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The Submission

by

The Submission Cover

ISBN13: 9780374271565
ISBN10: 0374271569
Condition: Standard
Dustjacket: Standard
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Synopses & Reviews

Publisher Comments:

Entertainment Weeklys Favorite Novel of 2011 
Esquires 2011 Book of the Year

A New York Times Notable Book for 2011

A Washington Post Notable Fiction Book for 2011
One of NPRs 10 Best Novels of 2011

Ten years after 9/11, a dazzling, kaleidoscopic novel reimagines its aftermath

A jury gathers in Manhattan to select a memorial for the victims of a devastating terrorist attack. Their fraught deliberations complete, the jurors open the envelope containing the anonymous winners name—and discover he is an American Muslim. Instantly they are cast into roiling debate about the claims of grief, the ambiguities of art, and the meaning of Islam. Their conflicted response is only a preamble to the countrys.

The memorials designer is an enigmatic, ambitious architect named Mohammad Khan. His fiercest defender on the jury is its sole widow, the self-possessed and mediagenic Claire Burwell. But when the news of his selection leaks to the press, she finds herself under pressure from outraged family members and in collision with hungry journalists, wary activists, opportunistic politicians, fellow jurors, and Khan himself—as unknowable as he is gifted. In the fight for both advantage and their ideals, all will bring the emotional weight of their own histories to bear on the urgent question of how to remember, and understand, a national tragedy.

In this deeply humane novel, the breadth of Amy Waldmans cast of characters is matched by her startling ability to conjure their perspectives. A striking portrait of a fractured city striving to make itself whole, The Submission is a piercing and resonant novel by an important new talent.

Review:

"Waldman imagines a toxic brew of bigotry in conflict with idealism in this frighteningly plausible and tightly wound account of what might happen if a Muslim architect had won a contest to design a memorial at the World Trade Center site. Jury member and 9/11 widow Claire Burwell presses for the winning garden design both before and after its creator is revealed as Mohammed 'Mo' Khan, an American-born and raised architect who becomes embroiled in the growing furor between those who see the garden as a symbol of tolerance and peace, and various activists who claim patriotism as they spew anti-Islamic diatribes. Waldman keenly focuses on political and social variables, including an opportunistic governor who abets the outbreak of xenophobia; the wealthy chairman of the contest, maneuvering for social cachet; a group of zealots whose obsession with radical Islam foments violence; a beautiful Iranian-American lawyer who becomes Mo's lover until he refuses to become a mouthpiece; and a trouble-sowing tabloid reporter. Meanwhile, Mo refuses to demean himself by explaining the source of his design, seen by some as an Islamic martyr's paradise. As misguided outrage flows from all corners, Waldman addresses with a refreshing frankness thorny moral questions and ethical ironies without resorting to breathless hyperbole. True, there are more blowhards than heroes, but that just makes it all the more real. (Aug.)" Publishers Weekly (Starred Review) Copyright PWxyz, LLC. All rights reserved.

Synopsis:

A New York Times Book Review Notable Book of the Year

An Entertainment Weekly Best Novel of the Year

An NPR Top Ten Novel of the Year

A Washington Post Notable Book of the Year

Esquire Book of the YearA jury chooses a memorial for the victims of a devastating terrorist attack on Manhattan, only to learn that the anonymous designer is an American Muslim — an enigmatic architect named Mohammad Khan. His selection reverberates across a divided, traumatized country and, more intimately, through individual lives. Claire Burwell, the sole widow on the jury, becomes Khan's fiercest defender. But when the news of his selection becomes public, she comes under pressure from outraged family members and into collision with hungry journalists, opportunistic politicians, and even Khan himself. A story of clashing convictions and emotions, and a cunning satire of political ideals, The Submission is a resonant novel for our times.

Synopsis:

Claire Harwell hasn’t settled into grief; events haven’t let her. Cool, eloquent, raising two fatherless children, Claire has emerged as the most visible of the widows who became a potent political force in the aftermath of the catastrophe. She longs for her husband, but she has found her mission: she sits on a jury charged with selecting a fitting memorial for the victims of the attack.

Of the thousands of anonymous submissions that she and her fellow jurors examine, one transfixes Claire: a garden on whose walls the names of the dead are inscribed. But when the winning envelope is opened, they find the designer is Mohammad Khan—Mo—an enigmatic Muslim-American who, it seems, feels no need to represent anyone’s beliefs except his own. When the design and its creator are leaked, a media firestorm erupts, and Claire finds herself trying to balance principles against emotions amid escalating tensions about the place of Islam in America.

A remarkably bold and ambitious debut, The Submission is peopled with journalists, activists, mourners, and bureaucrats who struggle for advantage and fight for their ideals. In this deeply humane novel, the breadth of Amy Waldman’s cast of characters is matched by her startling ability to conjure individual lives from their own points of view. A striking portrait of a city—and a country—fractured by old hatreds and new struggles, The Submission is a major novel by an important new talent.

About the Author

Amy Waldman was co-chief of the South Asia bureau of The New York Times. Her fiction has appeared in The Atlantic and the Boston Review and is anthologized in The Best American Nonrequired Reading 2010. She lives with her family in Brooklyn. This is her first novel.

