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Eleven Blunders that Cripple Psychotherapy in America

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Synopses & Reviews

Publisher Comments:

One of the most celebrated and controversial authors in America delivers his first novel — a sweeping chronicle of contemporary Los Angeles that is bold, exhilarating, and utterly original.

Dozens of characters pass across the reader's sight lines — some never to be seen again — but James Frey lingers on a handful of LA's lost souls and captures the dramatic narrative of their lives: a bright, ambitious young Mexican-American woman who allows her future to be undone by a moment of searing humiliation; a supremely narcissistic action-movie star whose passion for the unattainable object of his affection nearly destroys him; a couple, both nineteen years old, who flee their suffocating hometown and struggle to survive on the fringes of the great city; and an aging Venice Beach alcoholic whose life is turned upside down when a meth-addled teenage girl shows up half-dead outside the restroom he calls home.

Throughout this strikingly powerful novel there is the relentless drumbeat of the millions of other stories that, taken as a whole, describe a city, a culture, and an age. A dazzling tour de force, Bright Shiny Morning illuminates the joys, horrors, and unexpected fortunes of life and death in Los Angeles.

Review:

"Signature Review by Sara Nelson When James Frey imploded as a memoirist in 2006, many said his A Million Little Pieces should have been — and perhaps initially was — presented as a novel, and that Frey — a sometimes screenwriter — was, both by nature and design, a fiction writer. Bright Shiny Morning is his first official book of fiction. If it's not quite a novel, less believable in its way than his 'augmented' memoir ever was, there's no doubt it's a work of Frey's imagination. Ironic, isn't it? Set in contemporary Los Angeles, Bright Shiny Morning is not a cohesive narrative but a compilation of vignettes of several characters (if this were a memoir, we'd call them 'composites') who have come to the city to fulfill their dreams. Some examples: Dylan and Maddie, madly-in-love Midwestern runaways who survive through the kindness of near strangers; Esperanza, a Mexican-American maid tortured by a body that could have been drawn by R. Crumb; a group of drunks and junkies who create a community behind the shacks on Venice Beach; Amberton Parker, a hugely famous married movie star who is secretly — you guessed it — gay. Interspersed with these rotating portraits are random historical and statistical factoids (which better have been fact-checked, even if there is a nudge-nudge, wink-wink disclaimer up front: 'Nothing in this book should be considered accurate or reliable') about L.A.: that, for example, 'approximately 2.7 million people live without health insurance' and 'there are more than 12,000 people who describe their job as bill collector in the City of Los Angeles.' Frey's intention, it seems, is to create an onomatopoetic jumble, a cacophony of facts and fiction, stats and stories, that replicate the contradictory nature of the place they describe. I expect, given the sharpness of the knives that some critics have out for Frey, that many will say the book flat out doesn't work. First off, there's that voice, the hyperbolic, breathless, run-on, word-repeating voice that was much better suited to a memoir (or even a novel) in which the hero was a hyperbolic, breathless alcoholic and drug addict. And then there's the frat-boy swagger that angered some readers of AMLP turning up here, too, so faux-cynical as to be nave: the gang father's attaboy about his five-year-old son's desire to be a cold-blooded killer, and the prurient, adolescent take on sex. (And couldn't someone have stopped him from exclaiming 'woohoo' after some of his 'fun' and 'not fun' factoids?) Yet the guy has something: an energy, a drive, a relentlessness, maybe, that can pull readers along, past the voice, past the stock characters, past the cliches. Bright Shiny Morning is a train wreck of a novel, but it's un-put-downable, a real page-turner — in what may come to be known as the Frey tradition." (Sara Nelson is the editor-in-chief of Publishers Weekly.) Publishers Weekly (Copyright Reed Business Information, Inc.)

Synopsis:

The #1 New York Times bestselling author delivers his first novel. In a sweeping narrative that encompasses the history of Los Angeles, Frey focuses on a handful of lost souls, and spins the gripping narrative of their lives.

About the Author

James Frey shook up Oprah's Book Club with A Million Little Pieces — a detailed account of his battle with drug addiction and experiences in rehab. But it was the ensuing debate about the line between fiction and nonfiction that really rocked the literary world.

