjorie Henderson Buell/John Stanley's Little Lulu characters in a note for note retelling of Hawthorne's The Scarlet Letter, contrasting the grim Puritan narrative with the animated expressions of the Bueel/Stanley originals to cast the sin-obsessed settlers into even sharper relief. Readers who pick this up for the well-deserved laughter will get a bonus with the thoughtful metaphors. (Sept.)" Publishers Weekly (Starred Review) (Copyright Reed Business Information, Inc.)
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