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"A protagonist named Lilith drives the action in Marlon James' novel, so you can be sure that the male characters are destined for trouble....A master with an affinity for history and mythology bestows the ponderously premonitory moniker — which evokes a legendary demon queen — on a mulatto slave girl. Lilith grows up on a plantation in east Jamaica at the dawn of the 19th century. Early on, she learns that she possesses '[t]rue darkness and true womanness,' attributes that lead her to commit several acts of insubordination and eventually become involved in a slave rebellion." Rayyan Al-Shawaf, Miami Herald (read the entire Miami Herald review)
Synopses & Reviews
Publisher Comments:
From a young writer who radiates charisma and talent comes a sweeping, stylish historical novel of Jamaican slavery that can be compared only to Toni Morrison's Beloved, The Book of Night Women is a sweeping, startling novel, a true tour de force of both voice and storytelling. It is the story of Lilith, born into slavery on a Jamaican sugar plantation at the end of the eighteenth century. Even at her birth, the slave women around her recognize a dark power that they — and she — will come to both revere and fear.
The Night Women, as they call themselves, have long been plotting a slave revolt, and as Lilith comes of age and reveals the extent of her power, they see her as the key to their plans. But when she begins to understand her own feelings and desires and identity, Lilith starts to push at the edges of what is imaginable for the life of a slave woman in Jamaica, and risks becoming the conspiracy's weak link.
Lilith's story overflows with high drama and heartbreak, and life on the plantation is rife with dangerous secrets, unspoken jealousies, inhuman violence, and very human emotion — between slave and master, between slave and overseer, and among the slaves themselves. Lilith finds herself at the heart of it all. And all of it told in one of the boldest literary voices to grace the page recently — and the secret of that voice is one of the book's most intriguing mysteries.
Review:
"Every Negro walk in a circle," says the narrator of "The Book of Night Women." The phrase is repeated throughout Marlon James' darkly powerful second novel. It seems to mean that black life in the Americas was a vicious circle, full of the terrible things that whites did to blacks and that blacks did to whites and to blacks because of whites. "What a terrible thing 'pon this world the white man must... Washington Post Book Review (read the entire Washington Post review) be," says the woman Homer, the head slave at Montpelier, an early 19th-century Jamaican sugar plantation. "What a wicked, terrible, brutal creature, nothing no wicked like he so. That is the only thing they can teach we. Watch today when they see how much we learn." The book is full of such racial anger. Homer is leader of the Night Women: six hate-poisoned black half sisters, all disfigured by whippings, who have been meeting at night for years to plan an apocalyptic slave rebellion among neighboring plantations. The women, several of whom have green eyes, are all house slaves at Montpelier and daughters of the former overseer, green-eyed Jack Wilkins. Homer recruits a spirited, green-eyed teenager named Lilith, who has killed a would-be rapist. She teaches Lilith to read. When a person can read, "she can plan, if is even for just a minute," says Homer, who has one book, a stolen copy of "Joseph Andrews," by Henry Fielding. Unlike Joseph, a free white footman, Lilith can't walk away from the amorous advances of the master. She soon finds a copy of "The Faerie Queene," perhaps identifying with the female knight of Chastity, who falls in love with the knight of Justice when she sees his face in a magic mirror — the way Lilith fell in love with Montpelier's young Master Humphrey. Besides learning to read, Lilith is further educated in killing and domestic terror. All slavery was cruel, but none was as brutal and inhumane as in the West Indies, where whites were vastly outnumbered. Black life was cheap, especially since roving bands of armed runaways called Maroons captured new runaways for a fee. But in the midst of murder and arson, Lilith turns from romantic literature to romantic love with Quinn, a humanistic Irish overseer who has his own issues with the British. "Call me Robert," not "massa," he orders Lilith. With feelings for Quinn, Lilith has second thoughts about killing all whites on the plantation. Reading has made her wise as well as romantic. She warns Homer that the rebellion is suicidal. But Homer must prove that she is in charge, and the revolt erupts. Presumably because Lilith has known love, she is able to forgive the father who raped her 13-year-old mother — but kept Lilith from the cane fields and the whip. She tries to save his life in the inevitable blood bath during which blacks eviscerate their masters and victorious whites take revenge with mass roastings and the gibbet. It's another vicious circle. The book's narrator, speaking a sort of American pidgin, is the daughter of Lilith and Quinn. Her mother taught her to read and write. The circle of subversive black women begins anew — one hopes without whips. Reviewed by Gail Lumet Buckley, who is the author of 'The Hornes: An American Family' and 'American Patriots: The Story of Blacks in the Military from the Revolution to Desert Storm', Washington Post Book World (Copyright 2006 Washington Post Book World Service/Washington Post Writers Group) (hide most of this review)
Review:
"Writing in the spirit of Toni Morrison and Alice Walker but in a style all his own, James has conducted an experiment in how to write the unspeakable — even the unthinkable. And the results of that experiment are an undeniable success." New York Times
Review:
"[H]ard to pick up, even harder to put down." Chicago Tribune
Review:
"Marlon James has written an exquisite, haunting and beautiful novel, impossible to resist. Like the best of literature, The Book of Night Women deserves to be passed down hand to hand, generation to generation." Dinaw Mengestu, author of The Beautiful Things That Heaven Bears
Review:
"The Book of Night Women is a slave narrative, a story of rebellion, and a testament to the human heart in conflict with itself. It is a book of rip and rhythm. Of violence and tenderness. Of the healing glance in all the hatred. It reads like Faulkner in another skin. It is a brave book. And like the best, and most dangerous, of stories, it seems as if it was just waiting to be told." Colum McCann, author of Zoli and Dance
Review:
"With The Book of Night Women, Marlon James proves himself to be Jamaica's answer to Junot Diaz, Edwidge Danticat, and Zadie Smith. James imbues his lively, energetic prose and unforgettable characters with a precocious wisdom about love, race, and history that none of us has ever seen before, but that feels alive, even definitive, as soon weave read it." Colin Channer, author of The Girl with the Golden Shoes
Review:
"Pile them up, a Marlon James character says repeatedly, and Marlon does just that. Pile them up: language, imagery, technique, imagination. All fresh, all exciting." Chris Abani, author of The Virgin of Flames and GraceLand
Review:
"Marlon James's writing brings to mind early Toni Morrison, Jessica Hagedorn, and Gabriel Garcia MArquez." Kaylie Jones, author of A Soldier's Daughter Never Cries
Synopsis:
Read Marlon James's posts on the Penguin blog.
A true triumph of voice and storytelling, The Book of Night Women rings with both profound authenticity and a distinctly contemporary energy. It is the story of Lilith, born into slavery on a Jamaican sugar plantation at the end of the eighteenth century. Even at her birth, the slave women around her recognize a dark power that they- and she-will come to both revere and fear. The Night Women, as they call themselves, have long been plotting a slave revolt, and as Lilith comes of age they see her as the key to their plans. But when she begins to understand her own feelings, desires, and identity, Lilith starts to push at the edges of what is imaginable for the life of a slave woman, and risks becoming the conspiracy's weak link. But the real revelation of the book-the secret to the stirring imagery and insistent prose-is Marlon James himself, a young writer at once breathtakingly daring and wholly in command of his craft.
Synopsis:
#LINK<Read Marlon James's posts on the Penguin blog.>#
The Book of Night Women is a sweeping, startling novel, a true tour de force of both voice and storytelling. It is the story of Lilith, born into slavery on a Jamaican sugar plantation at the end of the eighteenth century. Even at her birth, the slave women around her recognize a dark power that they—and she—will come to both revere and fear.
