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Prodigal Summer LP (Large Print)by Barbara Kingsolver
Synopses & Reviews
After earning international acclaim with The Poisonwood Bible, Barbara Kingsolver returns in Prodigal Summer to her childhood stomping grounds of southern Appalachia, making a stop on the New York Times Bestseller list along the way. This award winning fifth novel is somewhat lighter than her earlier works, though no less meaningful and certainly just as entertaining. Kingsolver deftly embraces new risks, largely in the interaction of setting and plot lines that carry her message. High above the Zebulon Valley, a reclusive Forest Service biologist is forced to consider her own connection with humanity when a young bounty hunter trailing the same coyotes she's observing becomes her unlikely companion. Down the mountain, a young widow faces a choice between protecting her heart (by moving back to the city) or pouring it into the land to which she has become deeply attached. Further down the road, two elderly neighbors squabbling over pesticides and God are drawn together by their ideological differences to share a lesson in interdependence. All three plots unfold as the nature within and around them follows the abundant summer's urging to procreate. Where lesser writers would turn these fertile scenes into a prodigal disaster, Kingsolver weaves instead a beautifully detailed, touching meditation on nature and the connection that all things share within it. Prodigal Summer's carefully crafted ecological treatise is a love story told with Kingsolver's signature keen observations and earthy, poetic wit. Powell's customers named Prodigal Summer among their favorites and it's sure to please others in search of a richly refreshing, heartwarming and thoughtful read. Lilus, Powells.com
Barbara Kingsolver, a writer praised for her "extravagantly gifted narrative voice" (New York Times Book Review), has created with this novel a hymn to wildness that celebrates the prodigal spirit of human nature, and of nature itself.
Prodigal Summer weaves together three stories of human love within a larger tapestry of lives inhabiting the forested mountains and struggling small farms of southern Appalachia. At the heart of these intertwined narratives is a den of coyotes that have recently migrated into the region. Deanna Wolfe, a reclusive wildlife biologist, watches the forest from her outpost in an isolated mountain cabin where she is caught off-guard by Eddie Bondo, a young hunter who comes to invade her most private spaces and confound her self-assured, solitary life. On a farm several miles down the mountain, another web of lives unfolds as Lusa Maluf Landowski, a bookish city girl turned farmer's wife, finds herself unexpectedly marooned in a strange place where she must declare or lose her attachment to the land. And a few more miles down the road, a pair of elderly, feuding neighbors tend their respective farms and wrangle about God, pesticides, and the complexities of a world neither of them expected.
Over the course of one humid summer, as the urge to procreate overtakes a green and profligate countryside, these characters find connections to one another and to the flora and fauna with which they necessarily share a place. Their discoveries are embedded inside countless intimate lessons of biology, the realities of small farming, and the final, urgent truth that humans are only one part of life on earth.
With the richness that characterizes Barbara Kingsolver's finest work, Prodigal Summer embraces pure thematic originality and demonstrates a balance of narrative and ideas that only an accomplished novelist could render so beautifully.:
About the Author
Barbara Kingsolver was born on April 8, 1955. She grew up "in the middle of an alfalfa field," in the part of eastern Kentucky that lies between the opulent horse farms and the impoverished coal fields. While her family has deep roots in the region, she never imagined staying there herself. "The options were limited--grow up to be a farmer or a farmer's wife."
Kingsolver has always been a storyteller: "I used to beg my mother to let me tell her a bedtime story." As a child, she wrote stories and essays and, beginning at the age of eight, kept a journal religiously. Still, it never occurred to Kingsolver that she could become a professional writer. Growing up in a rural place, where work centered mainly on survival, writing didn't seem to be a practical career choice. Besides, the writers she read, she once explained, "were mostly old, dead men. It was inconceivable that I might grow up to be one of those myself . . . "
Kingsolver left Kentucky to attend DePauw University in Indiana, where she majored in biology. She also took one creative writing course, and became active in the last anti-Vietnam War protests. After graduating in 1977, Kingsolver lived and worked in widely scattered places. In the early eighties, she pursued graduate studies in biology and ecology at the University of Arizona in Tucson, where she received a Masters of Science degree. She also enrolled in a writing class taught by author Francine Prose, whose work Kingsolver admires.
