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9.5 Theses on Art and Class

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9.5 Theses on Art and Class Cover

 

Synopses & Reviews

Publisher Comments:

9.5 Theses on Art and Class seeks to show how a clear understanding of class makes sense of what is at stake in a broad number of contemporary art's most persistent debates, from definitions of political art to the troubled status of "outsider" and street art to the question of how we maintain faith in art itself.

Ben Davis currently lives and works in New York City where he is Executive Editor at Artinfo.

Review:

"In this provocative essay collection, Artinfo executive editor Davis's thesis makes the relentless theoretical debates over art and politics seem tangential. 'There are no formal or aesthetic solutions to the political and economic dilemmas that art faces — only political and economic solutions,' he writes. An old-fashioned Marxist, Davis examines class and inequality to address problems that bedevil contemporary art (the distortions effected by scandalous amounts of cash, for instance), problems that he claims are also those of society at large. Davis is an intellectually clearheaded critic dishing out some tough truths, often backed up with statistics, to the rarefied 'art world.' For example, he attributes the underrepresentation of female artists in galleries and collections to the gender pay gap and the absence of an 'activist-oriented women's rights movement.' He condemns what he aptly calls 'aesthetic politics' as a delusion and an 'excuse not to be engaged in the difficult, ugly business of organizing.' His claim that visual art is essentially a form of 'middle-class labor' dispels the lofty romance that obscures the social position of artists. The book reframes the production and sale of art in tough terms, which is why the collection's centerpiece, '9.5 Theses on Art and Class,' should be required reading for art professionals. In this first book, Davis proves himself a critic to be reckoned with. (July)" Publishers Weekly Copyright PWxyz, LLC. All rights reserved.

Synopsis:

Ben Davis draws the curtain back on the contemporary art world to assail its commodified roots.

About the Author

Ben Davis was born in Seattle, Washington. He currently lives and works in New York City where he is Executive Editor at Artinfo.

Product Details

ISBN:
9781608462681
Author:
Davis, Ben
Publisher:
Haymarket Books
Subject:
Criticism
Subject:
Art-Theory and Criticism
Copyright:
Edition Description:
Trade Paper
Publication Date:
20130731
Binding:
TRADE PAPER
Language:
English
Pages:
224
Dimensions:
7.88 x 5.25 in

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Related Subjects

Arts and Entertainment » Art » General
Arts and Entertainment » Art » Theory and Criticism
Featured Titles » History and Social Science
History and Social Science » Politics » General
History and Social Science » Politics » Leftist Studies
History and Social Science » Social Science » Essays
History and Social Science » Sociology » Social Classes

9.5 Theses on Art and Class New Trade Paper
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Product details 224 pages Haymarket Books - English 9781608462681 Reviews:
"Publishers Weekly Review" by , "In this provocative essay collection, Artinfo executive editor Davis's thesis makes the relentless theoretical debates over art and politics seem tangential. 'There are no formal or aesthetic solutions to the political and economic dilemmas that art faces — only political and economic solutions,' he writes. An old-fashioned Marxist, Davis examines class and inequality to address problems that bedevil contemporary art (the distortions effected by scandalous amounts of cash, for instance), problems that he claims are also those of society at large. Davis is an intellectually clearheaded critic dishing out some tough truths, often backed up with statistics, to the rarefied 'art world.' For example, he attributes the underrepresentation of female artists in galleries and collections to the gender pay gap and the absence of an 'activist-oriented women's rights movement.' He condemns what he aptly calls 'aesthetic politics' as a delusion and an 'excuse not to be engaged in the difficult, ugly business of organizing.' His claim that visual art is essentially a form of 'middle-class labor' dispels the lofty romance that obscures the social position of artists. The book reframes the production and sale of art in tough terms, which is why the collection's centerpiece, '9.5 Theses on Art and Class,' should be required reading for art professionals. In this first book, Davis proves himself a critic to be reckoned with. (July)" Publishers Weekly Copyright PWxyz, LLC. All rights reserved.
"Synopsis" by ,
Ben Davis draws the curtain back on the contemporary art world to assail its commodified roots.
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