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Kafka on the Shoreby Haruki Murakami
Synopses & Reviews
With Kafka on the Shore, Haruki Murakami gives us a novel every bit as ambitious and expansive as The Wind-Up Bird Chronicle, which has been acclaimed both here and around the world for its uncommon ambition and achievement, and whose still-growing popularity suggests that it will be read and admired for decades to come.
This magnificent new novel has a similarly extraordinary scope and the same capacity to amaze, entertain, and bewitch the reader. A tour de force of metaphysical reality, it is powered by two remarkable characters: a teenage boy, Kafka Tamura, who runs away from home either to escape a gruesome oedipal prophecy or to search for his long-missing mother and sister; and an aging simpleton called Nakata, who never recovered from a wartime affliction and now is drawn toward Kafka for reasons that, like the most basic activities of daily life, he cannot fathom. Their odyssey, as mysterious to them as it is to us, is enriched throughout by vivid accomplices and mesmerizing events. Cats and people carry on conversations, a ghostlike pimp employs a Hegel-quoting prostitute, a forest harbors soldiers apparently unaged since World War II, and rainstorms of fish (and worse) fall from the sky. There is a brutal murder, with the identity of both victim and perpetrator a riddle — yet this, along with everything else, is eventually answered, just as the entwined destinies of Kafka and Nakata are gradually revealed, with one escaping his fate entirely and the other given a fresh start on his own.
Extravagant in its accomplishment, Kafka on the Shore displays one of the world's truly great storytellers at the height of his powers.
"Previous books such as The Wind-Up Bird Chronicle and Norwegian Wood have established Murakami as a true original, a fearless writer possessed of a wildly uninhibited imagination and a legion of fiercely devoted fans. In this latest addition to the author's incomparable oeuvre, 15-year-old Kafka Tamura runs away from home, both to escape his father's oedipal prophecy and to find his long-lost mother and sister. As Kafka flees, so too does Nakata, an elderly simpleton whose quiet life has been upset by a gruesome murder. (A wonderfully endearing character, Nakata has never recovered from the effects of a mysterious World War II incident that left him unable to read or comprehend much, but did give him the power to speak with cats.) What follows is a kind of double odyssey, as Kafka and Nakata are drawn inexorably along their separate but somehow linked paths, groping to understand the roles fate has in store for them. Murakami likes to blur the boundary between the real and the surreal — we are treated to such oddities as fish raining from the sky; a forest-dwelling pair of Imperial Army soldiers who haven't aged since WWII; and a hilarious cameo by fried chicken king Colonel Sanders — but he also writes touchingly about love, loneliness and friendship. Occasionally, the writing drifts too far into metaphysical musings — mind-bending talk of parallel worlds, events occurring outside of time — and things swirl a bit at the end as the author tries, perhaps too hard, to make sense of things. But by this point, his readers, like his characters, will go just about anywhere Murakami wants them to, whether they 'get' it or not. Agent, Amanda Urban at ICM. 60,000 first printing. (Jan. 24)" Publishers Weekly (Starred Review) (Copyright 2004 Reed Business Information, Inc.)
"[W]hile anyone can tell a story that resembles a dream, it's the rare artist, like this one, who can make us feel that we are dreaming it ourselves." Laura Miller, The New York Times Book Review
"However vague its allusions and overbearing its pretensions, however needlessly jive its English translation ('Jeez Louise'), this book makes for a beguiling and enveloping experience." Janet Maslin, The New York Times
"[Kafka] may be the Japanese author's weirdest novel yet, but it's also one of his best....What ties all this together is Murakami's unflappable, enchanting prose: hip but companionable, it keeps you coming back for more." Malcolm Jones, Newsweek
"[A] real page-turner, as well as an insistently metaphysical mind-bender....
"Parts of Murakami's story are violently gruesome and sexually explicit, and the plot line following Nakata is rather eerie and disturbing. Yet the bulk of this narrative is erudite, lyrical, and compelling; followers of Murakami's work should approve. Recommended." Library Journal
"Murakami is a writer of immense and unexpected imagination...a compelling read....While Kafka on the Shore doesn't resonate quite as strongly as The Wind-up Bird Chronicles...it is hardly a waste of the reader's time." Denver Post
"The voluptuous pleasure of Haruki Murakami's enthralling fictions...reminds me of dreaming....And, like a dream, what this dazzling novel means — or whether it means anything at all — we may never know. (Grade: A-)" Entertainment Weekly
"Murakami creates a magical reality....Murakami's power to imagine is breathtaking and the empathy infusing Kafka on the Shore makes it a responsible book, one that is adult, wise, and forgiving." Boston Globe
"This new book, as powerful as The Wind-Up Bird Chronicle and because of the plot design even a bit more accessible, is a fine place to begin exploring Murakami's world, which is our own, with a few major surprises." Chicago Tribune
"Murakami's novel, though wearying at times and confusing at others, has the faintly absurd loft of some great festive balloon. He addresses the fantastic and the natural, each with the same mix of gravity and lightness." Los Angeles Times
"Kafka on the Shore is Murakami's biggest novel in a decade and one of the most fun to read....
"Murakami's literary high-wire acts have earned him both boos and ahs from connoisseurs of contemporary fiction. What side you come down on depends on your predilection for the perverse." Booklist
"Murakami is of course himself an immensely reader-friendly novelist, and never has he offered more enticing fare than this enchantingly inventive tale. A masterpiece, entirely Nobel-worthy." Kirkus Reviews
Murakami gives readers a novel every bit as ambitious and expansive as The Wind-Up Bird Chronicle, which has been acclaimed around the world for its uncommon ambition and achievement, and whose still-growing popularity suggests that it will be read and admired for decades to come.
The unlikely alliance between Kafka Tamura, a fifteen-year-old runaway, and the aging Nakata, a man who has never recovered from a wartime affliction, brings dramatic changes to both characters as they embark on a surreal odyssey through a strange, sometimes violent, sometimes fantastical world. 60,000 first printing.
Kafka on the Shore is powered by two remarkable characters: a teenage boy, Kafka Tamura, who runs away from home either to escape a gruesome oedipal prophecy or to search for his long-missingmother and sister; and an aging simpleton called Nakata, who never recovered from a wartime affliction and now is drawn toward Kafka for reasons that, like the most basic activities of daily life, he cannotfathom.
As their paths converge, and the reasons for that convergence become clear, Haruki Murakami enfolds readers in a world where cats talk, fish fall from the sky, and spirits slip out of theirbodies to make love or commit murder. Kafka on the Shore displays one of the world's great storytellers at the peak of his powers.
From the Trade Paperback edition.
About the Author
Haruki Murakami was born in Kyoto in 1949 and now lives near Tokyo. His work has been translated into thirty-four languages, and the most recent of his many honors is the Yomiuri Literary Prize, whose previous recipients include Yukio Mishima, Kenzaburo Oe, and Kobo Abe.
Haruki Murakami’s After the Quake; Dance Dance Dance; The Elephant Vanishes; Hard-Boiled Wonderland and the End of the World; Norwegian Wood; South of the Border, West of the Sun; Sputnik Sweetheart; Underground; A Wild Sheep Chase; and The Wind-Up Bird Chronicle are available in Vintage paperback, as is Vintage Murakami, a selection of his finest work.
Translated from the Japanese by Philip Gabriel.
From the Hardcover edition.
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