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Sacre Bleu: A Comedy D'Art

by Christopher Moore

Sacre Bleu: A Comedy D'Art Cover

 

Synopses & Reviews

Publisher Comments:

It is the color of the Virgin Mary's cloak, a dazzling pigment desired by artists, an exquisite hue infused with danger, adventure, and perhaps even the supernatural. It is . . .

Sacre Bleu

In July 1890, Vincent van Gogh went into a cornfield and shot himself. Or did he? Why would an artist at the height of his creative powers attempt to take his own life . . . and then walk a mile to a doctor's house for help? Who was the crooked little "color man" Vincent had claimed was stalking him across France? And why had the painter recently become deathly afraid of a certain shade of blue?

These are just a few of the questions confronting Vincent's friends—baker-turned-painter Lucien Lessard and bon vivant Henri Toulouse-Lautrec—who vow to discover the truth about van Gogh's untimely death. Their quest will lead them on a surreal odyssey and brothel-crawl deep into the art world of late nineteenth-century Paris.

Oh la la, quelle surprise, and zut alors! A delectable confection of intrigue, passion, and art history—with cancan girls, baguettes, and fine French cognac thrown in for good measure—Sacre Bleu is another masterpiece of wit and wonder from the one, the only, Christopher Moore.

Review:

"Moore turns things on their head with an edgy 21st-century perspective that makes the story line as sharp, surly and slick as a game of Grand Theft Auto... It's a manic, masterly mix-winning, wild and something today's groundlings will applaud."— Publishers Weekly on FOOL

Review:

"[H]ilarious, educational, and original. . . . [I]t is difficult to put the book down, for there are astonishing new developments on every page." —BookPage

Review:

"In transforming "King Lear" into a potty-mouthed jape, Moore is up to more than thumbing his nose at a masterpiece. His version of Shakespeare's Fool, who accompanies Lear on his slide from paternal arrogance to spiritual desolation in the original text, simultaneously honors and imaginatively enriches the character." —San Francisco Chronicle on FOOL

Review:

"A raunchy slapstick comedy of young vampires in love . . . Moore is in top form, and this reviewer laughed all the way through this page-turner. Enthusiastically recommended." —Library Journal

Review:

"If there's a funnier writer out there, step forward." —Playboy

Review:

"An instant classic . . . terrific, funny and poignant. —Rocky Mountain News

Review:

"Moore is a very clever boy when it comes to words. There are good chuckles to be had in this tale. ...Whether you need to read the original King Lear before you read Moore's Fool is debatable. Seems a fool's errand to us. Just enjoy." —USA Today on FOOL

Review:

"It's hard to resist so gleeful a tale of murder, witchcraft, treason, maiming, and spanking. . . . Moore's deft ear for dialogue keeps the pages turning . . . Fool is a wickedly good time." —Christian Science Monitor on FOOL

Review:

"I can't emphasize enough how funny BITE ME is." —Bookreporter.com

Review:

"A page-turner.... Your 'Lear' can be rusty or completely unread to appreciate this new perspective on the Shakespearean tragedy. That is if you enjoy a whole lot of silly behind the scenes of your tragedies." —Valdosta Times (Georgia) on FOOL

Review:

"Funny, literate, smart and sexy, all at once!" —Jeff Lindsay, author of the Dexter series, on FOOL

Review:

"[W]all-to-wall, farcical fornicating and fighting...a jolly good time can be had." —Booklist on FOOL

Review:

"A vampire comedy that's witty, bright and funny." —People

Review:

"Less may be more, but it isn't Moore. Wretched excess doth have power to charm, and there are great reeking oodles of it strewn throughout these irreverent pages." —Kirkus Reviews on FOOL

Review:

"A laugh-a-page novel that's raunchy and irreverent." —USA Today

Review:

