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The H.D. Book (Collected Writings of Robert Duncan)

by

The H.D. Book (Collected Writings of Robert Duncan) Cover

ISBN13: 9780520260757
ISBN10: 0520260759
Condition:
All Product Details

 

Synopses & Reviews

Publisher Comments:

Have the terrorist attacks of September 11 shifted the moral coordinates of contemporary fiction? And how might such a shift, reflected in narrative strategies and forms, relate to other themes and trends emerging with the globalization of literature? This book pursues these questions through works written in the wake of 9/11 and examines the complex intersection of ethics and narrative that has defined a significant portion of British and American fiction over the past decade.

Don DeLillo, Pat Barker, Aleksandar Hemon, Lorraine Adams, Michael Cunningham, and Patrick McGrath are among the authors Georgiana Banita considers. Their work illustrates how post-9/11 literature expresses an ethics of equivocation—in formal elements of narrative, in a complex scrutiny of justice, and in tense dialogues linking this fiction with the larger political landscape of the era. Through a broad historical and cultural lens, Plotting Justice reveals links between the narrative ethics of post-9/11 fiction and events preceding and following the terrorist attacks—events that defined the last half of the twentieth century, from the Holocaust to the Balkan War, and those that 9/11 precipitated, from war in Afghanistan to the Abu Ghraib scandal. Challenging the rhetoric of the war on terror, the book honors the capacity of literature to articulate ambiguous forms of resistance in ways that reconfigure the imperatives and responsibilities of narrative for the twenty-first century. 

 

Review:

"Duncan's (1919 — 1988) great meditation on modernism's last remaining question mark finally sees print. Published as the first volume in California's Collected Writings of Robert Duncan series, this lovingly prepared volume presents this long critical work, written in 1960 and 1961, in its full form for the first time. It brilliantly reconstructs the dynamics of Pound, Williams, and H.D.'s complex, charged, evolving poet relations, and of H.D.'s eventual departure from the modernist mainstream into a classicism that exasperated Williams, but clearly fascinates Duncan. It reveals Duncan's own poetic relationship to H.D., with whom he corresponded late in the latter poet's life. It tracks a canonical murder, by which critics (beginning with Randall Jarrell) systematically exclude H.D. from the modernist pantheon. And it shows Duncan, whose great longer works lay ahead of him, struggling to find a poetic kernel within H.D.'s oeuvre. While this book is staged as an elaborate defense of H.D.'s work, and especially her austere and archaic-seeming late poetry, it is best read as the daybook of a poet as he absorbs, thinks through, departs from, returns to, and loves a major antecedent. (Jan.)" Publishers Weekly (Copyright PWyxz LLC)

Synopsis:

Willa Catherand#8217;s 1935 novel drew on her lifelong interest in music, which plays a transformative role in the lives of her characters. Catherand#8217;s last novel set in the Great Plains tells the story of young Lucy Gayheart, who escapes life in small-town Haverford, Nebraska, in 1902 to pursue a career in music. In Chicago she falls in love with an older singer, Clement Sebastian, who finds renewed inspiration in her. However, tragic chance destroys their ensuing love affair. The novel has evoked divergent responses among critics and readers ever since its publication.

and#160;
This Willa Cather Scholarly Edition includes a historical essay providing fresh insight into the novel, the role of music, and Catherand#8217;s writing process. It also features photographs, maps, and explanatory notes with a full range of biographical, historical, and cultural information. The textual editing of the novel, approved by the Committee on Scholarly Editions of the Modern Language Association, draws on corrected typescripts and proofs and presents a clean, authoritative text of the first edition.

Synopsis:

Before the West Was West examines the extent to which scholars have engaged in-depth with pre-1800 and#8220;westernand#8221; texts and asks what we mean by and#8220;westernand#8221; American literature in the first place and when that designation originated.

