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1 Hawthorne Art- History and Criticism

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The Great Image Has No Form, or on the Nonobject Through Painting

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The Great Image Has No Form, or on the Nonobject Through Painting Cover

 

Synopses & Reviews

Publisher Comments:

In premodern China, elite painters used imagery not to mirror the world around them, but to evoke unfathomable experience. Considering their art alongside the philosophical traditions that inform it, The Great Image Has No Form explores the andldquo;nonobjectandrdquo;andmdash;a notion exemplified by paintings that do not seek to represent observable surroundings.

Franandccedil;ois Jullien argues that this nonobjectifying approach stems from the paintersandrsquo; deeply held belief in a continuum of existence, in which art is not distinct from reality. Contrasting this perspective with the Western notion of art as separate from the world it represents, Jullien investigates the theoretical conditions that allow us to apprehend, isolate, and abstract objects. His comparative method lays bare the assumptions of Chinese and European thought, revitalizing the questions of what painting is, where it comes from, and what it does. Provocative and intellectually vigorous, this sweeping inquiry introduces new ways of thinking about the relationship of art to the ideas in which it is rooted.

About the Author

Franandccedil;ois Jullienand#160;is professor of Chinese philosophy and literature at the University of Paris VII and director of the Institut Marcel Granet. Jane Marie Todd is a full-time translator and copy editor who has translated some forty books in the fields of art criticism, philosophy, history, biography/autobiography, literary criticism, and women's studies.and#160;

Table of Contents

List of Illustrations

Translatorand#8217;s Note

Preface

Web of Texts and Corpus

1. Presence-Absence

2. From the Foundation-Fount of Painting

3. Vague-Drab-Indistinct

4. The Great Image Has No Form

5. Theory of the Sketch

6. Empty and Full

7. Not Quitting, Not Sticking

8. Quitting Form to Achieve Resemblance

9. The Spirit of a Landscape

10. On the Truth in Painting

11. Gaze or Contemplation?

12. Peindre nand#8217;est pas dand#233;peindre

13. Ink and Brush, Form and Color

14. What Does Painting Write?

15. Image-Phenomenon: Painting Transformation and Life

Gallery of Chinese Paintings

Glossary of Chinese Expressions

NotesIndex

Product Details

ISBN:
9780226415314
Author:
Jullien, Francois
Publisher:
University of Chicago Press
Author:
Franand#231
Author:
ois Jullien
Author:
&
Author:
Ccedil
Author:
ois
Author:
Todd, Jane Marie
Author:
Fran
Author:
Jullien, Franand#231
Author:
Jullien, Fran
Subject:
Aesthetics
Subject:
Art-History and Criticism
Edition Description:
Paperback
Publication Date:
20121131
Binding:
TRADE PAPER
Language:
English
Illustrations:
7 color plates
Pages:
288
Dimensions:
9 x 6 in

Related Subjects

Arts and Entertainment » Art » Asia and Far East
Arts and Entertainment » Art » History and Criticism
Arts and Entertainment » Art » Painting » General
History and Social Science » World History » General
Humanities » Philosophy » Aesthetics
Science and Mathematics » Geology » Earth Sciences
Science and Mathematics » Physics

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