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Tree of Smoke: A Novel
by Denis Johnson
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Awards
2007 National Book Award for Fiction Powells.com Staff Pick
Ambition doesn't always translate into success, which is why some books
that take authors nearly ten years to write become massive paperweights.
Then there's Tree of Smoke, Denis Johnson's first novel in nine years and
an unconditional masterpiece. This hypnotic modern epic brings the Vietnam
War into sharp relief in a story that is equal parts Graham Greene, Robert
Stone, and pure Denis Johnson, as only the acclaimed author of Jesus'
Son, Fiskadoro, and The Name of the World could deliver. Curl up with
this disturbing, compelling, unforgettable novel — your legs may fall
asleep under the weight of the book, but you won't even notice.
Recommended by Bolton, Powells.com
"Having read nothing by Denis Johnson except Tree of Smoke, his latest novel, I see no reason to consider him a great or even a good writer....One closes the book only with a renewed sense of the decline of American literary standards. It would be foolish to demand another Tolstoy, but shouldn't we expect someone writing about the Vietnam War to have more sense and eloquence than the politicians who prosecuted it?" B. R. Myers, The Atlantic Monthly (read the entire Atlantic Monthly review)
Synopses & Reviews Once upon a time there was a war...and a young American who thought of himself as the Quiet American and the Ugly American, and who wished to be neither, who wanted instead to be the Wise American, or the Good American, but who eventually came to witness himself as the Real American and finally as simply the Fucking American. That's me.
This is the story of Skip Sands — spy-in-training, engaged in Psychological Operations against the Vietcong — and the disasters that befall him thanks to his famous uncle, a war hero known in intelligence circles simply as the Colonel. This is also the story of the Houston brothers, Bill and James, young men who drift out of the Arizona desert into a war in which the line between disinformation and delusion has blurred away. In its vision of human folly, and its gritty, sympathetic portraits of men and women desperate for an end to their loneliness, whether in sex or death or by the grace of God, this is a story like nothing in our literature.
Tree of Smoke is Denis Johnson's first full-length novel in nine years, and his most gripping, beautiful, and powerful work to date. Review: "' Signature Review by Michael Coffey If this novel, Johnson's first in nearly a decade, is — as the promo copy says — about Skip Sands, it's also about his uncle, a legendary CIA operative; Kathy Jones, a widowed, saintly Canadian nurse; Trung, a North Vietnamese spy; and the Houston brothers, Bill and James, misguided GIs who haunt the story's periphery. And it's also about Sgt. Jimmy Storm, whose existence seems to be one long vision quest. As with all of Johnson's work — the stories in Jesus' Son, novels like Resuscitation of a Hanged Man and Fiskadoro — the real point is the possibility of grace in a world of total mystery and inexplicable suffering. In Johnson's honest world, no one story dominates.For all the story lines, the structure couldn't be simpler: each year, from 1963 (the book opens in the Philippines: 'Last night at 3:00 a.m. President Kennedy had been killed') to 1970, gets its own part, followed by a coda set in 1983. Readers familiar with the Vietnam War will recognize its arc — the Tet offensive (65 harrowing pages here); the deaths of Martin Luther King and RFK; the fall of Saigon, swift and seemingly foreordained. Skip is a CIA recruit working under his uncle, Francis X. Sands, known as the Colonel. Skip is mostly in the dark, awaiting direction, living under an alias and falling in love with Kathy while the Colonel deals in double agents, Bushmills whiskey and folk history. He's a soldier-scholar pursuing theories of how to purify an information stream; he bloviates in gusts of sincerity and blasphemy, all of it charming. A large cast of characters, some colorful, some vaguely chalked, surround this triad, and if Tree of Smoke has a flaw, it is that some characters are virtually indistinguishable. Given the covert nature of much of the goings-on, perhaps it is necessary that characters become blurred. 'We're on the cutting edge of reality itself,' says Storm. 'Right where it turns into a dream.'Is this our last Vietnam novel? One has to wonder. What serious writer, after tuning in to Johnson's terrifying, dissonant opera, can return with a fresh ear? The work of many past chroniclers — Graham Greene, Tim O'Brien, the filmmakers Coppola,Cimino and Kubrick, all of whom have contributed to our cultural 'understanding' of the war — is both evoked and consumed in the fiery heat of Johnson's story. In the novel's coda, Storm, a war clich now way gone and deep in the Malaysian jungle near Thailand, attends preparations for a village's sacrificial bonfire (consisting of personal items smashed and axed by their owners) and offers himself as 'compensation, baby.' When the book ends, in a heartbreaking soliloquy from Kathy (fittingly, a Canadian) on the occasion of a war orphan benefit in a Minneapolis Radisson, you feel that America's Vietnam experience has been brought to a closure that's as good as we'll ever get. Michael Coffey is PW 's executive managing editor.' Publishers Weekly (Starred Review) (Copyright Reed Business Information, Inc.)" Review: "To write a fat 600-page novel about the Vietnam War