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Much Ado about Nothing (Arden Shakespeare Third)

by

Much Ado about Nothing (Arden Shakespeare Third) Cover

 

Synopses & Reviews

Publisher Comments:

Much Ado About Nothing boasts one of Shakespeare's most delightful heroines, most dancing wordplay, and the endearing spectacle of intellectual and social self-importance bested by the desire to love and be loved in return. It offers both the dancing wit of the "merry war" between the sexes, and a sobering vision of the costs of that combat for both men and women. Shakespeare dramatizes a social world in all of its vibrant particulars, in which characters are shaped by the relations between social convention and individual choice.
 
This edition of the play offers in its introduction and commentary an extensive discussion of the materials that informed Shakespeare's compositional choices, both those conventional sources and other contexts, from cuckold jokes to conduct books, which inform the ideas and identities of this play. Particular attention is devoted to Renaissance understandings of gender identity and social rank, as well as to the social valences of Shakespeare's stylistic choices. Among the elements of structure and style discussed are the two concurrent plots, the recurrence of verbal handshakes, and the use of music.  A treatment of staging possibilities offers illustrations drawn from the earliest and recent theatrical practices, and a critical history examines the fate of the play in the changing trends of academic scholarship.

A casting chart and a list of abbreviations and references are includes as appendices. 

 
The Arden Shakespeare has developed a reputation as the pre-eminent critical edition of Shakespeare for its exceptional scholarship, reflected in the thoroughness of each volume. An introduction comprehensively contextualizes the play, chronicling the history and culture that surrounded and influenced Shakespeare at the time of its writing and performance, and closely surveying critical approaches to the work. Detailed appendices address problems like dating and casting, and analyze the differing Quarto and Folio sources. A full commentary by one or more of the plays foremost contemporary scholars illuminates the text, glossing unfamiliar terms and drawing from an abundance of research and expertise to explain allusions and significant background information. Highly informative and accessible, Arden offers the fullest experience of Shakespeare available to a reader.
Claire McEachern is Professor of English Literature at the University of California, Los Angeles. She has edited The Cambridge Companion to Shakespearean Tragedy, and co-edited Religion and Culture in the English Renaissance, as well as five volumes of the Pelican Shakespeare (1 and 2 Henry IV, Henry V, King John, and All's Well That Ends Well). Her other previous publications include Poetics of English Nationhood 1590-1612.
Much Ado About Nothing boasts one of Shakespeare's most delightful heroines, most dancing wordplay, and the endearing spectacle of intellectual and social self-importance bested by the desire to love and be loved in return. It offers both the dancing wit of the "merry war" between the sexes, and a sobering vision of the costs of that combat for both men and women. Shakespeare dramatizes a social world in all of its vibrant particulars, in which characters are shaped by the relations between social convention and individual choice.
 
This edition of the play offers in its introduction and commentary an extensive discussion of the materials that informed Shakespeare's compositional choices, both those conventional sources and other contexts, from cuckold jokes to conduct books, which inform the ideas and identities of this play. Particular attention is devoted to Renaissance understandings of gender identity and social rank, as well as to the social valences of Shakespeare's stylistic choices. Among the elements of structure and style discussed are the two concurrent plots, the recurrence of verbal handshakes, and the use of music.  A treatment of staging possibilities offers illustrations drawn from the earliest and recent theatrical practices, and a critical history examines the fate of the play in the changing trends of academic scholarship.

A casting chart and a list of abbreviations and references are includes as appendices. 

 
The Arden Shakespeare has developed a reputation as the pre-eminent critical edition of Shakespeare for its exceptional scholarship, reflected in the thoroughness of each volume. An introduction comprehensively contextualizes the play, chronicling the history and culture that surrounded and influenced Shakespeare at the time of its writing and performance, and closely surveying critical approaches to the work. Detailed appendices address problems like dating and casting, and analyze the differing Quarto and Folio sources. A full commentary by one or more of the plays foremost contemporary scholars illuminates the text, glossing unfamiliar terms and drawing from an abundance of research and expertise to explain allusions and significant background information. Highly informative and accessible, Arden offers the fullest experience of Shakespeare available to a reader.
"The text is superb . . . the critical introduction is predictably smart and engaging, exactly the sort of essay one would recommend to students."—Eric Rasmussen, Shakespeare Survey
 
"The notes are a pleasure to read; glosses are adept and concise, without windy disquisitions on alternative meanings. Many longer entries are fascinating...Graceful concision also marks the notes on performance and theatrical history...Deftly deploys a combination of linguistic and literary analysis, theater history, and textual commentary...give[s] the reader a sense of the whole play as alive and ever changing, with many intriguing possibilities for interpretation, capably set out within the frame she has created."—Shakespeare Quarterly

Synopsis:

Much Ado About Nothing boasts one of Shakespeare's most delightful heroines, most dancing wordplay, and the endearing spectacle of intellectual and social self-importance bested by the desire to love and be loved in return. It offers both the dancing wit of the "merry war" between the sexes, and a sobering vision of the costs of that combat for both men and women. Shakespeare dramatizes a social world in all of its vibrant particulars, in which characters are shaped by the relations between social convention and individual choice.
 
