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The Great Manby Kate Christensen
Winner of The Pen/Faulkner Award for Fiction 2008
Synopses & Reviews
From the acclaimed author of The Epicure's Lament, a novel of literary rivalry in which two competing biographers collide in their quest for the truth about a great artist.
Oscar Feldman, the "Great Man," was a New York city painter of the heroic generation of the forties and fifties. But instead of the abstract canvases of the Pollocks and Rothkos, he stubbornly hewed to painting one subject — the female nude. When he died in 2001, he left behind a wife, Abigail, an autistic son, and a sister, Maxine, herself a notable abstract painter — all duly noted in the New York Times obituary.
What no one knows is that Oscar Feldman led an entirely separate life in Brooklyn with his longtime mistress, Teddy St. Cloud, and their twin daughters. As the incorrigibly bohemian Teddy puts it, "He couldn't live without a woman around. It was like water to a plant for him." Now two rival biographers, book contracts in hand, are circling around Feldman's life story, and each of these three women — Abigail, Maxine, and Teddy — will have a chance to tell the truth as they experienced it.
The Great Man is a scintillating comedy of life among the avant-garde — of the untidy truths, needy egos, and jostlings for position behind the glossy facade of artistic greatness. Not a pretty picture — but a provocative and entertaining one that incarnates the take-no-prisoners satirical spirit of Dawn Powell and Mary McCarthy.
"Nimble, witty and discerning, Kate Christensen is single handedly reinvigorating the comedy of manners with her smart and disemboweling novels of misanthropes, cultural and aesthetic divides, private angst, social ambition and appetites run amok." Chicago Tribune
"Christensen's writing is clear-eyed, muscular, bitingly funny, and supremely caustic about the niceties of social relations, contemporary American culture, and sexual politics." O, The Oprah Magazine
"Kate Christensen's brilliant, big-hearted skewering of greatness, of men, of the Manhattan art scene, of love, reminded me that books can be witty, and heartbreaking, and intelligent, and keep you up too late reading. How rare it is that a writer is talented enough to deliver such varied treasures in one novel, but Christensen manages it effortlessly." Heidi Julavits, author of The Uses of Enchantment
"The prose in this book is stunning; the characters fascinating, endearing, and utterly real. Kate Christensen is, quite simply, one of the finest artists writing today." Cathi Hanauer, author of Sweet Ruin and editor of The Bitch in the House
"These characters are wonderfully developed and break the stereotype of the aging female protagonist. Christensen . . . boldly has raised the bar." USA Today
Christensen pens a scintillating comedy of life among the avant-garde — of the untidy truths, needy egos, and jostling for position behind the glossy facade of artistic greatness — in this PEN Faulkner Award-winning story of a New York City painter living in the heroic generation of the 1940s and 1950s.
Oscar Feldman, the renowned figurative painter, has passed away. As his obituary notes, Oscar is survived by his wife, Abigail, their son, Ethan, and his sister, the well-known abstract painter Maxine Feldman. What the obituary does not note, however, is that Oscar is also survived by his longtime mistress, Teddy St. Cloud, and their daughters.
As two biographers interview the women in an attempt to set the record straight, the open secret of his affair reaches a boiling point and a devastating skeleton threatens to come to light. From the acclaimed author of The Epicure's Lament, a scintillating novel of secrets, love, and legacy in the New York art world.
About the Author
Kate Christensen is the author of the novels In the Drink, Jeremy Thrane, and The Epicure's Lament. Her essays and articles have appeared in various publications, including Salon, Mademoiselle, the Hartford Courant, Elle, and the bestselling anthology The Bitch in the House. She lives in Brooklyn with her husband.
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