The Night Women, as they call themselves, have long been plotting a slave revolt, and as Lilith comes of age and reveals the extent of her power, they see her as the key to their plans. But when she begins to understand her own feelings and desires and identity, Lilith starts to push at the edges of what is imaginable for the life of a slave woman in Jamaica, and risks becoming the conspiracy’s weak link.
Lilith’s story overflows with high drama and heartbreak, and life on the plantation is rife with dangerous secrets, unspoken jealousies, inhuman violence, and very human emotion—between slave and master, between slave and overseer, and among the slaves themselves. Lilith finds herself at the heart of it all. And all of it told in one of the boldest literary voices to grace the page recently—and the secret of that voice is one of the book’s most intriguing mysteries.
Marlon James was born in Kingston, Jamaica, in 1970. He graduated from the University of the West Indies in 1991 with a degree in literature. His first novel, John Crow's Devil, was shortlisted for the Commonwealth Writers' Prize and was a finalist for the Los Angeles Times Book Prize.
Lynne Perednia, May 24, 2009 (view all comments by Lynne Perednia)
Lilith doesn't remember her mother or father. She has been raised by a slave, Circe, who pretty much does as she likes on a Jamaican sugar plantation as the century turns from 18th to 19th. The closest thing she has to a father, she thinks, is a slave who has lost his mind, and a few body parts, and who is reduced to living on a chain outside like a pitbull.
Lilith survives under the protection of head house slave Homer, a woman who runs the household with rigor and holds her back straight. She also often speaks in riddles to Lilith, leaving the girl to figure out for herself what evil lurks in every heart. Including, in harrowing episodes, Lilith's own.
That such a child not only survives, but works toward living life on her own terms as best she can, may not seem plausible. But Marlon James, a literature and creative writing professor, makes it believable in his second novel, The Book of Night Women. As her circumstances change, usually drastically and often for the worse, Lilith has little support working her way through the labryinth of feelings that confront a girl who becomes a woman, all the while never knowing true freedom to feel as she would like. Whether it's coming to terms for her feelings toward three important white men in her life or her sisters who seek revenge, Lilith has a lot to consider.
James has written a brutal, earthy and compelling narrative written in a dialect that forces a reader to either let the story flow over or to slow down and ponder what every nuance means not only to his heroine, but also to the reader. There is language certain to offend people, especially those who can't even handle Mark Twain. There is never getting away from the harsh brutality of what slavery means, of the cruel physical and psychological misery that one group of people can do to another group, or one individual to another. The inability of the white people in the story to not understand that they haven't earned loyalty and affection after the whippings and rapings, and worse, is but one part of this massive story that has repercussions to this day.
The beauty of this novel is that the author does not have to stand on a soapbox. The reality of the way people were treated speaks for itself. What James has done is to bring to vivid life the emotions and feelings of characters who are part of it without having a say in their place. And this includes some white characters as well as the slaves. That not many of the characters can handle their fate well does not mean their stories are not worth telling.
Was this comment helpful? | Yes | No (5 of 7 readers found this comment helpful)
Dian Francesca, March 4, 2009 (view all comments by Dian Francesca)
When I saw the title, and being a chef, I immediately thought it meant Pasta Puttenesca, which translates to ladies of the night. I make it all the time! The "ladies" would always mix up a batch for their "gentlemen friends", after a little roll in the snow, so-to-speak. The ingredients were cheap, and plentiful, and the recipe was quick and easy...just like the evening.
Was this comment helpful? | Yes | No (3 of 22 readers found this comment helpful)
"Review A Day"
by Rayyan Al-Shawaf, Miami Herald,
"A protagonist named Lilith drives the action in Marlon James' novel, so you can be sure that the male characters are destined for trouble....A master with an affinity for history and mythology bestows the ponderously premonitory moniker — which evokes a legendary demon queen — on a mulatto slave girl. Lilith grows up on a plantation in east Jamaica at the dawn of the 19th century. Early on, she learns that she possesses '[t]rue darkness and true womanness,' attributes that lead her to commit several acts of insubordination and eventually become involved in a slave rebellion." (read the entire Miami Herald review)
"Review"
by New York Times,
"Writing in the spirit of Toni Morrison and Alice Walker but in a style all his own, James has conducted an experiment in how to write the unspeakable — even the unthinkable. And the results of that experiment are an undeniable success."