What Our Readers Are Saying

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Average customer rating based on 1 comment:

Sorry Gnat, June 18, 2008 (view all comments by Sorry Gnat)
I was quite interested in reading this excerpt, hoping I would like it. I did like his previous book but was disappointed because of the author's misrepresentation of same as memoir.

If this is fiction, and continues on in the same way, dialogue, not showing, telling, reporting, it won't work. Frey has a unique style, and he could just about pull it off, but I am not sure. Just continued reporting doesn't work in fiction, it makes it flat, one dimensional.

He is intriguing tho.
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(7 of 17 readers found this comment helpful)

Product Details

ISBN:
9781135857523
Publisher:
Routledge
Subject:
Psychology : Psychotherapy - General
Author:
Frey, James
Author:
Cummings, Nicholas A.
Author:
O'Donohue, William T.
Publication Date:
April 2008
Binding:
eBooks
Language:
English
Pages:
408

Related Subjects

Health and Self-Help » Psychology » General

Eleven Blunders that Cripple Psychotherapy in America
0 stars - 0 reviews
$ In Stock
Product details 408 pages Routledge - English 9781135857523 Reviews:
"Publishers Weekly Review" by , "Signature Review by Sara Nelson When James Frey imploded as a memoirist in 2006, many said his A Million Little Pieces should have been — and perhaps initially was — presented as a novel, and that Frey — a sometimes screenwriter — was, both by nature and design, a fiction writer. Bright Shiny Morning is his first official book of fiction. If it's not quite a novel, less believable in its way than his 'augmented' memoir ever was, there's no doubt it's a work of Frey's imagination. Ironic, isn't it? Set in contemporary Los Angeles, Bright Shiny Morning is not a cohesive narrative but a compilation of vignettes of several characters (if this were a memoir, we'd call them 'composites') who have come to the city to fulfill their dreams. Some examples: Dylan and Maddie, madly-in-love Midwestern runaways who survive through the kindness of near strangers; Esperanza, a Mexican-American maid tortured by a body that could have been drawn by R. Crumb; a group of drunks and junkies who create a community behind the shacks on Venice Beach; Amberton Parker, a hugely famous married movie star who is secretly — you guessed it — gay. Interspersed with these rotating portraits are random historical and statistical factoids (which better have been fact-checked, even if there is a nudge-nudge, wink-wink disclaimer up front: 'Nothing in this book should be considered accurate or reliable') about L.A.: that, for example, 'approximately 2.7 million people live without health insurance' and 'there are more than 12,000 people who describe their job as bill collector in the City of Los Angeles.' Frey's intention, it seems, is to create an onomatopoetic jumble, a cacophony of facts and fiction, stats and stories, that replicate the contradictory nature of the place they describe. I expect, given the sharpness of the knives that some critics have out for Frey, that many will say the book flat out doesn't work. First off, there's that voice, the hyperbolic, breathless, run-on, word-repeating voice that was much better suited to a memoir (or even a novel) in which the hero was a hyperbolic, breathless alcoholic and drug addict. And then there's the frat-boy swagger that angered some readers of AMLP turning up here, too, so faux-cynical as to be nave: the gang father's attaboy about his five-year-old son's desire to be a cold-blooded killer, and the prurient, adolescent take on sex. (And couldn't someone have stopped him from exclaiming 'woohoo' after some of his 'fun' and 'not fun' factoids?) Yet the guy has something: an energy, a drive, a relentlessness, maybe, that can pull readers along, past the voice, past the stock characters, past the cliches. Bright Shiny Morning is a train wreck of a novel, but it's un-put-downable, a real page-turner — in what may come to be known as the Frey tradition." (Sara Nelson is the editor-in-chief of Publishers Weekly.) Publishers Weekly (Copyright Reed Business Information, Inc.)
"Synopsis" by , The #1 New York Times bestselling author delivers his first novel. In a sweeping narrative that encompasses the history of Los Angeles, Frey focuses on a handful of lost souls, and spins the gripping narrative of their lives.
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