What Our Readers Are Saying

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Average customer rating based on 7 comments:

Paula-maine, May 1, 2013 (view all comments by Paula-maine)
Amy Waldman has crafted a fascinating account of a fictional contest to design the 9/11 memorial. The strength of her narrative lies in her believable portrayal of many differing voices affected by the chosen design. Surprisingly, the winner is revealed to be a Muslim American architect. With her journalistic background and experiences in the international forum, Waldman creates empathy for all of these varied voices. I recommend this very topical read.
Was this comment helpful? | Yes | No
CrescentCityBookBabe, January 19, 2012 (view all comments by CrescentCityBookBabe)
This is a simply-written post-9/11 story with a straightforward plot, but it delves into some of the most complex human motivations, in the most humane manner. A beautiful book about American ugliness, and at the same time, an ugly tale of basic human decency. Easily the best, most thought-provoking book of 2011.
Was this comment helpful? | Yes | No
Lea Anna, January 7, 2012 (view all comments by Lea Anna)
Waldman has woven together an enthralling post 9/11 story. The way she portrays how people reacted and dealt with the events that took place is quite beautiful. It was a pleasant surprise while reading this book.
Was this comment helpful? | Yes | No
View all 7 comments

Product Details

ISBN:
9780374271565
Author:
Waldman, Amy
Publisher:
Farrar Straus Giroux
Subject:
Literary
Subject:
Literature-A to Z
Copyright:
Edition Description:
Trade paper
Publication Date:
20110831
Binding:
HARDCOVER
Language:
English
Pages:
320
Dimensions:
8.25 x 5.5 in

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Related Subjects

Fiction and Poetry » Literature » A to Z
Fiction and Poetry » Literature » Debut Fiction
Fiction and Poetry » Literature » New Arrivals
History and Social Science » American Studies » Popular Culture

The Submission Used Hardcover
0 stars - 0 reviews
$6.95 In Stock
Product details 320 pages Farrar Straus Giroux - English 9780374271565 Reviews:
"Publishers Weekly Review" by , "Waldman imagines a toxic brew of bigotry in conflict with idealism in this frighteningly plausible and tightly wound account of what might happen if a Muslim architect had won a contest to design a memorial at the World Trade Center site. Jury member and 9/11 widow Claire Burwell presses for the winning garden design both before and after its creator is revealed as Mohammed 'Mo' Khan, an American-born and raised architect who becomes embroiled in the growing furor between those who see the garden as a symbol of tolerance and peace, and various activists who claim patriotism as they spew anti-Islamic diatribes. Waldman keenly focuses on political and social variables, including an opportunistic governor who abets the outbreak of xenophobia; the wealthy chairman of the contest, maneuvering for social cachet; a group of zealots whose obsession with radical Islam foments violence; a beautiful Iranian-American lawyer who becomes Mo's lover until he refuses to become a mouthpiece; and a trouble-sowing tabloid reporter. Meanwhile, Mo refuses to demean himself by explaining the source of his design, seen by some as an Islamic martyr's paradise. As misguided outrage flows from all corners, Waldman addresses with a refreshing frankness thorny moral questions and ethical ironies without resorting to breathless hyperbole. True, there are more blowhards than heroes, but that just makes it all the more real. (Aug.)" Publishers Weekly (Starred Review) Copyright PWxyz, LLC. All rights reserved.
"Synopsis" by ,
A New York Times Book Review Notable Book of the Year

An Entertainment Weekly Best Novel of the Year

An NPR Top Ten Novel of the Year

A Washington Post Notable Book of the Year

Esquire Book of the YearA jury chooses a memorial for the victims of a devastating terrorist attack on Manhattan, only to learn that the anonymous designer is an American Muslim — an enigmatic architect named Mohammad Khan. His selection reverberates across a divided, traumatized country and, more intimately, through individual lives. Claire Burwell, the sole widow on the jury, becomes Khan's fiercest defender. But when the news of his selection becomes public, she comes under pressure from outraged family members and into collision with hungry journalists, opportunistic politicians, and even Khan himself. A story of clashing convictions and emotions, and a cunning satire of political ideals, The Submission is a resonant novel for our times.

"Synopsis" by , Claire Harwell hasn’t settled into grief; events haven’t let her. Cool, eloquent, raising two fatherless children, Claire has emerged as the most visible of the widows who became a potent political force in the aftermath of the catastrophe. She longs for her husband, but she has found her mission: she sits on a jury charged with selecting a fitting memorial for the victims of the attack.

Of the thousands of anonymous submissions that she and her fellow jurors examine, one transfixes Claire: a garden on whose walls the names of the dead are inscribed. But when the winning envelope is opened, they find the designer is Mohammad Khan—Mo—an enigmatic Muslim-American who, it seems, feels no need to represent anyone’s beliefs except his own. When the design and its creator are leaked, a media firestorm erupts, and Claire finds herself trying to balance principles against emotions amid escalating tensions about the place of Islam in America.

A remarkably bold and ambitious debut, The Submission is peopled with journalists, activists, mourners, and bureaucrats who struggle for advantage and fight for their ideals. In this deeply humane novel, the breadth of Amy Waldman’s cast of characters is matched by her startling ability to conjure individual lives from their own points of view. A striking portrait of a city—and a country—fractured by old hatreds and new struggles, The Submission is a major novel by an important new talent.

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