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5 Remote Warehouse Literary Criticism- General

True Songs of Freedom: Uncle Tom's Cabin in Russian Culture and Society

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True Songs of Freedom: Uncle Tom's Cabin in Russian Culture and Society Cover

 

Synopses & Reviews

Synopsis:

Harriet Beecher Stowe's 1852 antislavery novel Uncle Tom's Cabin was the nineteenth century's best-selling novel worldwide; only the Bible outsold it. It was known not only as a book but through stage productions, films, music, and commercial advertising as well. But how was Stowe's novel—one of the watershed works of world literature—actually received outside of the American context?
            True Songs of Freedom explores one vital sphere of Stowe's influence: Russia and the Soviet Union, from the 1850s to the present day. Due to Russia's own tradition of rural slavery, the vexed entwining of authoritarianism and political radicalism throughout its history, and (especially after 1945) its prominence as the superpower rival of the United States, Russia developed a special relationship to Stowe's novel during this period of rapid societal change. Uncle Tom's Cabin prompted widespread reflections on the relationship of Russian serfdom to American slavery, on the issue of race in the United States and at home, on the kinds of writing appropriate for children and peasants learning to read, on the political function of writing, and on the values of Russian educated elites who promoted, discussed, and fought over the book for more than a century. By the time of the Soviet Union's collapse in 1991, Stowe's novel was probably better known by Russians than by readers in any other country.
            John MacKay examines many translations and rewritings of Stowe's novel; plays, illustrations, and films based upon it; and a wide range of reactions to it by figures famous (Leo Tolstoy, Ivan Turgenev, Marina Tsvetaeva) and unknown. In tracking the reception of Uncle Tom's Cabin across 150 years, he engages with debates over serf emancipation and peasant education, early Soviet efforts to adapt Stowe's deeply religious work of protest to an atheistic revolutionary value system, the novel's exploitation during the years of Stalinist despotism, Cold War anti-Americanism and antiracism, and the postsocialist consumerist ethos.

About the Author

John MacKay is professor of Slavic and East European languages and literatures and film studies and chair of the film studies program at Yale University. He is author of Inscription and Modernity: From Wordsworth to Mandelstam and editor and translator of Four Russian Serf Narratives.

Table of Contents

List of Illustrations
Acknowledgments
Historical Timeline
 
Introduction
1 Before Emancipation
2 After Serfdom, before October
3 The Early Soviet Period (to 1945)
4 Uncle Tom, Cold Warrior
Coda: Tom, Meet Scarlett
Conclusion
Appendix: Summary of Uncle Tom's Cabin
 
Notes
Bibliography
Index

Product Details

ISBN:
9780299292942
Author:
Mackay, John
Publisher:
University of Wisconsin Press
Author:
MacKay, John
Subject:
Russian & Former Soviet Union
Subject:
Literary Criticism : General
Edition Description:
1
Publication Date:
20130731
Binding:
TRADE PAPER
Language:
English
Illustrations:
6 b/w illus.
Pages:
136
Dimensions:
9 x 6 x 0.6 in

Related Subjects

» History and Social Science » Politics » General
» History and Social Science » Russia » General Russian History
» History and Social Science » Sociology » Slavery
» Humanities » Literary Criticism » General

True Songs of Freedom: Uncle Tom's Cabin in Russian Culture and Society New Trade Paper
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Product details 136 pages University of Wisconsin Press - English 9780299292942 Reviews:
"Synopsis" by ,
Harriet Beecher Stowe's 1852 antislavery novel Uncle Tom's Cabin was the nineteenth century's best-selling novel worldwide; only the Bible outsold it. It was known not only as a book but through stage productions, films, music, and commercial advertising as well. But how was Stowe's novel—one of the watershed works of world literature—actually received outside of the American context?
            True Songs of Freedom explores one vital sphere of Stowe's influence: Russia and the Soviet Union, from the 1850s to the present day. Due to Russia's own tradition of rural slavery, the vexed entwining of authoritarianism and political radicalism throughout its history, and (especially after 1945) its prominence as the superpower rival of the United States, Russia developed a special relationship to Stowe's novel during this period of rapid societal change. Uncle Tom's Cabin prompted widespread reflections on the relationship of Russian serfdom to American slavery, on the issue of race in the United States and at home, on the kinds of writing appropriate for children and peasants learning to read, on the political function of writing, and on the values of Russian educated elites who promoted, discussed, and fought over the book for more than a century. By the time of the Soviet Union's collapse in 1991, Stowe's novel was probably better known by Russians than by readers in any other country.
            John MacKay examines many translations and rewritings of Stowe's novel; plays, illustrations, and films based upon it; and a wide range of reactions to it by figures famous (Leo Tolstoy, Ivan Turgenev, Marina Tsvetaeva) and unknown. In tracking the reception of Uncle Tom's Cabin across 150 years, he engages with debates over serf emancipation and peasant education, early Soviet efforts to adapt Stowe's deeply religious work of protest to an atheistic revolutionary value system, the novel's exploitation during the years of Stalinist despotism, Cold War anti-Americanism and antiracism, and the postsocialist consumerist ethos.
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