nearly 35 years after it ended is an act of literary bravado. To do so as brilliantly as Denis Johnson has in 'Tree of Smoke' is positively a miracle. This novel makes large demands on the reader — to submit to its length, to its disorienting language and structure, to the elusive and shattering experience of its characters, and ..." Washington Post Book Review (read the entire Washington Post review) finally to its sheer ambition to be definitive an encompassing novel for the Vietnam generation. It is a presumptuous book, in other words, and if you are like this reader, you will resist for the first several hundred pages. But it will grab you, eventually, and get inside your head like the war it is describing - a mystifying, horrifying, mesmerizing war. Johnson, a poet, ex-junkie and adventure journalist, has written a book that by the end wraps around you as tightly as a jungle snake. Johnson's story revolves around a CIA officer named William 'Skip' Sands, who goes to Vietnam in 1967 as part of a team that is running deception operations against North Vietnam. His boss is his uncle, Col. Francis Xavier Sands, a legendary counter-insurgency warrior known to everyone as 'the Colonel,' and it is the Colonel who hovers over the book like a demon. He is meant to be a mythic character at the heart of darkness — with a hint of the fictional Kurtz in Conrad's novel and echoes of the real-life Col. Edward Lansdale, the architect of counter-insurgency doctrine in Vietnam. The black operation that Skip and the Colonel are running is known as 'Tree of Smoke.' As the novel unfolds, we discover that this may be an attempt to use a Vietnamese double agent to deceive Hanoi into believing that the United States is planning a diabolical attack against the North — and that the 'tree of smoke' may be a mushroom cloud. Johnson includes some interesting tradecraft about running double agents, who as Skip Sands observes, 'carry two souls in one body.' But the spy-novel machinations are just a subplot. The tree of smoke is the unreal landscape of the war itself. Fans will recognize Johnson's voice most clearly in Cpl. James Houston and the other soldiers from Echo Recon Platoon, whose nightmarish experiences are woven throughout the book. They are magnificently drawn, their dialogue so sharp and desperate that you are certain this is how soldiers really talked in Vietnam in 1967. Johnson invents a language for them — a kind of nonstop junkie patter that continues unbroken from the 'Floor Show' whorehouse to Echo base camp to bloody battles in the jungle. Like the soldiers in Michael Herr's memoir, 'Dispatches,' Houston becomes a 'Lurp,' running Long Range Reconnaissance Patrols, which puts him at the most extreme and brutal end of the war. And he loves it, re-ups for another tour, is despondent when he has to go home to Phoenix and become an ordinary loser again. He is addicted to Vietnam, you finally realize. He can't make it anymore in the ordinary world. This is war as hallucination. It's a story of the decomposition and degradation of the characters and, by implication, Vietnam. A relief worker named Kathy Jones, who is in love with Skip and is in many ways the moral center of the book, warns him that in Vietnam he will ask himself, 'When did I die? And why is God's punishment so cruel?' Several hundred pages later, the narrator says, 'The life had worn her down,' and we see and feel Kathy coming apart. But most of all we see Skip unraveling. He begins the book as an earnest young man who believes all the CIA briefing books; by the end he is a wild outcast running guns in Southeast Asia. 'I quit working for the giant-size criminals,' he says, 'and started working for the medium size. Lousy hours and no fringe benefits, but the ethics are clearer.' The Vietnamese here are timeless, features of a landscape against which the American characters batter themselves senseless. 'There's an old saying: The anvil outlasts the hammer,' explains one Vietnamese character. 'These folks mean business,' avers the Colonel. 'You whack them down in January, they're back all bright and shiny next May, ready for more of our terrible abuse.' They take the beating America inflicts, but they seem impervious to it. By the end of the book, the major characters are all broken by their versions of Vietnam addiction. 'This place is Disneyland on acid,' says Sgt. Jimmy Storm, a particularly sadistic operative who is convinced that the Colonel is on the ultimate deception mission when he is actually dead. Before Skip spins out of control, he offers this verdict: 'This isn't a war. It's a disease. A plague.' That is one of the most powerful themes of the book: Vietnam fed a national craving. We couldn't get out, we couldn't stay in; the war was controlling us rather than the other way around. Johnson's skill in rendering the dialect of war was earned the hard way — during the years in which he was, by his own account, a drug addict. He distilled that time in his celebrated collection of short stories, 'Jesus' Son.' He told an interviewer from San Francisco Weekly several years ago that he still liked to go to support meetings and listen to other recovering addicts tell their stories: 'I feel very privileged to hear how somebody used to run around stickin" people up and stealing cars, and now they're gettin" their life back together. ... I just love the stories. The stories of the fallen world, they excite us. That's the interesting stuff.' He has used that affinity to capture the rhythms of speech and the mental landscape of the enlisted men who did the