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Middlebrow Queer: Christopher Isherwood in America

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Middlebrow Queer: Christopher Isherwood in America Cover

 

Synopses & Reviews

Publisher Comments:

How could one write about gay life for the mainstream public in Cold War America? Many midcentury gay American writers, hampered by external and internal censors, never managed to do it. But Christopher Isherwood did, and what makes his accomplishment more remarkable is that while he was negotiating his identity as a gay writer, he was reinventing himself as an American one. Jaime Harker shows that Isherwood refashioned himself as an American writer following his emigration from England by immersing himself in the gay reading, writing, and publishing communities in Cold War America.

Drawing extensively on Isherwood’s archives, including manuscript drafts and unpublished correspondence with readers, publishers, and other writers, Middlebrow Queer demonstrates how Isherwood mainstreamed gay content for heterosexual readers in his postwar novels while also covertly writing for gay audiences and encouraging a symbiotic relationship between writer and reader. The result—in such novels as The World in the Evening, Down There on a Visit, A Single Man, and A Meeting by the River—was a complex, layered form of writing that Harker calls “middlebrow camp,” a mode that extended the boundaries of both gay and middlebrow fiction.

Weaving together biography, history, and literary criticism, Middlebrow Queer traces the continuous evolution of Isherwood’s simultaneously queer and American postwar authorial identity. In doing so, the book illuminates many aspects of Cold War America’s gay print cultures, from gay protest novels to “out” pulp fiction.

Synopsis:

Jaime Harker shows that Christopher Isherwood refashioned himself as an American writer following his emigration from England by immersing himself in the gay reading, writing, and publishing communities in Cold War America. Weaving together biography, history, and literary criticism, Middlebrow Queer traces the continuous evolution of Isherwood’s simultaneously queer and American postwar authorial identity.

About the Author

Jaime Harker is associate professor of English at the University of Mississippi. She is author of America the Middlebrow: Women’s Novels, Progressivism, and Middlebrow Authorship between the Wars and coeditor, with Cecilia Konchar Farr, of The Oprah Affect: Critical Essays on Oprah’s Book Club.

Table of Contents

Contents

Acknowledgments

Introduction: Christopher and His Readers

1. Isherwood’s American Incarnation and the Gay Protest Novel

2. “Too Queer to Be Quaker”: Gay Protest and Camp

3. “Fagtrash”: Pulp Paperbacks and Cold War Queer Readers

4. Sixties’ Literature and the Ascension of Camp Middlebrow

5. “A Delicious Purgatory”: Sex and “Salvation”

6. Secret Agents and Gay Identity: Cold War Queerness

7. Spiritual Trash: Hindus, Homos, and Gay Pulp

8. Christopher Isherwood, Gay Liberation, and the Question of Style

Notes

Bibliography

Index

Product Details

ISBN:
9780816679140
Author:
Harker, Jaime
Publisher:
University of Minnesota Press
Subject:
Gay & Lesbian
Subject:
Literary Criticism : General
Copyright:
Edition Description:
Paperback
Publication Date:
20130231
Binding:
TRADE PAPER
Language:
English
Illustrations:
10
Pages:
216
Dimensions:
8.5 x 5.5 x 1 in

Related Subjects

Fiction and Poetry » Literature » A to Z
Gay and Lesbian » Fiction and Poetry » General
Humanities » Literary Criticism » General
Reference » Science Reference » Philosophy of Science

Middlebrow Queer: Christopher Isherwood in America New Trade Paper
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Product details 216 pages University of Minnesota Press - English 9780816679140 Reviews:
"Synopsis" by ,

Jaime Harker shows that Christopher Isherwood refashioned himself as an American writer following his emigration from England by immersing himself in the gay reading, writing, and publishing communities in Cold War America. Weaving together biography, history, and literary criticism, Middlebrow Queer traces the continuous evolution of Isherwood’s simultaneously queer and American postwar authorial identity.

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