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Chronicles of Narnia #03: The Horse and His Boy (Rpkg)by C S Lewis
Synopses & Reviews
The Hermit of the Southern March
After they had ridden for several hours down the valley, it widened out and they could see what was ahead of them. The river which they had been following here joined a broader river, wide and turbulent, which flowed from their left to their right, towards the east. Beyond this new river a delightful country rose gently in low hills, ridge beyond ridge, to the Northern Mountains themselves. To the right there were rocky pinnacles, one or two of them with snow clinging to the ledges. To the left, pine-clad slopes, frowning cliffs, narrow gorges, and blue peaks stretched away as far as the eye could reach. Shasta could no longer make out Mount Pire. Straight ahead the mountain range sank to a wooded saddle which of course had to be the pass from Archenland into Narnia.
"Broo-hoo-hoo, the North, the green North!" neighed Bree: and certainly the lower hills looked greener and fresher than anything that Aravis and Shasta, with their southern-bred eyes, had ever imagined. Spirits rose as they clattered down to the water's-meet of the two rivers.
The eastern-flowing river, which was pouring from the higher mountains at the western end of the range, was far too swift and too broken with rapids for them to think of swimming it; but after some casting about, up and down the bank, they found a place shallow enough to wade. The roar and clatter of water, the great swirl against the horses' fetlocks, the cool, stirring air and the darting dragonflies, filled Shasta with a strange excitement.
"Friends, we are in Archenland!" said Bree proudly as he splashed and churned his way out on the Northern bank. "I think that river we've just crossed iscalled the Winding Arrow."
"I hope we're in time," murmured Hwin.
Then they began going up, slowly and zigzagging a good deal, for the hills were steep. It was all open park-like country with no roads or houses in sight. Scattered trees, never thick enough to be a forest, were everywhere. Shasta, who had lived all his life in an almost tree-less grassland, had never seen so many or so many kinds. If you had been there you would probably have known (he didn't) that he was seeing oaks, beeches, silver birches, rowans, and sweet chestnuts. Rabbits scurried away in every direction as they advanced, and presently they saw a whole herd of fallow deer making off among the trees.
"Isn't it simply glorious!" said Aravis.
At the first ridge Shasta turned in the saddle and looked back. There was no sign of Tashbaan; the desert, unbroken except by the narrow green crack down which they had travelled, spread to the horizon.
"Hullo!" he said suddenly. "What's that?"
"What's what?" said Bree, turning round. Hwin and Aravis did the same.
"That," said Shasta, pointing. "It looks like smoke. Is it a fire?"
"Sand-storm, I should say," said Bree.
"Not much wind to raise it," said Aravis.
"Oh!" exclaimed Hwin. "Look! There are things flashing in it. Look! They're helmets — and armour. And it's moving: moving this way."
"By Tash!" said Aravis. "It's the army. It's Rabadash."
"Of course it is," said Hwin. "Just what I was afraid of. Quick! We must get to Anvard before it." And without another word she whisked round and began galloping North. Bree tossed his head and did the same.
"Come on, Bree, come on," yelled Aravis over her shoulder.
The race was very gruelling for the Horses.As they topped each ridge they found another valley and another ridge beyond it; and though they knew they were going in more or less the right direction, no one knew how far it was to Anvard. From the top of the second ridge Shasta looked back again. Instead of a dust-cloud well out in the desert he now saw a black, moving mass, rather like ants, on the far bank of the Winding Arrow. They were doubtless looking for a ford.
"They're on the river!" he yelled wildly.
"Quick! Quick!" shouted Aravis. "We might as well not have come at all if we don't reach Anvard in time. Gallop, Bree, gallop. Remember you're a war-horse."
It was all Shasta could do to prevent himself from shouting out similar instructions; but he thought, "The poor chap's doing all he can already," and held his tongue. And certainly both Horses were doing, if not all they could, all they thought they could; which is not quite the same thing. Bree had caught up with Hwin and they thundered side by side over the turf. It didn't look as if Hwin could possibly keep it up much longer.
At that moment everyone's feelings were completely altered by a sound from behind. It was not the sound they had been expecting to hear — the noise of hooves and jingling armour, mixed, perhaps, with Calormene battle-cries. Yet Shasta knew it at once. It was the same snarling roar he had heard that moonlit night when they first met Aravis and Hwin. Bree knew it too. His eyes gleamed red and his ears lay flat back on his skull. And Bree now discovered that he had not really been going as fast — not quite as fast — as he could. Shasta felt the change at once. Now they were really going all out. In a few seconds they were well ahead ofHwin.