Calling into question the implicit temporal boundaries of the and#8220;American Westand#8221; in literature, a literature often viewed as having commenced only at the beginning of the 1800s, Before the West Was West explores the concrete, meaningful connections between different texts as well as the development of national ideologies and mythologies. Examining pre-nineteenth-century writings that do not fit conceptions of the Wild West or of cowboys, cattle ranching, and the Pony Express, these thirteen essays demonstrate that no single, unified idea or geography defines the American West.and#160;

Contributors investigate texts ranging from the Norse Vinland Sagas and Mary Rowlandsonand#8217;s famous captivity narrative to early Spanish and French exploration narratives, an eighteenth-century English novel, and a play by Aphra Behn. Through its examination of the disparate and multifaceted body of literature that arises from a broad array of cultural backgrounds and influences, Before the West Was West apprehends the literary West in temporal as well as spatial and cultural terms and poses new questions about and#8220;westernnessand#8221; and its literary representation.

About the Author

Robert Duncan (1919–1988) was born in Oakland and spent most of his life in California. One of the major figures in the San Francisco Renaissance, Duncan, often identified with Donald Allen's landmark anthology The New American Poetry and the Black Mountain poets, is author of The Opening of the Field, Roots and Branches, and Bending the Bow, among other works.

Michael Boughn is a poet, scholar, and fiction writer. His many publications include H.D.: A Bibliography, 1905–1990, Dislocations in Crystal, Into the World of the Dead, and 22 Skidoo/SubTractions.

Victor Coleman was a founding editor of Coach House Press and is author of one / eye / love, Light Verse, and ICON TACT among many other books of poetry.

Table of Contents

List of Illustrations

Acknowledgments

Introduction

Book One: Beginnings

Chapter 1

Chapter 2

Chapter 3 Eros

Chapter 4 Palimpsest

Chapter 5 Occult Matters

Chapter 6 Rites of Participation

Book Two: Nights and Days

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Appendix 1: Preliminary Notes Toward Book 3 of The H.D. Book

Appendix 2: Composition and Publication History of The H.D. Book

Appendix 3: A List of Works Cited by Robert Duncan in The H.D. Book

Credits

Index

What Our Readers Are Saying

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Average customer rating based on 1 comment:

Pete Landers, January 26, 2011 (view all comments by Pete Landers)
This book is long, long overdue. It was supposed to have been published in 1984 by Frontier Press, but only an electronic document ever came to be. Then it was prepared for publication by Robert Duncan in 1988 just before his passing away, but again was abandoned no doubt due to the lack of funds. Fans of Duncan and of H.D. would try numerous times to stir renewed interest, the best attempt being made by Ron Silliman in his blog several years ago. Because it is such an important work in twentieth century poetics, in gay liberation, in self-discovery, and because it has been left unpublished for so long, this has to be the most significant literary publication of the year 2011.

This book is huge. It isn't meant to be read quickly, nor is it meant to be understood quickly. It can inspire conversations for a lifetime. Duncan's speaking style was so desultory, students at his lectures have admitted to becoming physically dizzy. His writing style is no less discursive. Here we have a mature poet freely letting his mind traverse wildly diverse topics, chipping away at his material until his ideas take form. This isn't light reading for a summer vacation. It is a book that is meant to be studied for many years. In fact, many people have purchased the back issues of the magazines in which each chapter appeared just so they could have a tangible version of this book. Now we can all be thankful for the editors, but especially to The Jess Fund which donated money to see this book through publication. Let's hope it never falls out-of-print again.
Was this comment helpful? | Yes | No

Product Details

ISBN:
9780520260757
Author:
Duncan, Robert
Publisher:
University of California Press
Editor:
Coleman, Victor
Editor:
Boughn, Michael
Author:
L
Author:
Branch, Michael P.
Author:
Boughn, Mich&amp
Author:
Cather, Willa
Author:
l Boughn
Author:
Hamilton, Amy T.
Author:
aelig
Author:
Banita, Georgiana
Author:
Mexal, Stephen J.
Author:
Boughn, Michael
Author:
Ronning, Kari A.
Author:
Mich&amp
Author:
Hillard, Tom J.
Author:
Coleman, Victor
Author:
Link, Frederick M.
Subject:
American - General
Subject:
Poetry, Modern -- 20th century.
Subject:
Essays
Subject:
American
Subject:
Literary Criticism : General
Subject:
Literary
Edition Description:
Trade Cloth
Series:
Willa Cather Scholarly Edition
Series Volume:
1
Publication Date:
20110131
Binding:
HARDCOVER
Grade Level:
General/trade
Language:
English
Illustrations:
1 map
Pages:
376
Dimensions:
9 x 6 in

