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Other titles in the Divine Comedy of Dante Alighieri series:

Divine Comedy of Dante Alighieri #0001: Inferno

by

Divine Comedy of Dante Alighieri #0001: Inferno Cover

ISBN13: 9780195087444
ISBN10: 0195087445
All Product Details

 

Synopses & Reviews

Publisher Comments:

This first volume of Robert Durling's new translation of The Divine Comedy brings a new power and accuracy to the rendering of Dante's extraordinary vision of Hell, with all its terror, pathos, and humor. Remarkably true to both the letter and spirit of this central work of Western literature, Durling's is a prose translation (the first to appear in twenty-five years), and is thus free of the exigencies of meter and rhyme that hamper recent verse translations. As Durling notes, "the closely literal style is a conscious effort to convey in part the nature of Dante's Italian, notoriously craggy and difficult even for Italians." Rigorously accurate as to meaning, it is both clear and supple, while preserving to an unparalleled degree the order and emphases of Dante's complex syntax.

The Durling-Martinez Inferno is also user-friendly. The Italian text, newly edited, is printed on each verso page; the English mirrors it in such a way that readers can easily find themselves in relation to the original terza rima. Designed with the first-time reader of Dante in mind, the volume includes comprehensive notes and textual commentary by Martinez and Durling: both are life-long students of Dante and other medieval writers (their Purgatorio and Paradiso will appear next year). Their introduction is a small masterpiece of its kind in presenting lucidly and concisely the historical and conceptual background of the poem. Sixteen short essays are provided that offer new inquiry into such topics as the autobiographical nature of the poem, Dante's views on homosexuality, and the recurrent, problematic body analogy (Hell has a structure parallel to that of the human body). The extensive notes, containing much new material, explain the historical, literary, and doctrinal references, present what is known about the damned souls Dante meets --from the lovers who spend eternity in the whirlwind of their passion, to Count Ugolino, who perpetually gnaws at his enemy's skull--disentangle the vexed party politics of Guelfs and Ghibellines, illuminate difficult and disputed passages, and shed light on some of Dante's unresolved conflicts.

Robert Turner's illustrations include detailed maps of Italy and several of its regions, clearly labeled diagrams of the cosmos and the structure of Hell, and eight line drawings illustrating objects and places mentioned in the poem. With its exceptionally high standard of typography and design, the Durling-Martinez Inferno offers readers a solid cornerstone for any home library. It will set the standard for years to come.

Synopsis:

This is the first volume of a new prose translation of Dante's epic - the first in twenty-five years. Robert Durling's translation brings a new power and accuracy to the rendering of Dante's extraordinary vision of Hell, with its terror, pathos, and sardonic humour, and its penetrating analyses of the psychology of sin and the ills that plague society.

A newly edited version of the Italian text can be on facing pages, and this edition includes fully comprehensive notes as well as sixteen essays on special subjects.

Synopsis:

Robert Durling's spirited new prose translation of the Paradiso completes his masterful rendering of the Divine Comedy. Durling's earlier translations of the Inferno and the Purgatorio garnered high praise, and with this superb version of the Paradiso readers can now traverse the entirety of Dante's epic poem of spiritual ascent with the guidance of one of the greatest living Italian-to-English translators.

Reunited with his beloved Beatrice in the Purgatorio, in the Paradiso the poet-narrator journeys with her through the heavenly spheres and comes to know "the state of blessed souls after death." As with the previous volumes, the original Italian and its English translation appear on facing pages. Readers will be drawn to Durling's precise and vivid prose, which captures Dante's extraordinary range of expression--from the high style of divine revelation to colloquial speech, lyrical interludes, and scornful diatribes against corrupt clergy.

This edition boasts several unique features. Durling's introduction explores the chief interpretive issues surrounding the Paradiso, including the nature of its allegories, the status in the poem of Dante's human body, and his relation to the mystical tradition. The notes at the end of each canto provide detailed commentary on historical, theological, and literary allusions, and unravel the obscurity and difficulties of Dante's ambitious style . An unusual feature is the inclusion of the text, translation, and commentary on one of Dante's chief models, the famous cosmological poem by Boethius that ends the third book of his Consolation of Philosophy. A substantial section of Additional Notes discusses myths, symbols, and themes that figure in all three cantiche of Dante's masterpiece. Finally, the volume includes a set of indexes that is unique in American editions, including Proper Names Discussed in the Notes (with thorough subheadings concerning related themes), Passages Cited in the Notes, and Words Discussed in the Notes, as well as an Index of Proper Names in the text and translation. Like the previous volumes, this final volume includes a rich series of illustrations by Robert Turner.

About the Author

Robert M. Durling is Professor Emeritus of Italian and English Literature at the University of California, Santa Cruz. His translation of Petrarch's Lyric Poetry (1976) has been widely acclaimed.

