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Can't We Talk about Something More Pleasant?: A Memoirby Roz Chast
Synopses & Reviews
In her first memoir, Roz Chast brings her signature wit to the topic of aging parents. Spanning the last several years of their lives and told through four-color cartoons, family photos, and documents, and a narrative as rife with laughs as it is with tears, Chast's memoir is both comfort and comic relief for anyone experiencing the life-altering loss of elderly parents.
When it came to her elderly mother and father, Roz held to the practices of denial, avoidance, and distraction. But when Elizabeth Chast climbed a ladder to locate an old souvenir from the “crazy closet” — with predictable results — the tools that had served Roz well through her parents seventies, eighties, and into their early nineties could no longer be deployed.
While the particulars are Chast-ian in their idiosyncrasies — an anxious father who had relied heavily on his wife for stability as he slipped into dementia and a former assistant principal mother whose overbearing personality had sidelined Roz for decades — the themes are universal: adult children accepting a parental role; aging and unstable parents leaving a family home for an institution; dealing with uncomfortable physical intimacies; managing logistics; and hiring strangers to provide the most personal care.
An amazing portrait of two lives at their end and an only child coping as best she can, Can We Talk about Something More Pleasant will show the full range of Roz Chast's talent as cartoonist and storyteller.
"'Something more pleasant' than the certainty of old age and death is what Chast's parents would prefer to talk about, in this poignant and funny text-and-cartoon memoir of their final years. (In one cartoon, the Grim Reaper declares, 'The Chasts are talking about me? Why, I'll show them!') Chast, a cartoonist who contributes frequently to the New Yorker, describes how her parents, George and Elizabeth, try her patience as she agonizes over their past and future. She brings her parents and herself to life in the form of her characteristic scratchy-lined, emotionally expressive characters, making the story both more personal and universal. Despite the subject matter, the book is frequently hilarious, highlighting the stubbornness and eccentricities (and often sheer lunacy) of the author's parents. It's a homage that provides cathartic 'you are not alone' support to those caring for aging parents. Like Raymond Briggs's classic Ethel and Ernest, this is a cartoon memoir to laugh and cry, and heal, with — Roz Chast's masterpiece." Publishers Weekly (Starred Review) Copyright PWxyz, LLC. All rights reserved.
"Revelatory....Few graphic memoirs are as engaging and powerful as this or strike a more responsive chord. Chast retains her signature style and wry tone throughout this long-form blend of text and drawings, but nothing she's done previously hits home as hard as this account of her family life....A series of wordless drawings of her mother's final days represents the most intimate and emotionally devastating art that Chast has created. So many have faced (or will face) the situation that the author details, but no one could render it like she does. A top-notch graphic memoir that adds a whole new dimension to readers' appreciation of Chast and her work." Kirkus Reviews, starred review
"Chast's scratchy art turns out perfectly suited to capturing the surreal realities of the death process. In quirky color cartoons, handwritten text, photos, and her mother's poems, she documents the unpleasant yet sometimes hilarious cycle of human doom. She's especially dead-on with the unpredictable mental states of both the dying and their caregivers: placidity, denial, terror, lunacy, resignation, vindictiveness, and rage....Chast so skillfully exposes herself and her family on the page as to give readers both insight and entertainment on a topic nearly everyone avoids. As with her New Yorker cartoons, Chast's memoir serves up existential dilemmas along with chuckles and can help serve as a tutorial for the inevitable." Library Journal, starred review
Something completely new from New Yorker cartoonist Roz Chast, a graphic memoir that walks the line between poignancy and humor as she tells the personal story of her parents final years.
About the Author
Roz Chast was born in Brooklyn, New York. Her cartoons began appearing in the New Yorker in 1978. Since then she has published hundreds of cartoons and written or illustrated more than a dozen books. This is her first memoir. She lives in Ridgefield, Connecticut.
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