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Die upon a Kiss

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Die upon a Kiss Cover

 

Synopses & Reviews

Publisher Comments:

In A Free Man of Color and Sold Down the River, Benjamin January guided readers through the seductive maze of New Orleans' darkest quarters. Now January joins the orchestra of the city's top opera house — only to become enmeshed in a web of hate and greed more murderous than any drama onstage.

In 1835, the cold February streets glitter with masked revelers in Carnival costumes. An even more brilliant display is promised at the American Theater, where impresario Lorenzo Belaggio has brought the first Italian opera to town. But it's pitch-black in the muddy alley outside the stage door when Benjamin January, coming from rehearsal with the orchestra, hears a slurred whisper, sees the flash of a knife, and is himself wounded as he rescues Belaggio from a vicious attack.

The bombastic impresario first accuses two of his tenors, then suspects his rival, the manager of New Orleans' other opera company. Could competition for audiences really provoke such violent skulduggery? Or has Belaggio taken too many chances in the catfight between two sopranos, one superseded by the other as his mistress and his prima donna?

But burning in January's mind and heart is a darker possibility. The opera Belaggio plans to present — a magnificent version of Othello — strikes a shocking chord in this culture. Is the murderous tragedy of the noble Moor and his lady, the spectacle of a black man's passion for a white beauty, one that some Creole citizen — or American parvenu — would do anything to keep off the stage?

Bloody threats and voodoo signs, poison and brutal murder seem to implicate many strange bedfellows. And Benjamin must discover who — in rage, retribution, or an insidious new commerce in this beautiful cutthroat city — will kill and kill ... and who will Die Upon a Kiss.

From the Hardcover edition.

Synopsis:

In February 1835, the cold New Orleans streets are alight with masked Mardi Gras revelers as the American Theater’s impresario, Lorenzo Belaggio, brings a magnificent yet controversial operatic version of Othello to town. But it’s pitch-black in the alley where free man of color Benjamin January hears a slurred whisper, spies the flash of a knife, and is himself wounded as he rescues Belaggio from a vicious attack. Could competition for audiences—or for Belagio’s affections—provoke such violent skulduggery? Or is Shakespeare’s tragic tale, with its spectacle of a black man’s passion for a white beauty, one that some Creole citizen—or American parvenu—would do anything to keep off the stage? The soaring music will lead January into a tangle of love, hate, and greed more treacherous than any onstage drama, as he must discover who is responsible...and who will Die Upon a Kiss.

About the Author

Barbara Hambly is the author of The Emancipator’s Wife, a finalist for the Michael Shaara Award for Excellence in Civil War Fiction. She is also the author of Fever Season, a New York Times Notable Book of the Year, and seven acclaimed historical novels.

Product Details

ISBN:
9780307418029
Publisher:
Random House Publishing Group
Subject:
Fiction : Suspense
Author:
Hambly, Barbara
Author:
Barbara Hambly
Subject:
Fiction : Mystery & Detective - Historical
Subject:
Mystery & Detective - General
Subject:
Suspense
Subject:
Opera
Subject:
New Orleans (La.)
Subject:
Mystery-A to Z
Subject:
Mystery Historical
Subject:
Popular Fiction-Suspense
Subject:
main_subject
Subject:
all_subjects
Publication Date:
20020430
Binding:
ELECTRONIC
Language:
English
Pages:
480

Related Subjects

Fiction and Poetry » Literature » A to Z
Fiction and Poetry » Literature » African American » General
Fiction and Poetry » Mystery » A to Z
Fiction and Poetry » Popular Fiction » Suspense

Die upon a Kiss
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Product details 480 pages Random House Publishing Group - English 9780307418029 Reviews:
"Synopsis" by , In February 1835, the cold New Orleans streets are alight with masked Mardi Gras revelers as the American Theater’s impresario, Lorenzo Belaggio, brings a magnificent yet controversial operatic version of Othello to town. But it’s pitch-black in the alley where free man of color Benjamin January hears a slurred whisper, spies the flash of a knife, and is himself wounded as he rescues Belaggio from a vicious attack. Could competition for audiences—or for Belagio’s affections—provoke such violent skulduggery? Or is Shakespeare’s tragic tale, with its spectacle of a black man’s passion for a white beauty, one that some Creole citizen—or American parvenu—would do anything to keep off the stage? The soaring music will lead January into a tangle of love, hate, and greed more treacherous than any onstage drama, as he must discover who is responsible...and who will Die Upon a Kiss.
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