justinlisa1980, October 19, 2014 (view all comments by justinlisa1980)
This book is full of twists and turns, but it does so in a very unique way. This is all about the 'woman upstairs'...the one who seems to be the most put together, polite and well respected within her community. The one who seemingly feels forgotten, but she is a force withing herself. The main character proves to be intriguing and mysterious and the people she comes to befriend are just as fascinating ..... Read this book!
J M, October 25, 2013 (view all comments by J M)
I really wanted to like this novel based on reviews I've read, and found it beautifully written...but ultimately it failed for me.
The protagonist is struggling with an incredibly self-indulgent mid-life crisis, and spends a truly phenomenal portion of the book simply dissecting her own emotions. Paragraph after paragraph, page after page, she muses on her own thoughts and feelings. And most of the time her observations -- again, very well written -- are dull and mind-numbingly obvious. Her actions are....well, frankly, she does almost nothing and very little happens to her at all. I had to force myself to get through this to the end, in the hopes that there would be character development. But she does little, learns less, and develops almost not at all until the last few pages (and this painfully delayed denouement fell very flat, for me).
When Messud describes things -- people, places, voices -- the book is terrific, almost lyrical. And some people enjoy purely introspective books, but I don't care for a narrator who spends hundreds of pages wallowing in self-inflicted, largely imagined angst. There are well written books that actually *go* somewhere.
JLB9698, May 24, 2013 (view all comments by JLB9698)
What a riveting read! I haven't felt so strongly about a book in years. Messud is excellent, not only in her literary skills, but in her ability to pin down the idiosyncrasies in all of us and force us examine them under bright light. This psychological novel has had a profound effect on me.... I am now left to wonder about the reality of day to day living and underlying motives of both my friends and myself.
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by Megan O’Grady, Vogue,
“Corrosively funny....Nora — a not-quite 40 schoolteacher as disappointed in her Katy Perry-obsessed students as she is in her own failed potential — finds her dormant creative passions awakened by a student’s worldly mother, an artist who shows in Paris. An ardent friendship unfolds, ending in a betrayal that unleashes in Nora an eloquent, primal rage. Fifty years ago, Simone de Beauvoir faulted creative women for their unwillingness to ‘dare to irritate, explore, explode,’ Two generations later, anger this combustible still feels refreshing.”
by Daphne Merkin, Bookforum,
"The Woman Upstairs is an extraordinary novel, a psychological suspense story of the highest sort that will leave you thinking about its implications for days afterward. Messud’s skills are all on display here, [in] a work of fiction that is not just beautifully observed but also palpably inhabited by its gifted writer in a manner she has not quite dared attempt before.”
by Donna Seaman, Booklist (starred review),
"Messud’s scorching social anatomy, red-hot psychology, galvanizing story, and incandescent language make for an all-circuits-firing novel about enthrallment, ambition, envy, and betrayal. A tour de force portraying a no longer invisible or silent ‘woman upstairs.’”
by Dennis Haritou, Three Guys One Book,
"Messud is such a gifted painter of our choices and their consequences. She’s never gone this deep before in showing us how our reality and our pipe dreams intersect. Her portrait of Nora Eldridge, a decent woman who has perhaps crossed the wrong bridges in her life, would move stone. What’s going to become of Nora? What will the Shahids do to her? The Woman Upstairs is Claire Messud’s greatest novel.”
by Kirkus (starred review),
"Nora’s untrustworthy narration, a feminine counterpoint to the rantings of Dostoevsky’s Underground Man, is an astonishing feat of creative imagination: at once self-lacerating and self-pitying, containing enough truth to induce squirms. Messud persuasively plunges us into the tortured psyche of a conflicted soul....Brilliant and terrifying.”
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