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The Great Movies IIby Roger Ebert
Synopses & Reviews
From America's most trusted and highly visible film critic, 100 more brilliant essays on the films that define cinematic greatness.
Continuing the pitch-perfect critiques begun in The Great Movies, Roger Ebert's The Great Movies II collects 100 additional essays, each one of them a gem of critical appreciation and an amalgam of love, analysis, and history that will send readers back to films with a fresh set of eyes and renewed enthusiasm—or perhaps to an avid first-time viewing. Neither a snob nor a shill, Ebert manages in these essays to combine a truly populist appreciation for today's most important form of popular art with a scholar's erudition and depth of knowledge and a sure aesthetic sense. Once again wonderfully enhanced by stills selected by Mary Corliss, former film curator at the Museum of Modern Art, The Great Movies II is a treasure trove for film lovers of all persuasions, an unrivaled guide for viewers, and a book to return to again and again.
Films featured in The Great Movies II
12 Angry Men · The Adventures of Robin Hood · Alien · Amadeus · Amarcord · Annie Hall · Au Hasard, Balthazar · The Bank Dick · Beat the Devil · Being There · The Big Heat · The Birth of a Nation · The Blue Kite · Bob le Flambeur · Breathless · The Bridge on the River Kwai · Bring Me the Head of Alfredo García · Buster Keaton · Children of Paradise · A Christmas Story · The Color Purple · The Conversation · Cries and Whispers · The Discreet Charm of the Bourgeoisie · Don’t Look Now · The Earrings of Madame de . . . · The Fall of the House of Usher · The Firemen’s Ball · Five Easy Pieces · Goldfinger · The Good, the Bad and the Ugly · Goodfellas · The Gospel According to Matthew · The Grapes of Wrath · Grave of the Fireflies · Great Expectations · House of Games · The Hustler · In Cold Blood · Jaws · Jules and Jim · Kieslowski’s Three Colors Trilogy · Kind Hearts and Coronets · King Kong · The Last Laugh · Laura · Leaving Las Vegas · Le Boucher · The Leopard · The Life and Death of Colonel Blimp · The Manchurian Candidate · The Man Who Laughs · Mean Streets · Mon Oncle · Moonstruck · The Music Room · My Dinner with Andre · My Neighbor Totoro · Nights of Cabiria · One Flew Over the Cuckoo’s Nest · Orpheus · Paris, Texas · Patton · Picnic at Hanging Rock · Planes, Trains and Automobiles · The Producers · Raiders of the Lost Ark · Raise the Red Lantern · Ran · Rashomon · Rear Window · Rififi · The Right Stuff · Romeo and Juliet · The Rules of the Game · Saturday Night Fever · Say Anything · Scarface · The Searchers · Shane · Snow White and the Seven Dwarfs · Solaris · Strangers on a Train · Stroszek · A Sunday in the Country · Sunrise · A Tale of Winter · The Thin Man · This Is Spinal Tap ·Tokyo Story · Touchez Pas au Grisbi · Touch of Evil · The Treasure of the Sierra Madre · Ugetsu · Umberto D · Unforgiven · Victim · Walkabout · West Side Story · Yankee Doodle Dandy
A new compilation of one hundred essays by the popular film critic represents key writings as prepared by the author for his bi-weekly feature of the same title, in a collection that includes his analyses of the films that epitomize the finest examples of cinematic art, enhanced by by a collection of film stills. Reprint. 25,000 first printing.
Ebert's enthusiasm and . . . straightforward prose are ideal for examining films . . . You remember why he's the only film critic ever to win the Pulitzer Prize. --New York Post
T]hese pieces reflect Ebert's long, thoughtful, informed familiarity with these films. His impeccable credentials as an accessible populist encourage thinking that his recommendations . . . may be taken to heart by mainstream moviegoers who avidly follow his newspaper and TV reviews. --Booklist
An appreciation of the greatest movies by the greatest movie enthusiast . . . I read this book with pleasure, enlightenment, and a desire to see many of the movies again, because I had missed what Roger saw. --Paul Theroux
About the Author
ROGER EBERT was born in Urbana, Illinois, and attended local schools and the University of Illinois, where he was editor of The Daily Illini. After graduate study in English at the universities of Illinois, Cape Town, and Chicago, he became a film critic of the Chicago Sun-Times in 1967 and won the Pulitzer Prize for criticism in 1975. The same year, he began a long association with Gene Siskel on the TV program Siskel and Ebert. After Siskel’s death in 1999, the program continued with Richard Roeper as Ebert and Roeper, a show that is syndicated in more than two hundred markets. Ebert has been a lecturer on film in the University of Chicago’s Fine Arts Program since 1969, is an adjunct professor of cinema and media studies at the University of Illinois, and received honorary doctorates from the School of the Art Institute of Chicago, the American Film Institute, and the University of Colorado, where he has conducted an annual shot-by-shot analysis of a film for thirty-five years at the Conference on World Affairs. In 1999 he started an Overlooked Film Festival at the University of Illinois, selecting films, genres, and formats he believes deserve more attention. He is the author of The Great Movies (Broadway, 2002), and the bestselling annual volume Roger Ebert’s Movie Yearbook, and Roger Ebert’s Book of Film, in addition to a dozen other books. He lives in Chicago with his wife, Chaz Hammelsmith Ebert, an attorney.
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