Kingsolver's fiction is rich with the language and imagery of her native Kentucky. But when she first left home, she says, "I lost my accent . . . [P]eople made terrible fun of me for the way I used to talk, so I gave it up slowly and became something else." During her years in school and two years spent living in Greece and France she supported herself in a variety of jobs: as an archaeologist, copy editor, X-ray technician, housecleaner, biological researcher and translator of medical documents. After graduate school, a position as a science writer for the University of Arizona soon led her into feature writing for journals and newspapers. Her numerous articles have appeared in a variety of publications, including The Nation, The New York Times, and Smithsonian, and many of them are included in the collection, High Tide in Tucson: Essays from Now or Never. In 1986 she won an Arizona Press Club award for outstanding feature writing, and in 1995, after the publication of High Tide in Tucson, Kingsolver was awarded an Honorary Doctorate of Letters from her alma mater, De Pauw University.
Kingsolver credits her careers in scientific writing and journalism with instilling in her a writer's discipline and broadening her "fictional possiblities." Describing herself as a shy person who would generally prefer to stay at home with her computer, she explains that "journalism forces me to meet and talk with people I would never run across otherwise."
From 1985 through 1987, Kingsolver was a freelance journalist by day, but she was writing fiction by night. Married to a chemist in 1985, she suffered from insomnia after becoming pregnant the following year. Instead of following her doctor's recommendation to scrub the bathroom tiles with a toothbrush, Kingsolver sat in a closet and began to write The Bean Trees, a novel about a young woman who leaves rural Kentucky (accent intact) and finds herself living in urban Tucson.
The Bean Trees, published by HarperCollins in 1988, and reissued in a special ten-year anniversary hardcover edition in 1998, was enthusiastically received by critics. But, perhaps more important to Kingsolver, the novel was read with delight and, even, passion by ordinary readers. "A novel can educate to some extent," she told Publishers Weekly. "But first, a novel has to entertain--that's the contract with the reader: you give me ten hours and I'll give you a reason to turn every page. I have a commitment to accessiblity. I believe in plot. I want an English professor to understand the symbolism while at the same time I want the people I grew up with--who may not often read anything but the Sears catalogue--to read my books."
For Kingsolver, writing is a form of political activism. When she was in her twenties she discovered Doris Lessing. "I read the Children of Violence novels and began to understand how a person could write about the problems of the world in a compelling and beautiful way. And it seemed to me that was the most important thing I could ever do, if I could ever do that."
The Bean Treeswas followed by the collection, Homeland and Other Stories(1989), the novels Animal Dreams(1990), and Pigs in Heaven(1993), and the bestselling High Tide in Tucson: Essays from Now and Never(1995). Kingsolver has also published a collection of poetry, Another America: Otra America(Seal Press, 1992, 1998), and a nonfiction book, Holding the Line: Women in the Great Arizona Mine Strike of l983(ILR Press/Cornell University Press, 1989, 1996). The Poisonwood Bible, published in 1998, earned accolades at home and abroad, and was an Oprah's Book Club selection.
Barbara's Prodigal Summer, released in November of 2000, is a novel set in a rural farming community in southern Appalachia. Small Wonder, April 2002, presents twenty-three wonderfully articulate essays. Here Barbara raises her voice in praise of nature, family, literature, and the joys of everyday life while examining the genesis of war, violence, and poverty in our world.
Barbara Kingsolver presently lives outside of Tucson with her husband Steven Hopp, and her two daughters, Camille from a previous marriage, and Lily, who was born in 1996. When not writing or spending time with her family, Barbara gardens, cooks, hikes, and works as an environmental activist and human-rights advocate.
Given that Barbara Kingsolver's work covers the psychic and geographical territories that she knows firsthand, readers often assume that her work is autobiographical. "There are little things that people who know me might recognize in my novels," she acknowledges. "But my work is not about me. I don't ever write about real people. That would be stealing, first of all. And second of all, art is supposed to be better than that. If you want a slice of life, look out the window. An artist has to look out that window, isolate one or two suggestive things, and embroider them together with poetry and fabrication, to create a revelation. If we can't, as artists, improve on real life, we should put down our pencils and go bake bread."
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