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Other titles in the Sinfest series:
Sinfest Volume 1
One of the hardest working men in the comic business? Perhaps. All I know is that Tatsuya Ishida has been consistently turning out his high-quality, daily webcomic since, like, forever, and this book is a big ol' chunk of Sinfest goodness.
The cast of characters is ambitious. God, the devil, and their various minions make appearances, as does Buddha, actually. There are occasional time-outs for calligraphy lessons and romping excursions featuring the most adorable cat and dog pair this side of Mutts. But a large bulk of the humor is simple. A fresh young man, a foxy lady, and an anthropomorphic pig facing a continuing battle of hunger versus will.
Never truly heretical, often thought provoking, and most always hilarious, Sinfest is one of the few comics that I continually send to my friends and relatives (Hi, Mom!), and now? I can send them the whole darn book.
Synopses & Reviews
AT LAST! "The webcomic to end all webcomics" has landed at Dark Horse, and we're starting the collections at the beginning! Sinfest is one of the most-read and longest-running webcomics out there, and explores religion, advertising, sex, and politics in a way Fleen.com calls "both brutally funny and devastatingly on-target." In an era when most syndicated newspaper strips are watered down and uninspired, creator Tatsuya Ishida draws on influences ranging from Calvin and Hobbes and Peanuts to manga and pop culture to bring us a breath of fresh air. If your comic-strip craving hasn't been satisfied since the nineties, deliverance is finally at hand!
"Advertising, religion, sex and politics are just a handful of the topics touched on by Tatsuya Ishida's popular Web comic, Sinfest. This first volume collects the first 600 outings of the nearly 10-year-old strip. The cute, slightly raunchy cast of characters includes Slick, the womanizer, Monique, who may or may not be a tramp, the Devil, God and a slew of other demons, angels, animals and humans. While clearly influenced by comic strips such as Peanuts and using takeoffs on some of that strip's familiar setups, Ishida takes his work into dark, politically incorrect directions. The art is likewise a mix of comic strip cute and manga that's accessible to a broad range of readers. Bonuses in this volume include a sampling of Sinfest the College Years, proving that the comic was once raunchier and harsher than its current incarnation. Harsh as it is, Sinfest offers many laughs; it may be brutally funny, but it is dead honest and refreshing. And underneath the shock value of some of its gags is a comic strip very much in the classic newspaper tradition. (June)" Publishers Weekly (Copyright Reed Business Information, Inc.)
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