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2 Burnside Philosophy- General

Public Enemies: Dueling Writers Take on Each Other and the World

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Public Enemies: Dueling Writers Take on Each Other and the World Cover

ISBN13: 9780812980783
ISBN10: 0812980786
Condition: Standard
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Synopses & Reviews

Publisher Comments:

The international publishing sensation is now available in the United States—two brilliant, controversial authors confront each other and their enemies in an unforgettable exchange of letters.

 

In one corner, Bernard-Henri Lévy, creator of the classic Barbarism with a Human Face, dismissed by the media as a wealthy, self-promoting, arrogant do-gooder. In the other, Michel Houellebecq, bestselling author of The Elementary Particles, widely derided as a sex-obsessed racist and misogynist. What began as a secret correspondence between bitter enemies evolved into a remarkable joint personal meditation by France’s premier literary and political live wires.  An instant international bestseller, Public Enemies has now been translated into English for all lovers of superb insights, scandalous opinions, and iconoclastic ideas.

In wicked, wide-ranging, and freewheeling letters, the two self-described “whipping boys” debate whether they crave disgrace or secretly have an insane desire to please. Lévy extols heroism in the face of tyranny; Houellebecq sees himself as one who would “fight little and badly.” Lévy says “life does not ‘live’” unless he can write; Houellebecq bemoans work as leaving him in such “a state of nervous exhaustion that it takes several bottles of alcohol to get out.” There are also touching and intimate exchanges on the existence of God and about their own families.

Dazzling, delightful, and provocative, Public Enemies is a death match between literary lions, remarkable men who find common ground, confident that, in the end (as Lévy puts it), “it is we who will come out on top.”

Review:

"Two of France's most polarizing writers give free rein to their intellectual preoccupations, caprices--and egos--as they spar, in a fiery exchange of letters, over Judaism, morality, political commitment, postcommunist Russia, and their own celebrity. Philosopher Lévy (Barbarism with a Human Face) and novelist Houellebecq (The Elementary Particles) draw on an array of sources for their discussions, such as Celine, Comte, Spinoza, and Hugo, but repeatedly throughout the book it is the correspondents themselves who emerge as the preferred subject matter. Both discuss at length their apparent vilification at the hands of the media and this self-absorption threatens to capsize more interesting discussions about writing and the relationship between art and life. (Still their mutual ribbing delights; Houellebecq to Lévy: 'A philosopher without an original idea but with excellent contacts, you are, in addition, the creator behind the most preposterous film in the history of cinema.') Nonetheless, there is an undeniable pleasure in being privy to this conversation between these two outsize personalities. (Jan.)" Publishers Weekly (Copyright PWyxz LLC)

About the Author

Bernard-Henri Lévy is a philosopher, journalist, activist, and filmmaker. He was hailed by Vanity Fair magazine as “Superman and prophet: we have no equivalent in the United States.” Among his dozens of books are American Vertigo, Barbarism with a Human Face, Who Killed Daniel Pearl? and Left in Dark Times. His writing has appeared in a wide range of publications throughout Europe and the United States. His films include the documentaries Bosna! and A Day in the Death of Sarajevo. Lévy is co-founder of the antiracist group SOS Racism and has served on diplomatic missions for the French government.

Michel Houellebecq has won the prestigious Prix Novembre in France as well as the lucrative International IMPAC Dublin Literary Award. He lives in Ireland.

What Our Readers Are Saying

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Average customer rating based on 1 comment:

Gracie, June 19, 2011 (view all comments by Gracie)
I've seen Bernard-Henri Lévy speaking on TV for years, so when I heard about this book, I thought it would be a lot of fun. A debate between two diametrically opposed French philosophers. How could it be anything but. I must admit that I am by no means a philosopher and have never been a fan of reading philosophy, but I did enjoy this book.

There are times when both Lévy and Houellebecq got off on a train of thought, exploring it and arguing it for the sake of polemics rather than conviction. And it does appear at those times that they're more interested in the sounds of their own voices than making a point per se.

Yet they are both eloquent and articulate, and the care they take in crafting their responses to one another is evident. It's the type of book that you don't often see, and for that alone it is worth reading. They discuss everything from their childhoods to politics, literature, and society. I may not have understood or agreed with them all the time, but I enjoyed what they had to say all the same.
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Product Details

ISBN:
9780812980783
Author:
Levy, Bernard Henri
Publisher:
Random House Trade
Author:
Levy, Bernard-Henri
Author:
Frendo, Miriam Rachel
Author:
Houellebecq, Michel
Subject:
History & Surveys - Modern
Subject:
General
Subject:
Letters
Subject:
Modern
Subject:
European - French
Subject:
Philosophy : General
Copyright:
Edition Description:
Trade paper
Publication Date:
20110131
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Pages:
320
Dimensions:
8 x 5.17 x .67 in .51 lb

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Public Enemies: Dueling Writers Take on Each Other and the World Used Trade Paper
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Product details 320 pages Random House Trade - English 9780812980783 Reviews:
"Publishers Weekly Review" by , "Two of France's most polarizing writers give free rein to their intellectual preoccupations, caprices--and egos--as they spar, in a fiery exchange of letters, over Judaism, morality, political commitment, postcommunist Russia, and their own celebrity. Philosopher Lévy (Barbarism with a Human Face) and novelist Houellebecq (The Elementary Particles) draw on an array of sources for their discussions, such as Celine, Comte, Spinoza, and Hugo, but repeatedly throughout the book it is the correspondents themselves who emerge as the preferred subject matter. Both discuss at length their apparent vilification at the hands of the media and this self-absorption threatens to capsize more interesting discussions about writing and the relationship between art and life. (Still their mutual ribbing delights; Houellebecq to Lévy: 'A philosopher without an original idea but with excellent contacts, you are, in addition, the creator behind the most preposterous film in the history of cinema.') Nonetheless, there is an undeniable pleasure in being privy to this conversation between these two outsize personalities. (Jan.)" Publishers Weekly (Copyright PWyxz LLC)
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