"Moore has produced eight books that deftly blend surreal, occult and even science-fiction doings with laugh-out-loud satire of contemporary culture. Powered by engines of the abnormal and unlikely, his tales feature eccentric lowlifes who find their desperate existences hilariously remade by intrusions from other spheres." —Washington Post Book World

Review:

"Often funny, sometimes hilarious, always inventive, this is a book for all, especially uptight English teachers, bardolaters and ministerial students of the kind who come to our doorstep on Saturday mornings." —Dallas Morning News on FOOL

Review:

"Mingling comedy and mystery, Moore crafts an intricate story that teases the reader with numerous twists and bawdy humor....[T]his is an imaginative and amusing look at the Impressionist era, and Moore's prose is fresh and engaging." —Booklist

Review:

"Art history is playfully--and perilously--rewrtitten in this ambitious novel....fans of Moore's mix of wit and slapstick will be pleased." —Publishers Weekly on SACRE BLEU

Review:

"Moore's humor is, as ever, sweetly juvenile, but his arty comedy also captures the courage and rebellion of the Impressionists with an exultant joie de vivre." —Kirkus Reviews on SACRE BLEU

Review:

"[A]surprisingly complex novel full of love, death, art, and mystery....Don't let Moore's quirky characters and bawdy language fool you. His writing has depth, and his peculiar take on the impressionists will reel you in....this is a worthy read. " —Library Journal (starred review) on SACRE BLEU

Synopsis:

Absolutely nothing is sacred to Christopher Moore. The phenomenally popular, New York Times bestselling satirist whom the Atlanta Journal-Constitution calls, "Stephen King with a whoopee cushion and a double-espresso imagination" has already lampooned Shakespeare, San Francisco vampires, marine biologists, Death...even Jesus Christ and Santa Claus! Now, in his latest masterpiece, Sacre Bleu, the immortal Moore takes on the Great French Masters. A magnificent "Comedy d'Art" from the author of Lamb, Fool, and Bite Me, Moore's Sacre Bleu is part mystery, part history (sort of), part love story, and wholly hilarious as it follows a young baker-painter as he joins the dapper Henri Toulouse-Lautrec on a quest to unravel the mystery behind the supposed "suicide" of Vincent van Gogh.

About the Author

Christopher Moore is the author of twelve previous novels: Practical Demonkeeping, Coyote Blue, Bloodsucking Fiends, Island of the Sequined Love Nun, The Lust Lizard of Melancholy Cove, Lamb, Fluke, The Stupidest Angel, A Dirty Job, You Suck, Fool, and Bite Me. He lives in San Francisco, California.

Product Details

ISBN:
9780061779749
Subtitle:
A Comedy d'Art
Author:
Moore, Christopher
Publisher:
William Morrow
Subject:
General Fiction
Subject:
Literature-A to Z
Copyright:
Edition Description:
Hardcover
Publication Date:
20120403
Binding:
Hardback
Language:
English
Pages:
416
Dimensions:
9 x 6 x 1.40556 in 27.2 oz