"It's not fair," thought Shasta. "I did think we'd be safe from lions here!"
He looked over his shoulder. Everything was only too clear. A huge tawny creature, its body low to the ground, like a cat streaking across the lawn to a tree when a strange dog has got into the garden, was behind them. And it was nearer every second and half second.
A beautiful hardcover edition of The Horse and His Boy, book three in the classic fantasy series, The Chronicles of Narnia. The full color jacket features art by three time Caldecott-winning artist David Wiesner and interior black-and-white illustrations by the series' original illustrator, Pauline Baynes.
On a desperate journey, two runaways meet and join forces. Though they are only looking to escape their harsh and narrow lives, they soon find themselves at the center of a terrible battle. It is a battle that will decide their fate and the fate of Narnia itself.
The Horse and His Boy is the third book in C. S. Lewis's classic fantasy series, which has captivated readers of all ages with magical lands and unforgettable characters for over sixty years. This is a novel that stands on its own, but if you would like to journey back to Narnia, read Prince Caspian, the fourth book in The Chronicles of Narnia.
This is the story of an adventure that happened in Narnia and Calormen and the lands between, in the Golden Age when Peter was High King in Narnia and his brother and his two sisters were King and Queens under him.
It is during this glorious era in Narnian history that Shasta, a young boy living in Calormen with a cruel man who claims to be his father, dreams of traveling to the unknown North. One night he overhears his "father" offering to sell him as a slave, and Shasta decides that now is the time to begin his Journey. When he meets Bree, a Talking Horse of Narnia who is a slave himself, the two decide to escape together.
The pair soon encounters Aravis, a highborn girl escaping a forced marriage, and Hwin, another Talking Horse. The travelers must combine their wits and all their strength to reach the freedom they long for. And when they discover a Calormene plot to conquer Narnia, they must also race against time.
The battle that ensues matches in excitement any of the adventures described in C. S. Lewis's previous two books of The Chronicles of Narnia. Assisted by the majestic Aslan, the Kings and Queens of Narnia, first introduced in The Lion, The Witch and the Wardrobe, once again rise to the occasion to defend their kingdom.
"It is, in turn, beautiful, frightening, wise. . ." wrote an astonished reviewer in The New York Times upon reading The Lion, The Witch and the Wardrobe. It is this same sense of wonder that accompanies the reading of all seven books of The Chronicles of Narnia, C. S. Lewis's masterpiece of children's literature.
Carnegie Medal Commendation,
British Library Association
About the Author
Clive Staples Lewis (1898-1963) was one of the intellectual giants of the twentieth century and arguably one of the most influential writers of his day. He was a Fellow and Tutor in English Literature at Oxford University until 1954, when he was unanimously elected to the Chair of Medieval and Renaissance Literature at Cambridge University, a position he held until his retirement. He wrote more than thirty books, allowing him to reach a vast audience, and his works continue to attract thousands of new readers every year. His most distinguished and popular accomplishments include Mere Christianity, Out of the Silent Planet, The Great Divorce, The Screwtape Letters, and the universally acknowledged classics The Chronicles of Narnia. To date, the Narnia books have sold over one hundred million copies and have been transformed into three major motion pictures.
Clive Staples Lewis (1898-1963) fue uno de los intelectuales más importantes del siglo veinte y podría decirse que fue el escritor cristiano más influyente de su tiempo. Fue profesor particular de literatura inglesa y miembro de la junta de gobierno en la Universidad Oxford hasta 1954, cuando fue nombrado profesor de literatura medieval y renacentista en la Universidad Cambridge, cargo que desempeñó hasta que se jubiló. Sus contribuciones a la crítica literaria, literatura infantil, literatura fantástica y teología popular le trajeron fama y aclamación a nivel internacional. C. S. Lewis escribió más de treinta libros, lo cual le permitió alcanzar una enorme audiencia, y sus obras aún atraen a miles de nuevos lectores cada año. Sus más distinguidas y populares obras incluyen Las Crónicas de Narnia, Los Cuatro Amores, Cartas del Diablo a Su Sobrino y Mero Cristianismo.Pauline Baynes has produced hundreds of wonderful illustrations for the seven books in The Chronicles of Narnia. In 1968 she was awarded the prestigious Kate Greenaway Medal for her outstanding contribution to children's literature.
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