Winner of the 2008 Newbery Medal

Step back to an English village in 1255, where life plays out in dramatic vignettes illuminating twenty-two unforgettable characters.

Maidens, monks, and millers' sons — in these pages, readers will meet them all. There's Hugo, the lord's nephew, forced to prove his manhood by hunting a wild boar; sharp-tongued Nelly, who supports her family by selling live eels; and the peasant's daughter, Mogg, who gets a clever lesson in how to save a cow from a greedy landlord. There's also mud-slinging Barbary (and her noble victim); Jack, the compassionate half-wit; Alice, the singing shepherdess; and many more. With a deep appreciation for the period and a grand affection for both characters and audience, Laura Amy Schlitz creates twenty-two riveting portraits and linguistic gems equally suited to silent reading or performance.

Illustrated with pen-and-ink drawings by Robert Byrd — inspired by the Munich-Nuremberg manuscript, an illuminated poem from thirteenth-century Germany — this witty, historically accurate, and utterly human collection forms an exquisite bridge to the people and places of medieval England.

"Schlitz (The Hero Schliemann) wrote these 22 brief monologues to be performed by students at the school where she is a librarian; here, bolstered by lively asides and unobtrusive notes, and illuminated by Byrd's (Leonard, Beautiful Dreamer) stunningly atmospheric watercolors, they bring to life a prototypical English village in 1255. Adopting both prose and verse, the speakers, all young, range from the half-wit to the lord's daughter, who explains her privileged status as the will of God. The doctor's son shows off his skills ('Ordinary sores/ Will heal with comfrey, or the white of an egg,/ An eel skin takes the cramping from a leg'); a runaway villein (whose life belongs to the lord of his manor) hopes for freedom after a year and a day in the village, if only he can calculate the passage of time; an eel-catcher describes her rough infancy: her 'starving poor [father] took me up to drown in a bucket of water.' (He relents at the sight of her 'wee fingers' grasping at the sides of the bucket.) Byrd, basing his work on a 13th-century German manuscript, supplies the first page of each speaker's text with a tone-on-tone patterned border overset with a square miniature. Larger watercolors, some with more intricate borders, accompany explanatory text for added verve. The artist does not channel a medieval style; rather, he mutes his palette and angles some lines to hint at the period, but his use of cross-hatching and his mostly realistic renderings specifically welcome a contemporary readership. Ages 10-up." Publishers Weekly (Starred Review) (Copyright Reed Business Information, Inc.)

"Brilliant in every way." Kirkus Reviews

"Schlitz gives teachers a refreshing option for enhancing the study of the European Middle Ages: here are seventeen monologues and two dialogues that collectively create a portrait of life on an English manor in 1255." The Horn Book

Laura Amy Schlitz is the author of The Hero Schliemann: The Dreamer Who Dug Up Troy and A Drowned Maiden's Hair. She wrote the pieces in Good Masters! Sweet Ladies! for students at the Park School in Baltimore, where she works as a librarian. She has also worked as a storyteller, a costumer, an actress, and a playwright; her plays for young people have been produced in theaters all over the country. Laura Amy Schlitz lives in Baltimore.