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Rhythm and Noise : an Aesthetics of Rock (96 Edition)

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Rhythm and Noise : an Aesthetics of Rock (96 Edition) Cover

 

Synopses & Reviews

Please note that used books may not include additional media (study guides, CDs, DVDs, solutions manuals, etc.) as described in the publisher comments.

Publisher Comments:

You know it when you hear it, but can you say what it is? How you know? Why you either love or loathe it? What makes it original or derivative? To a music that tends to render its aficionados and detractors equally inarticulate, Theodore Gracyk brings a rare critical clarity. His book tells us once and for all what makes rock music rock. A happy marriage of aesthetic theory and the aesthetic practice that moved a generation, Rhythm and Noise is the only thorough-going account of rock as a distinct artistic medium rather than a species of popular culture.

What’s in a name? “Rock” or “Rock ’n’ Roll?” Grayck argues that rock and roll is actually a performance style, one in a number of musical styles comprising rock. What distinguishes rock, Gracyk tells us, is how it is mediated by technology: The art is in the recording. The lesson is a heady one, entailing a tour through the history of rock music from Elvis Presley’s first recordings in 1954 to Kurt Cobain’s suicide in 1994. Gracyk takes us through key recordings, lets us hear what rock musicians and their critics have to say, shows us how other kinds of music compare, and gives us the philosophical background to make more than passing sense of the medium. His work takes up the common myths and stereotypes about rock, popular and academic, and focuses on the features of the music that electrify fans and consistently generate controversy. When Elvis came to town, did southern sheriffs say that rock was barbaric and addictive? Well so did Theodor Adorno, in his way, and Allan Bloom, in his, and Gracyk takes aim at this charge as it echoes through the era of recorded music. He looks at what rock has to do with romanticism and, even more, with commercialism. And he questions the orthodoxy of making grand distinctions between “serious” and “popular” art.

Keenly attuned to the nuances of music and of all the ways that we can think about it, this exhilarating book tunes us in, as no other has, to the complex role of rock in American culture.

Synopsis:

A happy marriage of aesthetic theory and the aesthetic practice that moved a generation, 'Rhythm and Noise' is the only thorough-going account of rock as a distinct artistic medium rather than a species of popular culture.

Description:

Includes bibliographical references (p. [261]-264) and index.

About the Author

Theodore Gracyk is Associate Professor of Philosophy at Moorhead State University.

Product Details

ISBN:
9780822317432
Author:
Gracyk, Theodore
Publisher:
Duke University Press
Author:
Gracyk
Location:
Durham, NC :
Subject:
General
Subject:
History
Subject:
Popular Culture
Subject:
History and criticism
Subject:
Rock
Subject:
Rock music
Subject:
Music
Subject:
Popular culture -- History -- 20th century.
Subject:
Genres & Styles - Rock
Subject:
Music-Rock History
Edition Description:
Trade Paper
Series Volume:
4
Publication Date:
19960331
Binding:
TRADE PAPER
Language:
English
Illustrations:
Yes
Pages:
304
Dimensions:
9.26x5.86x.87 in. 1.08 lbs.

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Related Subjects

Arts and Entertainment » Music » General
Arts and Entertainment » Music » Genres and Styles » Rock
Arts and Entertainment » Music » Instruction and Study » Theory

Rhythm and Noise : an Aesthetics of Rock (96 Edition) Used Trade Paper
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Product details 304 pages Duke University Press - English 9780822317432 Reviews:
"Synopsis" by , A happy marriage of aesthetic theory and the aesthetic practice that moved a generation, 'Rhythm and Noise' is the only thorough-going account of rock as a distinct artistic medium rather than a species of popular culture.
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