fighting. As a serious war novel, 'Tree of Smoke' is implicitly a story about all wars. And a reader cannot travel this journey without thinking about America's current war in Iraq. Officers and politicians speak of the nobility of this war, as they do of all wars. But when you talk to soldiers in Baghdad or Anbar, you know that it is about surviving, counting down the days, believing in the people on your left and right rather than in the loftier mission statements that emanate from the Green Zone. And those are the lucky soldiers who stay sane. For the vulnerable ones, war takes away these human instincts of survival and replaces them with crazy ones. At the beginning of 'Tree of Smoke,' Cpl. Houston admits that he's scared to death; by the end, he loves kicking other people and being kicked himself. Something similar must have happened with the mercifully few U.S. soldiers who were involved in America's worst moments in Iraq — at Abu Ghraib, Haditha and other places we will hear about later. They were damaged people — addicted to war, feeding on it in a frenzy, being made crazy by it. President Bush caused a stir not long ago when he said that Iraq was like Vietnam. An incontrovertible statement, surely: We can't get out of Iraq, we can't stay in; the Sunni insurgents who were our biggest enemies are now our best friends; the Shiites for whom we fought the war of liberation are now obstacles to reconciliation. It's a war turned upside down. If we could hear the inner voices of soldiers in Ramadi and Baqubah, behind those wraparound shades they would be thinking about coming home. The decent ones, that is. Those corrupted by war would want to stay on forever, as do Johnson's unforgettable, war-deranged cast of characters. David Ignatius is a columnist for The Washington Post and the author of 'Body of Lies.'" Reviewed by David Ignatius, Washington Post Book World (Copyright 2006 Washington Post Book World Service/Washington Post Writers Group)
(hide most of this review) Review: "What's amazing is that Mr. Johnson somehow manages to take these derivative elements and turn them into something highly original — and potent....[A] flawed but deeply resonant novel that is bound to become one of the classic works of literature produced by that tragic and uncannily familiar war." Michiko Kakutani, The New York Times Review: " Tree of Smoke, Johnson's sixth novel and his first in almost a decade, is his best to date. It's ambitious and perfectly executed, a vivid and continuous dream, and nothing short of a masterpiece." Minneapolis Star Tribune Review: "[A] tremendous book, a strange entertainment, very long but very fast, a great whirly ride.... Tree of Smoke is a massive thing and something like a masterpiece; it's the product of an extraordinary writer in full stride." Jim Lewis, The New York Times Book Review Review: "Ugly and fascinating, with many shattering scenes, this long work may seem familiar to fans of Apocalypse Now but is nevertheless gripping." Library Journal Review: "An amazingly talented writer....We can hear Twain in his biting irony, Whitman in his erotic excess, not a little of Dashiell Hammett too in the hard sentences he throws back at his gouged, wounded world." Vince Passaro, Newsday Review: "The fierce, lucid detachment of Tree of Smoke would make Soren Kierkegaard proud. Johnson, a poet and novelist who lives in northern Idaho, has written the best work of his career, an existential tour de force." Cleveland Plain Dealer Review: "Long, rich, dazzling, Tree of Smoke should finally establish [Johnson] among the most profound and truly humane American novelists extant.... Tree of Smoke is a great read, an amazing achievement." San Diego Union-Tribune Review: "[T]he writing is always beautiful. Still...mostly what we get here is a sense of being on the outside, which — in Johnson's universe, anyway — has never been enough." The Los Angeles Times Review: "[A] big book, a story that works in the best ways a big book can — a multipronged tale, told in a straight-ahead chapter-by-chapter chronology, clear and light-bearing as a great tale, something like Lonesome Dove for the Tet Offensive set." Esquire Review: "[A] complex and hypnotic vision, apocalyptic in its power and in its ability to move the reader." Denver Post Review: "Dialogue crackles and burns a hole in your soul." Providence Journal Synopsis: Twenty-five years in the making, a dark, indelible epic of the American empire in decline from the author of Jesus' Son, "one of the best and most compelling novelists in the nation" ( Elle). Synopsis: This book chronicles the story of Skip Sands — spy-in-training, who's engaged in psychological operations against the Vietcong — and the disasters that befall him thanks to his famous uncle, a war hero known in intelligence circles simply as the Colonel. About the Author Denis Johnson is the author of five novels, a collection of poetry and one book of reportage. He is the recipient of a Lannan Fellowship and a Whiting Writer's Award, among many other honors for his work. He lives in northern Idaho.
Product Details
- ISBN:
- 9780374279127
- Subtitle:
- A Novel
- Author:
- Johnson, Denis
- Author:
- Johnson, Denis
- Publisher:
- Farrar, Straus and Giroux
- Subject:
- General
- Subject:
- Vietnam War, 1961-1975
- Subject:
- General Fiction
- Subject:
- Espionage/Intrigue
- Copyright:
- 2007
- Edition Number:
- 1st
- Publication Date:
- September 4, 2007
- Binding:
- HC
- Language:
- English
- Pages:
- 624
- Dimensions:
- 9.31x6.33x1.82 in. 2.17 lbs.
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