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Beautiful Children: A Novel


Beautiful Children: A Novel Cover

ISBN13: 9781400066506
ISBN10: 1400066506
Condition: Standard
Dustjacket: Standard
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Average customer rating based on 3 comments:

Tim Cook, February 26, 2009 (view all comments by Tim Cook)
The attention to detail and character development is phenomenal. I was alternatively disturbed and amazed at the pictures painted by this author. Sad and troubling but worth the read.
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(1 of 2 readers found this comment helpful)
Tom Badyna, March 6, 2008 (view all comments by Tom Badyna)
I don’t pick up a new book but wanting to say “Five Stars,” and wave it about, “Our book, our culture.” I’m tired of feeling embarrassed for our newbie writers when compared to their European and South American counterparts. But the best I can say for Beautiful Children is it’s a tour de force of puerility. I read it and couldn’t but think that Mr. Bock is as absorbed as his characters in the culture of the video games, pornography, comic books and the screaming, screeching music described in this book. To think that a thirty-eight year old man had written this creeped me out, pure and simple. It didn’t even read like an act of pedophilic voyeurism, which might be to Mr. Bock’s moral credit, though not his literary one. The book has no heart, no vision, no ethos, no esthetic, nothing but a kind of cheap, copped morbidity – the stuff of a puberty stretching on interminably.

If this book were handed to me as a manuscript, I’d hand it back with mild pleasantries like “Okay – you’ve done the research ad nauseum, shown that you can imagine the second-by-second thoughts of an insipid character moving through a pointless minute of an inconsequential life, now tell a story, and, if it comes to you, toss in maybe one or two redeeming minutes.” If I were feeling charitable, I might add, “Just as you seem to confuse dirty underwear for grit and truthtelling, you also confuse bad grammar for literary style.”

Mr. Bock, no doubt about it, has an aversion to direct, Anglo-Saxon verbs, which, in this book, are outnumbered by nouns by a thousand to one. Also, and worse, he loads sentence after sentence with strings of descriptive clauses, most of them beginning with a present participle. I counted one stretch where twelve consecutive sentences were of such construction. It all gives the narrative the urgency of a slow doggie-paddle in a cesspool.

The book says nothing, is little more than faux nihilism sans courage, supported by presumptions of sap.

Our critics, our editors, our agents, have lost their freaking minds.

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Sarah E Rose, February 7, 2008 (view all comments by Sarah E Rose)
This got an insane amount of press, and was touted as "the most anticipated debut novel," so I was pretty curious about how it would live up to the promises made by publicity. I'm happy to say that it's worth it; the prose is amazing. It's very affecting, heart-wrenching, but in the best way possible.
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(9 of 19 readers found this comment helpful)
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Product Details

A Novel
Bock, Charles
Random House
Psychological fiction
General Fiction
Publication Date:
January 2008
Grade Level:
9.54x6.46x1.45 in. 1.54 lbs.

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Fiction and Poetry » Literature » A to Z

Beautiful Children: A Novel Used Hardcover
0 stars - 0 reviews
$4.50 In Stock
Product details 432 pages Random House - English 9781400066506 Reviews:
"Publishers Weekly Review" by , "A wide-ranging portrait of an almost mythically depraved Las Vegas, this sweeping debut takes in everything from the bland misery of suburban Nevada to the exploitative Vegas sex industry. At the nexus of this Dickensian universe is Newell Ewing, a hyperactive 12-year-old boy with a comic-book obsession. One Saturday night, Newell disappears after going out with his socially awkward, considerably older friend. Orbiting around that central mystery are a web of sufferers: Newell's distraught parents, clinging onto a fraught but tender marriage; a growth-stunted comic book illustrator; a stripper who sacrifices bodily integrity for success; and a gang of street kids. Into their varying Vegas tableaux, Bock stuffs an overwhelming amount of evocative detail and brutally revealing dialogue (sometimes in the form of online chats). The story occasionally gets lost in amateur skin flicks, unmentionable body alterations and tattoos, and the greasy cruelty of adolescents, all of which are given unflinching and often deft closeups. The bleak, orgiastic final sequence, drawing together the disparate plot threads, feels contrived, but Bock's Vegas has hope, compassion and humor, and his set pieces are sharp and accomplished." Publishers Weekly (Copyright Reed Business Information, Inc.)
"Review A Day" by , "Like Don DeLillo, his influential predecessor in chronicling contemporary fear, Bock sounds an alarm: something is wrong in America, his novel tells us, when we allow the current conditions to exist unchallenged and unchecked. Exquisitely attuned to what is most destabilizing in our culture, he has his finger on those veins of anxiety that start deep within the individual and flow outward to create a giant societal web of unease. But while DeLillo's characters have always been stick figures frozen into various gestures of anomie, Bock animates the flamboyant structure of his novel with a dark, pulsating heart, juggling with admirable facility the contrapuntal voices and stories of more than half a dozen major characters. With its famous facsimiles of New York and Egypt and Polynesia, Las Vegas may be a giant deception in the desert, but Charles Bock is the real thing." (read the entire New Republic review)
"Review" by , "This powerful indictment of a culture of 'people hurting people for no reason' promises to shake up the moral conscience of every reader. A comprehensive drama; highly recommended."
"Review" by , "This debut shows plenty of ambition and promise but could use a streamlining of subplots....On some level, everyone is a predator, and any beauty that these children once had has been either taken from them or bartered."
"Review" by , "Charles Bock has delivered an anxious, angry, honest first novel filled with compassionand clarity. Beautiful Children is fast, violent, sexy and — like a potentially dangerous ride — it could crash at any moment but never does. The language has a rhythm wholly its own — at moments it is stunning, near genius. This book is big and wild — it is as though Bock saved up everything for this moment. A major new talent."
"Review" by , "Beautiful Children careens from the seedy to the beautiful, the domestic to the epic, all with huge and exacting heart."
"Review" by , "Beautiful Children is the best first novel I've read in years — certainly the best first novel of our newborn century. Charles Bock has written a masterpiece: tragic, comic, sexy, chilling, far-reaching, and wise — at once an accusation and a consolation, and a lucid portrait of what is happening at the very heart of our culture, and what it means to be a young American today."
"Review" by , "Bock's characters are well drawn, he works to tie his plot threads together, and he clearly cares about runaways...but his debut novel deflates too abruptly at its close. More raw than its title suggests, this is not for the weak of stomach or faint of heart."
"Review" by , "The story, rendered beautifully, even heartbreakingly, plays out at top speed, blocked only by a chunk of chat-room text and a few other odd snippets. Yet the doom enveloping Newell is so palpable it almost suffocates the reader, too. (Grade: B)"
"Review" by , "Beautiful Children has no real built-in trajectory....This book's structure is so slack that it seems like a string of overlapping individual sketches, some much better than others."
"Review" by , "Beautiful Children is not an easy read, nor is it a polished work....And yet this novel deserves to be read more than once because of the extraordinary importance of its subject matter and the sensitivity with which he treats it."
"Review" by , "[I]n the end I feel that too much in Beautiful Children is told rather than shown, that the repetitions slow down the story, and that the novel could have been shaped into something more compelling. Even when Bock begins to dig deeper, he seems to lose his nerve. That is a shame, because he has real talent and insight."
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