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The House of Mirth (Penguin Great Books of the 20th Century)by Edith Wharton
Synopses & Reviews
Edith Wharton's classic novel, The House of Mirth, is a brillaint exposé of the pretense and greed of fashionable New York Society.
In The House of Mirth, which helped to establish Edith Whartons literary reputation, she honed her acerbic style and discovered her defining subject: the fashionable New York society in which she had been raised and that held the power to debase both people and ideals. In this devastatingly accurate and finely wrought tale, Lily Bart, the poor relation of a wealthy woman, is beautiful, intelligent, and hopelessly addicted to the moneyed world of luxury and grace. But her good taste and moral sensibility render her unfit for survival in a vulgar society whose glittering social edifice is based on a foundation of pure greed. A brilliant portrayal of both human frailty and nobility, and a bitter attack on false social values, The House of Mirth has been hailed by Louis Auchincloss as uniquely authentic among American novels of manners.”
With an Introduction by Anna Quindlen and a New Afterword by Michael Gorra
Lily Bart lives among the nouveaux riches of New York City. She is 29 and seeks a husband who can satisfy her cravings for endless admiration and all the trappings of wealth. Her quest comes to a scandalous end when she is accused of being the mistress of a wealthy man.
"Uniquely authentic among American novels of manners." --Louis Auchincloss The House of Mirth is the novel that first established the literary reputation of Pulitzer Prize-winner Edith Wharton. In it, she honed her devastating acerbic style, created one of her most memorable heroines in Lily Bart, and discovered her defining theme: the vulgarity, greed, human frailty, and false social values that form the true foundation of New York society.
From the esteemed author of The Age of Innocence--a black comedy about vast wealth and a woman who can define herself only through the perceptions of others. Lily Bart's quest to find a husband who can satisfy her cravings for endless admiration and all the trappings of the rich comes to a scandalous end when she is accused of being a wealthy man's mistress.
Includes bibliographical references (p. xxvii-xxviii).
About the Author
Edith Jones Wharton (18621937) was born in New York City into a family of merchants, bankers, and lawyers. She was educated privately by tutors and governesses. In 1885, she married Edward Wharton of Boston; the couple lived in New York, Newport, Lenox, and Paris until their divorce in 1913, when Wharton settled permanently in Paris. During World War I, Wharton was active in relief work in France, and in 1915, she was decorated with the Cross of the Legion of Honor for her service. Edith Whartons earliest stories were published in Scribners Magazine, but she did not include these in her first collection of short stories, titled The Greater Inclination (1899). Her most famous novels include The House of Mirth (1905), Ethan Fromme (1911), the Pulitzer Prize winner The Age of Innocence (1920), The Children (1928), Hudson River Bracketed (1929), and The Gods Arrive (1932). Wharton also wrote, in addition to her novels and short stories, her autobiography, A Backward Glance (1934). She died at her villa near Paris.
Anna Quindlen is the New York Times bestselling author of several novels, including Object Lessons, Black and Blue, One True Thing, and Still Life with Bread Crumbs. A longtime columnist for the New York Times, for which she won a Pulitzer Prize, she has also published memoirs and commentary such as Lots of Candles, Plenty of Cake, and several books for children.
Michael Gorra is a professor of English at Smith College. Among his acclaimed books are Portrait of a Novel: Henry James and the Making of an American Masterpiece (a finalist for the Pulitzer Prize for Biography) and The English Novel at Mid-Century. His essays and reviews have been published in the New York Times Book Review, the Atlantic, the New York Review of Books, the Times Literary Supplement, and the Hudson Review, and he has won a National Book Critics Circle award for reviewing.
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