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The Ransom of Russian Art

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The Ransom of Russian Art Cover

 

Synopses & Reviews

Publisher Comments:

In the 1960s and 1970s, an American professor of Soviet economics forayed on his own in the Soviet Union, bought the work of underground “unofficial” artists, and brought it out himself or arranged to have it illegally shipped to the United States. Norton Dodge visited the apartments of unofficial artists in at least a dozen geographically scattered cities. By 1977, he had a thousand works of art. His ultimate window of interest involved the years from 1956 to 1986, and through his established contacts he eventually acquired another eight thousand worksby far the largest collection of its kind.

John McPhee investigates Dodges clandestine activities in the service of dissident Soviet art, his motives for his work, and the fates of several of the artists whose lives he touched. The Ransom of Russian Art is a suspenseful, chilling, and fascinating report on a covert operation like no other. It offers unprecedented insight into Soviet culture at the brink of the Unions collapse.

Synopsis:

In the 1960's and 1970's, American professor Norton Dodge forayed on his own in the Soviet Union, bought the work of underground "unofficial" artists, and brought it out himself or arranged to have it shipped illegally to the United States. John McPhee investigates Dodge's clandestine activities in the service of dissident Soviet art, his motives for his work, and the fates of several of the artists whose lives he touched. The Ransom of Russian Art is a suspenseful, chilling, and fascinating report on a covert operation like no other.

About the Author

John McPhee was born in Princeton, New Jersey, and was educated at Princeton University and Cambridge University. His writing career began at Time magazine and led to his long association with The New Yorker, where he has been a staff writer since 1965. The same year he published his first book, A Sense of Where You Are, with FSG, and soon followed with The Headmaster (1966), Oranges (1967), The Pine Barrens (1968), A Roomful of Hovings and Other Profiles (collection, 1969), The Crofter and the Laird (1969), Levels of the Game (1970), Encounters with the Archdruid (1972), The Deltoid Pumpkin Seed (1973), The Curve of Binding Energy (1974), Pieces of the Frame (collection, 1975), and The Survival of the Bark Canoe (1975). Both Encounters with the Archdruid and The Curve of Binding Energy were nominated for National Book Awards in the category of science.

Product Details

ISBN:
9780374246822
Author:
McPhee, John
Publisher:
Farrar Straus Giroux
Author:
McPhee, John
Location:
New York :
Subject:
General
Subject:
History - General
Subject:
Soviet Union
Subject:
Art patronage
Subject:
Art, russian
Subject:
Dissident art -- Soviet Union.
Subject:
Dissident art
Subject:
History : General
Subject:
Dodge, Norton T - Art patronage
Subject:
Politics - General
Copyright:
Edition Number:
1st ed.
Edition Description:
Trade paper
Series Volume:
map I-2150-B
Publication Date:
19941231
Binding:
HARDCOVER
Grade Level:
General/trade
Language:
English
Illustrations:
Yes
Pages:
181
Dimensions:
8 x 5 x 0.455 in

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Related Subjects

Arts and Entertainment » Art » Europe General
Arts and Entertainment » Art » History and Criticism
Arts and Entertainment » Art » Russian
Arts and Entertainment » Art » Sale Books
History and Social Science » Politics » General

The Ransom of Russian Art New Hardcover
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Product details 181 pages Farrar Straus Giroux - English 9780374246822 Reviews:
"Synopsis" by ,
In the 1960's and 1970's, American professor Norton Dodge forayed on his own in the Soviet Union, bought the work of underground "unofficial" artists, and brought it out himself or arranged to have it shipped illegally to the United States. John McPhee investigates Dodge's clandestine activities in the service of dissident Soviet art, his motives for his work, and the fates of several of the artists whose lives he touched. The Ransom of Russian Art is a suspenseful, chilling, and fascinating report on a covert operation like no other.

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