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Related Subjects

Fiction and Poetry » Anthologies » Essays
Fiction and Poetry » Poetry » A to Z
Humanities » Literary Criticism » General

The H.D. Book (Collected Writings of Robert Duncan) New Hardcover
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$84.25 Backorder
Product details 376 pages University of California Press - English 9780520260757 Reviews:
"Publishers Weekly Review" by , "Duncan's (1919 — 1988) great meditation on modernism's last remaining question mark finally sees print. Published as the first volume in California's Collected Writings of Robert Duncan series, this lovingly prepared volume presents this long critical work, written in 1960 and 1961, in its full form for the first time. It brilliantly reconstructs the dynamics of Pound, Williams, and H.D.'s complex, charged, evolving poet relations, and of H.D.'s eventual departure from the modernist mainstream into a classicism that exasperated Williams, but clearly fascinates Duncan. It reveals Duncan's own poetic relationship to H.D., with whom he corresponded late in the latter poet's life. It tracks a canonical murder, by which critics (beginning with Randall Jarrell) systematically exclude H.D. from the modernist pantheon. And it shows Duncan, whose great longer works lay ahead of him, struggling to find a poetic kernel within H.D.'s oeuvre. While this book is staged as an elaborate defense of H.D.'s work, and especially her austere and archaic-seeming late poetry, it is best read as the daybook of a poet as he absorbs, thinks through, departs from, returns to, and loves a major antecedent. (Jan.)" Publishers Weekly (Copyright PWyxz LLC)
"Synopsis" by ,
Willa Catherand#8217;s 1935 novel drew on her lifelong interest in music, which plays a transformative role in the lives of her characters. Catherand#8217;s last novel set in the Great Plains tells the story of young Lucy Gayheart, who escapes life in small-town Haverford, Nebraska, in 1902 to pursue a career in music. In Chicago she falls in love with an older singer, Clement Sebastian, who finds renewed inspiration in her. However, tragic chance destroys their ensuing love affair. The novel has evoked divergent responses among critics and readers ever since its publication.

and#160;
This Willa Cather Scholarly Edition includes a historical essay providing fresh insight into the novel, the role of music, and Catherand#8217;s writing process. It also features photographs, maps, and explanatory notes with a full range of biographical, historical, and cultural information. The textual editing of the novel, approved by the Committee on Scholarly Editions of the Modern Language Association, draws on corrected typescripts and proofs and presents a clean, authoritative text of the first edition.

"Synopsis" by ,

Before the West Was West examines the extent to which scholars have engaged in-depth with pre-1800 and#8220;westernand#8221; texts and asks what we mean by and#8220;westernand#8221; American literature in the first place and when that designation originated.

Calling into question the implicit temporal boundaries of the and#8220;American Westand#8221; in literature, a literature often viewed as having commenced only at the beginning of the 1800s, Before the West Was West explores the concrete, meaningful connections between different texts as well as the development of national ideologies and mythologies. Examining pre-nineteenth-century writings that do not fit conceptions of the Wild West or of cowboys, cattle ranching, and the Pony Express, these thirteen essays demonstrate that no single, unified idea or geography defines the American West.and#160;

Contributors investigate texts ranging from the Norse Vinland Sagas and Mary Rowlandsonand#8217;s famous captivity narrative to early Spanish and French exploration narratives, an eighteenth-century English novel, and a play by Aphra Behn. Through its examination of the disparate and multifaceted body of literature that arises from a broad array of cultural backgrounds and influences, Before the West Was West apprehends the literary West in temporal as well as spatial and cultural terms and poses new questions about and#8220;westernnessand#8221; and its literary representation.

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