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This title in other editions

People Get Ready: The Future of Jazz Is Now! (Improvisation, Community, and Social Practice)

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People Get Ready: The Future of Jazz Is Now! (Improvisation, Community, and Social Practice) Cover

 

Synopses & Reviews

Publisher Comments:

In People Get Ready, musicians, scholars, and journalists write about jazz since 1965, the year that Curtis Mayfield composed the famous civil rights anthem that gives this collection its title. The contributors emphasize how the political consciousness that infused jazz in the 1960s and early 1970s has informed jazz in the years since then. They bring nuance to historical accounts of the avant-garde, the New Thing, Free Jazz, "non-idiomatic" improvisation, fusion, and other forms of jazz that have flourished since the 1960s, and they reveal the contemporary relevance of those musical practices. Many of the participants in the jazz scenes discussed are still active performers. A photographic essay captures some of them in candid moments before performances. Other pieces revise standard accounts of well-known jazz figures, such as Duke Ellington, and lesser-known musicians, including Jeanne Lee; delve into how money, class, space, and economics affect the performance of experimental music; and take up the question of how digital technology influences improvisation. People Get Ready offers a vision for the future of jazz based on an appreciation of the complexity of its past and the abundance of innovation in the present.

Contributors. Tamar Barzel, John Brackett, Douglas Ewart, Ajay Heble, Vijay Iyer, Thomas King, Tracy McMullen, Paul D. Miller/DJ Spooky, Nicole Mitchell, Roscoe Mitchell, Famoudou Don Moye, Aldon Lynn Nielsen, Eric Porter, Marc Ribot, Matana Roberts, Jaribu Shahid, Julie Dawn Smith, Wadada Leo Smith, Alan Stanbridge, John Szwed, Greg Tate, Scott Thomson, Rob Wallace, Ellen Waterman, Corey Wilkes

Synopsis:

Jazz musicians, scholars, and journalists emphasize how the political consciousness that infused jazz in the 1960s and 1970s has continued to animate the avant-garde, Free Jazz, fusion, and other forms of this lively, always-evolving music.

About the Author

Ajay Heble is Professor of English in the School of English and Theatre Studies at University of Guelph in Ontario. He is the author of Landing On The Wrong Note: Jazz, Dissonance, and Critical Practice and a coeditor of The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue. Heble is the founder and artistic director of the Guelph Jazz Festival and a founding editor of the online peer-reviewed journal Critical Studies in Improvisation/Études critiques en improvisation.

Rob Wallace is a teacher, writer, and musician. He holds a Ph.D. in English Literature from the University of California, Santa Barbara and is the author of Improvisation and the Making of American Literary Modernism. As a percussionist, he can be heard on recordings from the pfMentum and Ambiances Magnétiques record labels.

Product Details

ISBN:
9780822354253
Author:
Heble, Ajay (edt)
Publisher:
Duke University Press
Author:
Heble, Ajay
Author:
Wallace, Robert
Author:
Wallace, Rob
Subject:
Jazz
Subject:
Music -- History and criticism.
Copyright:
Edition Description:
Trade Paper
Series:
Improvisation, Community, and Social Practice
Publication Date:
20130531
Binding:
TRADE PAPER
Language:
English
Illustrations:
16 photographs, 1 figure
Pages:
336

Related Subjects

Arts and Entertainment » Music » General
Arts and Entertainment » Music » Genres and Styles » Jazz
Arts and Entertainment » Music » Genres and Styles » Jazz » General
Arts and Entertainment » Music » History and Criticism

People Get Ready: The Future of Jazz Is Now! (Improvisation, Community, and Social Practice) New Trade Paper
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Product details 336 pages Duke University Press - English 9780822354253 Reviews:
"Synopsis" by ,
Jazz musicians, scholars, and journalists emphasize how the political consciousness that infused jazz in the 1960s and 1970s has continued to animate the avant-garde, Free Jazz, fusion, and other forms of this lively, always-evolving music.
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