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Related Subjects


Featured Titles » Bestsellers
Featured Titles » General
Featured Titles » Literature
Featured Titles » New Arrivals
Fiction and Poetry » Literature » A to Z
Fiction and Poetry » Literature » New Arrivals
Fiction and Poetry » Science Fiction and Fantasy » A to Z
Languages » Foreign Languages » Spanish » Fiction and Poetry » Literature » A to Z
Sacre Bleu: A Comedy D'Art New Hardcover
0 stars - 0 reviews
$26.99 In Stock
Product details 416 pages William Morrow & Company - English 9780061779749 Reviews:
"Review" by , "Moore turns things on their head with an edgy 21st-century perspective that makes the story line as sharp, surly and slick as a game of Grand Theft Auto... It's a manic, masterly mix-winning, wild and something today's groundlings will applaud."—
"Review" by , "[H]ilarious, educational, and original. . . . [I]t is difficult to put the book down, for there are astonishing new developments on every page." —
"Review" by , "In transforming "King Lear" into a potty-mouthed jape, Moore is up to more than thumbing his nose at a masterpiece. His version of Shakespeare's Fool, who accompanies Lear on his slide from paternal arrogance to spiritual desolation in the original text, simultaneously honors and imaginatively enriches the character." —
"Review" by , "A raunchy slapstick comedy of young vampires in love . . . Moore is in top form, and this reviewer laughed all the way through this page-turner. Enthusiastically recommended." —
"Review" by , "If there's a funnier writer out there, step forward." —
"Review" by , "An instant classic . . . terrific, funny and poignant. —
"Review" by , "Moore is a very clever boy when it comes to words. There are good chuckles to be had in this tale. ...Whether you need to read the original King Lear before you read Moore's Fool is debatable. Seems a fool's errand to us. Just enjoy." —
"Review" by , "It's hard to resist so gleeful a tale of murder, witchcraft, treason, maiming, and spanking. . . . Moore's deft ear for dialogue keeps the pages turning . . . Fool is a wickedly good time." —
"Review" by , "I can't emphasize enough how funny BITE ME is." —
"Review" by , "A page-turner.... Your 'Lear' can be rusty or completely unread to appreciate this new perspective on the Shakespearean tragedy. That is if you enjoy a whole lot of silly behind the scenes of your tragedies." —
"Review" by , "Funny, literate, smart and sexy, all at once!" —
"Review" by , "[W]all-to-wall, farcical fornicating and fighting...a jolly good time can be had." —
"Review" by , "A vampire comedy that's witty, bright and funny." —
"Review" by , "Less may be more, but it isn't Moore. Wretched excess doth have power to charm, and there are great reeking oodles of it strewn throughout these irreverent pages." —
"Review" by , "A laugh-a-page novel that's raunchy and irreverent." —
"Review" by , "Moore has produced eight books that deftly blend surreal, occult and even science-fiction doings with laugh-out-loud satire of contemporary culture. Powered by engines of the abnormal and unlikely, his tales feature eccentric lowlifes who find their desperate existences hilariously remade by intrusions from other spheres." —
"Review" by , "Often funny, sometimes hilarious, always inventive, this is a book for all, especially uptight English teachers, bardolaters and ministerial students of the kind who come to our doorstep on Saturday mornings." —
"Review" by , "Mingling comedy and mystery, Moore crafts an intricate story that teases the reader with numerous twists and bawdy humor....[T]his is an imaginative and amusing look at the Impressionist era, and Moore's prose is fresh and engaging." —
"Review" by , "Art history is playfully--and perilously--rewrtitten in this ambitious novel....fans of Moore's mix of wit and slapstick will be pleased." —
"Review" by , "Moore's humor is, as ever, sweetly juvenile, but his arty comedy also captures the courage and rebellion of the Impressionists with an exultant joie de vivre." —
"Review" by , "[A]surprisingly complex novel full of love, death, art, and mystery....Don't let Moore's quirky characters and bawdy language fool you. His writing has depth, and his peculiar take on the impressionists will reel you in....this is a worthy read. " —
"Synopsis" by , Absolutely nothing is sacred to Christopher Moore. The phenomenally popular, New York Times bestselling satirist whom the Atlanta Journal-Constitution calls, "Stephen King with a whoopee cushion and a double-espresso imagination" has already lampooned Shakespeare, San Francisco vampires, marine biologists, Death...even Jesus Christ and Santa Claus! Now, in his latest masterpiece, Sacre Bleu, the immortal Moore takes on the Great French Masters. A magnificent "Comedy d'Art" from the author of Lamb, Fool, and Bite Me, Moore's Sacre Bleu is part mystery, part history (sort of), part love story, and wholly hilarious as it follows a young baker-painter as he joins the dapper Henri Toulouse-Lautrec on a quest to unravel the mystery behind the supposed "suicide" of Vincent van Gogh.

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