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This Is the Day: The March on Washingtonby Leonard Freed
Synopses & Reviews
When the more than 18 million visitors poured into the Panama-Pacific International Exposition (PPIE) in San Francisco in 1915, they encountered a vision of the world born out of San Franciscoand#8217;s particular local political and social climate. By seeking to please various constituent groups ranging from the government of Japan to local labor unions and neighborhood associations, fair organizers generated heated debate and conflict about who and what represented San Francisco, California, and the United States at the worldand#8217;s fair. The PPIE encapsulated the social and political tensions and conflicts of preand#8211;World War I California and presaged the emergence of San Francisco as a cosmopolitan cultural and economic center of the Pacific Rim.
Empress San Francisco offers a fresh examination of this, one of the largest and most influential worldand#8217;s fairs, by considering the local social and political climate of Progressive Era San Francisco. Focusing on the influence exerted by women, Asians and Asian Americans, and working-class labor unions, among others, Abigail M. Markwyn offers a unique analysis both of this worldand#8217;s fair and the social construction of preand#8211;World War I America and the West.
"Published to coincide with the 50th anniversary of the March for Jobs and Freedom on August 28, 1963, at which Dr. Martin Luther King Jr. delivered his famous 'I Have a Dream' speech at the Lincoln Memorial, this handsome black-and-white collection of 79 photos showcases Magnum Photos photographer Freed's (1929 — 2006) deft eye for capturing important and emotional moments. The historical images are supplemented by a firsthand account from civil rights stalwart Julian Bond, an essay by sociologist Michael Eric Dyson, and a discussion of Freed's work by scholar Paul M. Farber. At his best, Freed captures the dignity of the individuals as well as the drama and tension of the day. In addition to capturing the overall event and the incredible numbers in attendance, Freed also shot many affecting individual and smaller group portraits from this truly pivotal day in our nation's journey. A second chapter presenting Freed's images from the 20th anniversary march in 1983 also contains strong work, including a portrait of Jesse Jackson and another of a lone protester standing in the Reflecting Pool. This release follows Getty's 2010 reissue of Freed's classic 1967/68 volume, Black in White America. Photos." Publishers Weekly Copyright PWxyz, LLC. All rights reserved.
This Is the Day: The March on Washington is a stirring photo-essay by photographer Leonard Freed documenting the March on Washington for Jobs and Freedom of August 28, 1963, the historic day on which Dr. Martin Luther King Jr. delivered his andldquo;I Have a Dreamandrdquo; speech at the base of the Lincoln Memorial. This book commemorates the fiftieth anniversary of the historic march that ultimately led to the passage of the Civil Rights Act of 1964.and#160;
Never before published in book form, the seventy-five photographs in this volume were chosen from among the hundreds of images that Freed made in the nationandrsquo;s capitolandmdash;before, during, and after the march. These images not only present us with stunning wide-angle views of hundreds of thousands of marchers overflowing the National Mall but also focus on small groups of people straining to see the speakers and on individual faces, each one filled with hope and yearning, epitomized by the beautiful young woman who throws her entire being into singing andquot;We Shall Overcome.andrdquo; In addition are eighteen pictures from the twentieth-anniversary march of August 1983, conveying a sense of celebration coupled with peaceful protest.
Accompanying the photographs are a first-hand, backstage account of the preparations leading up to the march by social activist and civil rights leader Julian Bond; anand#160;essay onand#160;the importance of the march and Dr. King's involvement by sociology professor and author Michael Eric Dyson; and an informative discussion of Freedandrsquo;s approach to the photographic project by scholar Paul Farber.
About the Author
Leonard Freed (American, 1929andndash;2006) was a pioneer in the genre of socially conscious photojournalism. Freedandrsquo;s photographs are represented in many public and private collections. His book Black in White America, first published in 1967/68, was reissued by Getty Publications in 2010. Julian Bond helped found the Student Nonviolent Coordinating Committee (SNCC) and is currently professor of history at the University of Virginia in Charlottesville. Michael Eric Dyson is a professor of sociology at Georgetown University and the author of sixteen books, including April 4, 1968: Martin Luther King, Jr.andrsquo;s Death and How It Changed America (Basic Civitas Books, 2008). Paul Farber is currently completing his doctorate in American studies at the University of Michigan, Ann Arbor.
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