This edition of the play offers in its introduction and commentary an extensive discussion of the materials that informed Shakespeare's compositional choices, both those conventional sources and other contexts, from cuckold jokes to conduct books, which inform the ideas and identities of this play. Particular attention is devoted to Renaissance understandings of gender identity and social rank, as well as to the social valences of Shakespeare's stylistic choices. Among the elements of structure and style discussed are the two concurrent plots, the recurrence of verbal handshakes, and the use of music.  A treatment of staging possibilities offers illustrations drawn from the earliest and recent theatrical practices, and a critical history examines the fate of the play in the changing trends of academic scholarship.

A casting chart and a list of abbreviations and references are includes as appendices. 

 
The Arden Shakespeare has developed a reputation as the pre-eminent critical edition of Shakespeare for its exceptional scholarship, reflected in the thoroughness of each volume. An introduction comprehensively contextualizes the play, chronicling the history and culture that surrounded and influenced Shakespeare at the time of its writing and performance, and closely surveying critical approaches to the work. Detailed appendices address problems like dating and casting, and analyze the differing Quarto and Folio sources. A full commentary by one or more of the plays foremost contemporary scholars illuminates the text, glossing unfamiliar terms and drawing from an abundance of research and expertise to explain allusions and significant background information. Highly informative and accessible, Arden offers the fullest experience of Shakespeare available to a reader.

About the Author

Claire McEachern is Professor of English Literature at the University of California, Los Angeles. She has edited The Cambridge Companion to Shakespearean Tragedy, and co-edited Religion and Culture in the English Renaissance, as well as five volumes of the Pelican Shakespeare (1 and 2 Henry IV, Henry V, King John, and All's Well That Ends Well). Her other previous publications include Poetics of English Nationhood 1590-1612.

Table of Contents

List of illustrations General Editors preface Preface

Product Details

ISBN:
9781903436837
Author:
Mceachern, Claire (edt)
Publisher:
Arden Book Company
Editor:
McEachern, Claire
Author:
McEachern, Claire
Author:
Shakespeare, William
Subject:
General
Subject:
Shakespeare
Subject:
Conspiracies
Subject:
Courtship
Subject:
Literature-A to Z
Copyright:
Edition Number:
3
Edition Description:
Paperback
Series:
Arden Shakespeare Third
Publication Date:
December 2005
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Illustrations:
Y
Pages:
368
Dimensions:
7.87 x 5.05 x 0.77 in

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Related Subjects

Arts and Entertainment » Drama » History and Criticism
Arts and Entertainment » Drama » Shakespeare » Plays
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Fiction and Poetry » Literature » A to Z
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Much Ado about Nothing (Arden Shakespeare Third) New Trade Paper
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Product details 368 pages Delmar Thomson Learning - English 9781903436837 Reviews:
"Synopsis" by ,
Much Ado About Nothing boasts one of Shakespeare's most delightful heroines, most dancing wordplay, and the endearing spectacle of intellectual and social self-importance bested by the desire to love and be loved in return. It offers both the dancing wit of the "merry war" between the sexes, and a sobering vision of the costs of that combat for both men and women. Shakespeare dramatizes a social world in all of its vibrant particulars, in which characters are shaped by the relations between social convention and individual choice.
 
This edition of the play offers in its introduction and commentary an extensive discussion of the materials that informed Shakespeare's compositional choices, both those conventional sources and other contexts, from cuckold jokes to conduct books, which inform the ideas and identities of this play. Particular attention is devoted to Renaissance understandings of gender identity and social rank, as well as to the social valences of Shakespeare's stylistic choices. Among the elements of structure and style discussed are the two concurrent plots, the recurrence of verbal handshakes, and the use of music.  A treatment of staging possibilities offers illustrations drawn from the earliest and recent theatrical practices, and a critical history examines the fate of the play in the changing trends of academic scholarship.

A casting chart and a list of abbreviations and references are includes as appendices. 

 
The Arden Shakespeare has developed a reputation as the pre-eminent critical edition of Shakespeare for its exceptional scholarship, reflected in the thoroughness of each volume. An introduction comprehensively contextualizes the play, chronicling the history and culture that surrounded and influenced Shakespeare at the time of its writing and performance, and closely surveying critical approaches to the work. Detailed appendices address problems like dating and casting, and analyze the differing Quarto and Folio sources. A full commentary by one or more of the plays foremost contemporary scholars illuminates the text, glossing unfamiliar terms and drawing from an abundance of research and expertise to explain allusions and significant background information. Highly informative and accessible, Arden offers the fullest experience of Shakespeare available to a reader.

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