"Review"
by Chicago Tribune,
"[H]ard to pick up, even harder to put down."
"Review"
by Dinaw Mengestu, author of The Beautiful Things That Heaven Bears,
"Marlon James has written an exquisite, haunting and beautiful novel, impossible to resist. Like the best of literature, The Book of Night Women deserves to be passed down hand to hand, generation to generation."
"Review"
by Colum McCann, author of Zoli and Dance,
"The Book of Night Women is a slave narrative, a story of rebellion, and a testament to the human heart in conflict with itself. It is a book of rip and rhythm. Of violence and tenderness. Of the healing glance in all the hatred. It reads like Faulkner in another skin. It is a brave book. And like the best, and most dangerous, of stories, it seems as if it was just waiting to be told."
"Review"
by Colin Channer, author of The Girl with the Golden Shoes,
"With The Book of Night Women, Marlon James proves himself to be Jamaica's answer to Junot Diaz, Edwidge Danticat, and Zadie Smith. James imbues his lively, energetic prose and unforgettable characters with a precocious wisdom about love, race, and history that none of us has ever seen before, but that feels alive, even definitive, as soon weave read it."
"Review"
by Chris Abani, author of The Virgin of Flames and GraceLand,
"Pile them up, a Marlon James character says repeatedly, and Marlon does just that. Pile them up: language, imagery, technique, imagination. All fresh, all exciting."
"Review"
by Kaylie Jones, author of A Soldier's Daughter Never Cries,
"Marlon James's writing brings to mind early Toni Morrison, Jessica Hagedorn, and Gabriel Garcia MArquez."
"Synopsis"
by Firebrand,
Read Marlon James's posts on the Penguin blog.
A true triumph of voice and storytelling, The Book of Night Women rings with both profound authenticity and a distinctly contemporary energy. It is the story of Lilith, born into slavery on a Jamaican sugar plantation at the end of the eighteenth century. Even at her birth, the slave women around her recognize a dark power that they- and she-will come to both revere and fear. The Night Women, as they call themselves, have long been plotting a slave revolt, and as Lilith comes of age they see her as the key to their plans. But when she begins to understand her own feelings, desires, and identity, Lilith starts to push at the edges of what is imaginable for the life of a slave woman, and risks becoming the conspiracy's weak link. But the real revelation of the book-the secret to the stirring imagery and insistent prose-is Marlon James himself, a young writer at once breathtakingly daring and wholly in command of his craft.
"Synopsis"
by Penguin,
#LINK<Read Marlon James's posts on the Penguin blog.>#
The Book of Night Women is a sweeping, startling novel, a true tour de force of both voice and storytelling. It is the story of Lilith, born into slavery on a Jamaican sugar plantation at the end of the eighteenth century. Even at her birth, the slave women around her recognize a dark power that they—and she—will come to both revere and fear.
The Night Women, as they call themselves, have long been plotting a slave revolt, and as Lilith comes of age and reveals the extent of her power, they see her as the key to their plans. But when she begins to understand her own feelings and desires and identity, Lilith starts to push at the edges of what is imaginable for the life of a slave woman in Jamaica, and risks becoming the conspiracy’s weak link.
Lilith’s story overflows with high drama and heartbreak, and life on the plantation is rife with dangerous secrets, unspoken jealousies, inhuman violence, and very human emotion—between slave and master, between slave and overseer, and among the slaves themselves. Lilith finds herself at the heart of it all. And all of it told in one of the boldest literary voices to grace the page recently—and the secret of that voice is one of the book’s most intriguing mysteries.
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