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Swordspointby Ellen Kushner
Synopses & Reviews
Snow was falling on Riverside, great white feather-puffs that veiled the cracks in the facades of its ruined houses; slowly softening the harsh contours of jagged roof and fallen beam. Eaves were rounded with snow, overlapping, embracing, sliding into each other, capping houses all clustered together like a fairy-tale village. Little slopes of snow nestled in the slats of shutters still cozily latched against the night. It dusted the tops of fantastical chimneys that spiraled up from frosted roofs, and it formed white peaks in the ridges of the old coats of arms carved above the doorways. Only here and there a window, its glass long shattered, gaped like a black mouth with broken teeth, sucking snow into its maw.
Let the fairy tale begin on a winter's morning, then, with one drop of blood new-fallen on the ivory snow: a drop as bright as a clear-cut ruby, red as the single spot of claret on the lace cuff. And it therefore follows that evil lurks behind each broken window, scheming malice and enchantment; while behind the latched shutters the good are sleeping their just sleeps at this early hour in Riverside. Soon they will arise to go about their business; and one, maybe, will be as lovely as the day, armed, as are the good, for a predestined triumph. . . .
But there is no one behind the broken windows; only eddies of snow drift across bare floorboards. The owners of the coats of arms have long since abandoned all claims to the houses they crest, and moved up to the Hill, where they can look down on all the city. No king rules them any more, for good or ill. From the Hill, Riverside is a tiny splotch between two riverbanks, an unsavory quarter in a prosperous city. The people who live there now like to think of themselves as evil, but they're really no worse than anyone else. And already this morning more than one drop of blood has been shed.
The blood lies on the snow of a formal winter garden, now trampled and muddy. A man lies dead, the snow filling in the hollows of his eyes, while another man is twisted up, grunting, sweating frog-ponds on the frozen earth, waiting for someone to come and help him. The hero of this little tableau has just vaulted the garden wall and is running like mad into the darkness while the darkness lasts.
The falling snow made it hard for him to see. The fight hadn't badly winded him, but he was hot and sweaty, and he could feel his heart pounding in his chest. He ignored it, making for Riverside, where no one was likely to follow him.
He could have stayed, if he'd wanted to. The swordfight had been very impressive, and the party guests had been well entertained. The winter garden party and its outcome would be talked about for weeks. But if he stayed, the swordsman knew that he would be offered wine, and rich pastry, and asked boring questions about his technique, and difficult questions about who had arranged the fight. He ran on.
Under his cloak, his shirt was spattered with blood, and the Watch would want to know what he was doing up on the Hill at this hour. It was their right to know; but his profession forbade him to answer, so he dodged around corners and caught his breath in doorways until he'd left the splendors of the Hill behind, working his way down through the city. It was breaking dawn when he came to the river, flowing murky green under the Bridge. No one waited there to challenge him, so he set his foot on th
In this collection which includes a novel and three short stories, the great swordsman Richard St. Vier is forced to become involved in a plot to gain control of a nameless city where elegance and decadence coexist.
The classic forerunner to The Fall of the Kings now with three bonus stories.
Hailed by critics as “a bravura performance” (Locus) and “witty, sharp-eyed, [and] full of interesting people” (Newsday), this classic melodrama of manners, filled with remarkable plot twists and unexpected humor, takes fantasy to an unprecedented level of elegant writing and scintillating wit. Award-winning author Ellen Kushner has created a world of unforgettable characters whose political ambitions, passionate love affairs, and age-old rivalries collide with deadly results.
On the treacherous streets of Riverside, a man lives and dies by the sword. Even the nobles on the Hill turn to duels to settle their disputes. Within this elite, dangerous world, Richard St. Vier is the undisputed master, as skilled as he is ruthless--until a death by the sword is met with outrage instead of awe, and the city discovers that the line between hero and villain can be altered in the blink of an eye.
Table of Contents
Swordspoint — acknowledgments — afterword — The Swordsman whose name was not death — Red-cloak — The Death of the duke — preview of The fall of the kings.
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