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The Beesby Laline Paull
In the queen-worshipping world of bees, worker-bee Flora is born into the bottom of the hierarchy. Her unique abilities gain her normally forbidden access throughout the social structure of her hive. The Bees is a charming — and informative — glimpse into the environmentally endangered world of the honeybee.
Synopses & Reviews
The Handmaid's Tale meets The Hunger Games in this brilliantly imagined debut set in an ancient culture where only the queen may breed and deformity means death.
Flora 717 is a sanitation worker, a member of the lowest caste in her orchard hive, where work and sacrifice are the highest virtues and worship of the beloved Queen the only religion. But Flora is not like other bees. With circumstances threatening the hive's survival, her curiosity is regarded as a dangerous flaw, but her courage and strength are assets. She is allowed to feed the newborns in the royal nursery and then to become a forager, flying alone and free to collect nectar and pollen. A feat of bravery grants her access to the Queen's inner sanctum, where she discovers mysteries about the hive that are both profound and ominous.
But when Flora breaks the most sacred law of all — daring to challenge the Queen's preeminence — enemies abound, from the fearsome fertility police who enforce the hive's strict social hierarchy to the high priestesses jealously wedded to power. Her deepest instincts to serve and sacrifice are now overshadowed by a greater power: a fierce maternal love that will bring her into conflict with her conscience, her heart, and her society — and lead her to perform unthinkable deeds.
Thrilling, suspenseful, and spectacularly imaginative, The Bees and its dazzling young heroine will forever change the way you look at the world outside your window.
"Dystopia meets the Discovery Channel in this audacious debut novel. Flora 717, a bee born to the lowest social strata at the orchard hive, is different than her kin. Her uncommon earnestness and skill lead her to various jobs — from child rearing to food gathering — and earn her the respect and admiration of her peers. But Flora's advances also expose her to the hive's questionable social order and attract negative attention from the elite group of bees closest to the queen. Like Animal Farm for the Hunger Games generation, Paull's book features characters who are both anthropomorphized and not — insects scientifically programmed to 'Accept, Obey and Serve,' but who also find themselves capable of questioning that programming. The result is at times comic — picture bees having an argument — but made less so by the all-too-real violent stakes involved in maintaining beehive status quo (sacrifices, massacres, the tearing of bee heads from bee bodies). Dystopian fiction so often highlights the human capacity for authoritarianism, but Paull investigates bees' reliance on it: what is a hivemind, after all, if not evolutionarily beneficial thought control? And while Flora 717 may not be the next Katniss Everdeen, she symbolizes the power that knowledge has to engender change, even in nature. (May) " Publishers Weekly Copyright PWxyz, LLC. All rights reserved.
“The Bees is an extraordinary feat of imagination, conjuring the life of a beehive in gripping, passionate and brilliant detail. With every page I turned, I found myself drawn deeper into Flora's plight and her immersive, mesmerizing world.” Madeline Miller, bestselling author of The Song of Achilles
“The Bees is one wild ride. A sensual, visceral mini-epic about timeless rituals and modern environmental disaster. Paull's heart pounding novel wrenches us into a new world.” Emma Donoghue, The New York Times bestselling author of Room
“This is a rich, strange book...convincing in its portrayal of the mind-set of a bee and a hive. I finished it feeling I knew...how bees think and live. This is what sets us humans apart — our imagination can...create a complete, believable world so different from our own.” Tracy Chevalier, New York Times bestselling author of Girl With a Pearl Earring
About the Author
Laline Paull studied English at Oxford, screenwriting in Los Angeles and theatre in London, where she has had two plays performed at the Royal National Theatre. She is a member of BAFTA and the Writers' Guild of America. She lives in England by the sea with her husband, the photographer Adrian Peacock, and their three children.
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