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Moby-Dick in Pictures: One Drawing for Every Page

Moby-Dick in Pictures: One Drawing for Every Page Cover

 

Staff Pick

In 2009, Matt Kish had an idea, a dream, a plan. Every day he would read a page from Moby-Dick, choose one passage, and then create an image based on the text — for all 552 pages! A year and a half later his epic quest came to an end, and Portland's Tin House agreed to publish the whole collection. Moby-Dick in Pictures feels like a psychological journey, with Kish playing the role of both Ishmael the Chronicler and Ahab the Obsessive. I feel lucky just to be an observer on this extraordinary ride.
Recommended by Shawn D., Powells.com

Synopses & Reviews

Publisher Comments:

Inspired by one of the worldand#8217;s greatest novels, Ohio artist Matt Kish set out on an epic voyage of his own one day in August 2009. More than one hundred and fifty years following the original publication of Moby-Dick, Kish began illustrating Herman Melvilleand#8217;s classic, creating an image a day over the next eighteen months based on text selected from every page of the 552-page Signet Classics paperback edition. Completely self-taught, Kish refused to set any boundaries for the artwork and employed a deliberately low-tech approach in response to the increasing popularity of born-digital art and literature. He used found pages torn from old, discarded books, as well as a variety of mediums, including ballpoint pen, marker, paint, crayon, ink, and watercolor. By layering images on top of existing words and images, Kish has crafted a visual masterpiece that echoes the layers of meaning in Melvilleand#8217;s narrative.

Synopsis:

Refusing to set any boundaries, Matt Kish uses a wide variety of materials, including found paper, ballpoint pens, markers, paint, crayons, ink, and watercolors to create art inspired by lines from every single page of the 552-page Signet Classics edition of Moby-Dick. A hallmark of the project has been his use of pages torn from old, discarded books. Layering images on top of existing words and images, Kish has crafted a work that aptly echoes the layers of meaning in Melville’s narrative. His approach is deliberately low-tech, a counterresponse to the increasing popularity of born-digital art and literature. Kish spent nearly every day for 18 months toiling away in a small closet converted into an art studio. In order to easily share each image with friends and family, he started the blog One Drawing for Every Page of Moby-Dick and posted art and brief posts about the process on a daily basis.

Product Details

ISBN:
9781935639121
Subtitle:
One Drawing for Every Page
Publisher:
Tin House Books
Author:
Kish, Matt
Subject:
Individual Artist
Subject:
Art - Artists
Edition Description:
Trade Cloth
Publication Date:
20111004
Binding:
Hardback
Language:
English
Illustrations:
552 color illustrations
Pages:
600
Dimensions:
8 x 10 in

Related Subjects

Arts and Entertainment » Art » Artists
Arts and Entertainment » Art » Illustration
Arts and Entertainment » Art » Locked Case

Moby-Dick in Pictures: One Drawing for Every Page
0 stars - 0 reviews
$ In Stock
Product details 600 pages Tin House Books - English 9781935639121 Reviews:
"Staff Pick" by ,

In 2009, Matt Kish had an idea, a dream, a plan. Every day he would read a page from Moby-Dick, choose one passage, and then create an image based on the text — for all 552 pages! A year and a half later his epic quest came to an end, and Portland's Tin House agreed to publish the whole collection. Moby-Dick in Pictures feels like a psychological journey, with Kish playing the role of both Ishmael the Chronicler and Ahab the Obsessive. I feel lucky just to be an observer on this extraordinary ride.

"Synopsis" by ,
Refusing to set any boundaries, Matt Kish uses a wide variety of materials, including found paper, ballpoint pens, markers, paint, crayons, ink, and watercolors to create art inspired by lines from every single page of the 552-page Signet Classics edition of Moby-Dick. A hallmark of the project has been his use of pages torn from old, discarded books. Layering images on top of existing words and images, Kish has crafted a work that aptly echoes the layers of meaning in Melville’s narrative. His approach is deliberately low-tech, a counterresponse to the increasing popularity of born-digital art and literature. Kish spent nearly every day for 18 months toiling away in a small closet converted into an art studio. In order to easily share each image with friends and family, he started the blog One Drawing for Every Page of Moby-Dick and posted art and brief posts about the process on a daily basis.
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