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The Mill on the Floss: An Authoritative Text, Backgrounds, and Contemporary Reactions Criticism (Norton Critical Edition)by George Eliot
Synopses & Reviews
The text of The Mill on the Floss, that of the 1862 third edition for which Eliot made her last revisions, has been annotated in order to assist the reader with obscure references and allusions.
"Backgrounds" includes fifteen letters from the 1859-69 period centering on the novel's content and composition; "Brother and Sister" (1869), a little-known sonnet sequence; and eight Victorian reviews and responses, both published and unpublished, on the novel, including those by Henry James, Algernon Charles Swinurne, and John Ruskin.
Judiciously chosen from the wealth of essays on The Mill on the Floss published in this century, "Criticism" includes ten of the best studies of the novel, providing the reader with historical and critical perspective.
The contributors are Leslie Stephen, Virginia Woolf, F. R. Leavis, George Levine, Ulrich Knoepflmacher, Philip Fisher, Mary Jacobus, John Kucich, Margaret Homans, and Deirdre David.
A Chronology and Selected Bibliography are also included.
The best-known and most autobiographical of George Eliot's novels is now available as a Norton Critical Edition.
Rebellious and affectionate, Maggie Tulliver is always in trouble. Recalling her own experiences as a girl, George Eliot describes Maggie's turbulent childhood with a sympathetic engagement that makes the early chapters of The Mill on the Floss among the most immediately attractive she ever wrote. As Maggie approaches adulthood, her spirited temperament brings her into conflict with her family, her community, and her much-loved brother Tom. Still more painfully, she finds her own nature divided between the claims of moral responsibility and her passionate hunger for self-fulfillment. George Eliot's searching exploration of Maggie's complex dilemma has made this one of the most enduringly popular of her works.
About the Author
Carol T. Christ (Ph.D. Yale) is Professor Emeritus of English at the University of California, Berkeley, and President of Smith College. She is the author of The Finer Optic: The Aesthetic of Particularity and Victorian Poetry and Victorian and Modern Poetics and editor of the Norton Critical Edition of The Mill on the Floss and, with John Jordan, Victorian Literature and the Victorian Visual Imagination. She is the recipient of an NEH Fellowship and a member of the American Academy of Arts and Sciences.
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