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Strange Talk :The Politics of Dialect Literature in Gilded Age Americaby Gavin R. Jones
Synopses & Reviews
Late-nineteenth-century America was crazy about dialect: vernacular varieties of American English entertained mass audiences in "local color" stories, in realist novels, and in poems and plays. But dialect was also at the heart of anxious debates about the moral degeneration of urban life, the ethnic impact of foreign immigration, the black presence in white society, and the female influence on masculine authority. Celebrations of the rustic raciness in American vernacular were undercut by fears that dialect was a force of cultural dissolution with the power to contaminate the dominant language.
In this volume, Gavin Jones explores the aesthetic politics of this neglected "cult of the vernacular" in little-known regionalists such as George Washington Cable, in the canonical work of Mark Twain, Henry James, Herman Melville, and Stephen Crane, and in the ethnic writing of Abraham Cahan and Paul Laurence Dunbar. He reveals the origins of a trend that deepened in subsequent literature: the use of minority dialect to formulate a political response to racial oppression, and to enrich diverse depictions of a multicultural nation.
Strange Talk explores America's fascination with dialect--and the perceptions and politics of dialect--near the turn of the 20th century. From Mark Twain to Henry James to Melville, Strange Talk shows how the culture and politics of dialect contributed to a fear of social contamination, but more importantly, how literature cast new light on racial oppression.
"[Jones] links obscure forays into dialectology with familiar canonical works of literature in surprising and innovative ways. He also has some astute insights into the politics of language in this country—a topic as current now as it was during the period about which he writes."—Shelly Fisher Fishkin, University of Texas, Austin
About the Author
Gavin Jones is Assistant Professor of English at Stanford University.
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