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Original Essays | May 3, 2013

Emily St. John Mandel: IMG The Festivals



When it happens, it feels like winning the lottery. An email arrives out of the blue, from one of my publishers or a festival director or a member... Continue »
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    The Lola Quartet

    Emily St. John Mandel 9781609530990

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Artscience: Creativity in the Post-Google Generation

by

Artscience: Creativity in the Post-Google Generation Cover

 

Synopses & Reviews

Publisher Comments:

Scientists are famous for believing in the proven and peer-accepted, the very ground that pioneering artists often subvert; they recognize correct and incorrect where artists see only true and false. And yet in some individuals, crossover learning provides a remarkable kind of catalyst to innovation that sparks the passion, curiosity, and freedom to pursue--and to realize--challenging ideas in culture, industry, society, and research. This book is an attempt to show how innovation in the "post-Google generation" is often catalyzed by those who cross a conventional line so firmly drawn between the arts and the sciences.

David Edwards describes how contemporary creators achieve breakthroughs in the arts and sciences by developing their ideas in an intermediate zone of human creativity where neither art nor science is easily defined. These creators may innovate in culture, as in the development of new forms of music composition (through use of chaos theory), or, perhaps, through pioneering scientific investigation in the basement of the Louvre. They may innovate in research institutions, society, or industry, too. Sometimes they experiment in multiple environments, carrying a single idea to social, industrial, and cultural fruition by learning to view traditional art-science barriers as a zone of creativity that Edwards calls artscience. Through analysis of original stories of artscience innovation in France, Germany, and the United States, he argues for the development of a new cultural and educational environment, particularly relevant to today's need to innovate in increasingly complex ways, in which artists and scientists team up with cultural, industrial, social, and educational partners.

About the Author

David Edwardsis founder of <>Le Laboratoire, a new artscience center in Paris, and Gordon McKay Professor of the Practice of Biomedical Engineering, <>Harvard University.

Table of Contents

  1. Catalyst
  2. Process
  3. Idea Translation in Cultural Institutions
  4. Idea Translation in Academia
  5. Idea Translation for Humanitarian Causes
  6. Idea Translation in Industry
  7. The Idea of the Lab
  • Acknowledgments

Product Details

ISBN:
9780674034648
Author:
Edwards, David
Publisher:
Harvard University Press
Subject:
General science
Subject:
General
Subject:
Experimental Methods
Subject:
Criticism -- Theory.
Subject:
Creative Ability
Subject:
Art-Theory and Criticism
Copyright:
Edition Description:
Trade paper
Publication Date:
October 2009
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Pages:
208
Dimensions:
8.25 x 5.5 in

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Related Subjects

» Arts and Entertainment » Art » Theory and Criticism
» Education » General
» Health and Self-Help » Psychology » General
» Humanities » Philosophy » General
» Reference » Science Reference » General

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