Ronald L. Martinez is co-author, with Durling, of Time and the Crystal: Studies in Dante's 'Rime petrose' (1990) and has published articles on Dante, Boccaccio, Machiavelli, and Ariosto.

Robert Turner has been a professional illustrator since 1979; he is employed as a graphic artist in archaeology at the Museum of New Mexico in Santa Fe.

Table of Contents

Vol 1. Inferno. c1996.

What Our Readers Are Saying

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Average customer rating based on 1 comment:

Aaron M, May 3, 2010 (view all comments by Aaron M)
Dante's Inferno, in and of itself, is one of the greatest examples of writing in history. This edition contains not only the original Italian on facing pages with the English translation, but has excellent notes, explaining who characters are, references that Dante makes and even explains potentially ambiguous translations. Basically, this is an extremely accessible version of an amazing poem that can be very daunting. (Get it? Daunting? Dante? These are the jokes, people!)
Was this comment helpful? | Yes | No
(1 of 1 readers found this comment helpful)

Product Details

ISBN:
9780195087444
Editor:
Durling, Robert M.
Author:
Turner, Robert
Editor:
Durling, Robert M.
Author:
null, Ronald L.
Author:
null, Robert
Author:
Dante
Author:
Dante Alighieri
Author:
null, Robert M.
Author:
Durling, Robert M.
Author:
Martinez, Ronald L.
Publisher:
Oxford University Press, USA
Location:
New York
Subject:
Continental european
Subject:
European - Italian
Subject:
Dante Alighieri
Subject:
Single Author - Continental European
Subject:
General Poetry
Subject:
Literature/English | World Literature | Italy
Subject:
Anthologies-Miscellaneous International Poetry
Copyright:
Edition Description:
hardcover 9840
Series:
Divine Comedy of Dante Alighieri
Series Volume:
0001
Publication Date:
19970331
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Illustrations:
15 illus.
Pages:
672
Dimensions:
6.1 x 9.2 x 1.7 in 1.9 lb

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Related Subjects


Fiction and Poetry » Anthologies » Miscellaneous International Poetry
Fiction and Poetry » Classics » Italian Medieval and Renaissance
Fiction and Poetry » Classics » Medieval and Nordic
Fiction and Poetry » Classics » Medieval and Renaissance
Fiction and Poetry » Literature » A to Z
Humanities » Literary Criticism » General

Divine Comedy of Dante Alighieri #0001: Inferno New Trade Paper
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Product details 672 pages Oxford University Press - English 9780195087444 Reviews:
"Synopsis" by , This is the first volume of a new prose translation of Dante's epic - the first in twenty-five years. Robert Durling's translation brings a new power and accuracy to the rendering of Dante's extraordinary vision of Hell, with its terror, pathos, and sardonic humour, and its penetrating analyses of the psychology of sin and the ills that plague society.

A newly edited version of the Italian text can be on facing pages, and this edition includes fully comprehensive notes as well as sixteen essays on special subjects.

"Synopsis" by , Robert Durling's spirited new prose translation of the Paradiso completes his masterful rendering of the Divine Comedy. Durling's earlier translations of the Inferno and the Purgatorio garnered high praise, and with this superb version of the Paradiso readers can now traverse the entirety of Dante's epic poem of spiritual ascent with the guidance of one of the greatest living Italian-to-English translators.

Reunited with his beloved Beatrice in the Purgatorio, in the Paradiso the poet-narrator journeys with her through the heavenly spheres and comes to know "the state of blessed souls after death." As with the previous volumes, the original Italian and its English translation appear on facing pages. Readers will be drawn to Durling's precise and vivid prose, which captures Dante's extraordinary range of expression--from the high style of divine revelation to colloquial speech, lyrical interludes, and scornful diatribes against corrupt clergy.

This edition boasts several unique features. Durling's introduction explores the chief interpretive issues surrounding the Paradiso, including the nature of its allegories, the status in the poem of Dante's human body, and his relation to the mystical tradition. The notes at the end of each canto provide detailed commentary on historical, theological, and literary allusions, and unravel the obscurity and difficulties of Dante's ambitious style . An unusual feature is the inclusion of the text, translation, and commentary on one of Dante's chief models, the famous cosmological poem by Boethius that ends the third book of his Consolation of Philosophy. A substantial section of Additional Notes discusses myths, symbols, and themes that figure in all three cantiche of Dante's masterpiece. Finally, the volume includes a set of indexes that is unique in American editions, including Proper Names Discussed in the Notes (with thorough subheadings concerning related themes), Passages Cited in the Notes, and Words Discussed in the Notes, as well as an Index of Proper Names in the text and translation. Like the previous volumes, this final volume includes a rich series of illustrations by Robert Turner.

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