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Cloning Terror: The War of Images, 9/11 to the Present

Cloning Terror: The War of Images, 9/11 to the Present Cover

 

Synopses & Reviews

Publisher Comments:

Theand#160; phrase and#8220;War on Terrorand#8221; has quietly been retired from official usage, but it persists in the American psyche, and our understanding of it is hardly complete. Nor will it be, W. J. T Mitchell argues, without a grasp of the images that it spawned, and that spawned it.

Exploring the role of verbal and visual images in the War on Terror, Mitchell finds a conflict whose shaky metaphoric and imaginary conception has created its own reality. At the same time, Mitchell locates in the concept of clones and cloning an anxiety about new forms of image-making that has amplified the political effects of the War on Terror. Cloning and terror, he argues, share an uncanny structural resemblance, shuttling back and forth between imaginary and real, metaphoric and literal manifestations. In Mitchelland#8217;s startling analysis, cloning terror emerges as the inevitable metaphor for the way in which the War on Terror has not only helped recruit more fighters to the jihadist cause but undermined the American constitution with and#8220;faith-basedand#8221; foreign and domestic policies.

Bringing together the hooded prisoners of Abu Ghraib with the cloned stormtroopers of the Star Wars saga, Mitchell draws attention to the figures of faceless anonymity that stalk the ever-shifting and unlocatable and#8220;frontsand#8221; of the War on Terror. A striking new investigation of the role of images from our foremost scholar of iconology, Cloning Terror will expand our understanding of the visual legacy of a new kind of war and reframe our understanding of contemporary biopower and biopolitics.

About the Author

W. J. T. Mitchell is the Gaylord Donnelley Distinguished Service Professor in the Department of English Language and Literature, the Department of Art History, and the College at the University of Chicago. He is the author, editor, or coeditor of fourteen previous books, including What Do Pictures Want?, winner of the James Russell Lowell Prize of the Modern Language Association. He is also editor of the journal Critical Inquiry.

Table of Contents

List of Illustrations

Preface. For a War on Error

1 War Is Over (If You Want It)

2 Cloning Terror

3 Clonophobia

4 Autoimmunity: Picturing Terror

5 The Unspeakable and the Unimaginable: Word and Image in a Time of Terror

6 Biopictures

7 The Abu Ghraib Archive

8 Documentary Knowledge and Image Life

9 State of the Union, or Jesus Comes to Abu Ghraib

Conclusion. A Poetics of the Historical Image

Acknowledgments

Notes

Index

Product Details

ISBN:
9780226532592
Publisher:
University of Chicago Press
Subject:
Criticism
Author:
Mitchell, W. J. T.
Subject:
Oral communication -- Psychological aspects.
Subject:
War on Terrorism, 2001-2009, in mass media
Subject:
Criticism -- Theory.
Subject:
General
Subject:
United States - 21st Century
Subject:
Art-Theory and Criticism
Edition Description:
Hardcover
Publication Date:
20110131
Binding:
HARDCOVER
Language:
English
Illustrations:
8 color plates, 38 halftones
Pages:
240
Dimensions:
8.5 x 5.5 in

Related Subjects

Arts and Entertainment » Art » Theory and Criticism
History and Social Science » Politics » General
History and Social Science » World History » General
Humanities » Literary Criticism » General
Humanities » Philosophy » General

Cloning Terror: The War of Images, 9/11 to the Present
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Product details 240 pages University of Chicago Press - English 9780226532592 Reviews:
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