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The Lola Quartetby Emily St. John Mandel
Synopses & Reviews
Disgraced and fired from his newspaper job, a young man returns to the Florida town where he grew up and begins to search for a daughter who he has only recently learned may exist and who may be at considerable risk.
Gavin Sasaki is a promising young journalist in New York City, until he's fired in disgrace following a series of unforgivable lapses in his work. Its early 2009, and the world has gone dark very quickly; the economic collapse has turned an era that magazine headlines once heralded as the second gilded age into something that more closely resembles the Great Depression. The last thing Gavin wants to do in return to his hometown of Sebastian, Florida, but he's drifting toward bankruptcy and is no position to refuse when he's offered a job by his sister, Eilo, a real estate broker who deals in foreclosed homes.
Eilo recently paid a visit to a home that had a ten-year-old child in it, a child who looks very much like Gavin and who has the same last name as Gavin's high school girlfriend Anna, whom Gavin last saw a decade ago. Gavin — a former jazz musician, a reluctant broker of foreclosed properties, obsessed with film noir and private detectives — begins his own private investigation in an effort to track down Anna and their apparent daughter who have been on the run all these years from a drug dealer from whom Anna stole $121,000.
In her most ambitious novel yet, Emily Mandel combines her most fully realized characters with perhaps her most fully developed story that examines the difficulty of being the person you'd like to be, loss, the way a small and innocent action (e.g., taking a picture of a girl in a foreclosed house) can have disastrous consequences. The Lola Quartet is a work that pays homage to literary noir, is concerned with jazz, Django Reinhardt, economic collapse, love, Florida's exotic wildlife problem, crushing tropical heat, the leavening of the contemporary world, compulsive gambling, and the unreliability of memory.
This is literary fiction with a strong detective story element.
"Mandel (The Singer's Gun) strikes a confident chord in her third novel. Ten years after graduating from a performing arts high school in Florida, the members of the Lola Quartet are far from the futures they imagined during their final jazz concert in school. Gavin, who fled south Florida's stifling heat for New York, returns after losing his journalism job in disgrace to learn that he may be the father of a 10-year-old girl named Chloe. As he investigates Chloe and her mother's whereabouts, he attempts to reconnect with his Lola friends, all coping with disillusion: Daniel has divorced twice; Jack and Sasha have succumbed to addiction. Gavin's sentiment that 'real people are so goddamn disappointing' not only explains his penchant for plagiarizing his articles but also applies to the adult lives of Mandel's characters. The author again melds mystery plotting with literary techniques like shifting points-of-view, resulting in both sophistication and suspense; the mystery doesn't quite pay off, but Mandel's novel excels as a character study that considers the slow degradation of hopes, dreams, and expectations of people who are only in their late 20s but already feel ancient. Agent: Katherine Fausset, Curtis Brown." Publishers Weekly Copyright PWxyz, LLC. All rights reserved.
The mystery surrounding the two percolates with suspense — the friends are hiding something — but the most interesting aspect of Ms. St. John Mandel's novel, her third, is how aggressively unglamorous it is, starting with Gavin himself. But he's hardly the only one with a 'fallen-down life' in a world of weed-fringed cul-de-sacs, 7-Elevens and 'Cinnabon-scented mall air.'” New York Times
[An] elegant, hypnotic novel...engrossing....Mandel brilliantly modulates the heightening suspense in a novel that remains, above all, an elegy for lost — and perhaps only imagined — innocence.” The Washington Post
"[T]he book, like its brilliant predecessor, The Singer's Gun,” virtually trumpets its authors talents: her charismatic verbal grace and acuity, the rich atmosphere she creates, and the thoughtful way she tries to tease meaning out of the collateral damage her characters, in screwing up, have wrought." The Boston Globe
A remarkable morality play. Perhaps all novelists can be said to wrestle with morality; Mandel seems to wrestle with it at greater length and in greater depth than most novelists, a statement that applies to her previous novels, Last Night in Montreal and The Singer's Gun....Reared in the Canadian province of British Columbia, a student of dance in Toronto and eventually a resident of Brooklyn, Mandel gained insights into human nature that promise more first-rate fiction.” The Dallas Morning News
The Lola Quartet is a decade-spanning, well-compressed novel with a pared-down style...deft...riveting....What makes this book memorable is...the meditation of these characters, who are not otherwise criminals, on their complicity in real crime.” The Cleveland Plain Dealer
This adrenaline-fueled tale is hard to put down.” The Globe and Mail
"This ingeniously structured literary thriller begins in sunlight before slipping deeper and deeper into crime and moral darkness....All I can tell you about the novel's resolution is that it involves a shooting, an impersonation and a murder. Summarized, the plot twists sound improbable, but Emily St. John Mandel is so sure-footed in her invention and so good at delineating her cast, that I went along trustingly and with bated breath." Minneapolis Star Tribune
Riveting . Evocative, intriguing, and complex, this novel is as smooth as the underbelly of a deadly, furtive reptile. Mandel's substantial fan base will rejoice; word of mouth will bring new fans on board.” Library Journal, Starred Review
"[G]ut-wrenching....After last year's superb, twisty The Singer's Gun, Mandel wouldn't be faulted if she eased up and wrote something more straightforward, but she didn't. Subtlety in the midst of chaos is her forte, and as the action slowly ramps up to murder, her tone is controlled, her artistic vision flawless." Mystery Scene
Mandel offers up her unique blend of literary character studies mixed with crime fiction in her third novel....Fascinating.” Booklist
The noir-ish storyline will hook you from the first page, but you'll stay for the well-drawn relationships and all-too-familiar grown-up angst.” Flavorwire
Each of her books is a winning combination of gorgeous, unique imagery and nail-biting, page-turning narrative....Mandel's novels perfectly blend beautiful language and suspenseful mystery to investigate human behavior and relationships.” Overflow magazine
About the Author
Emily St. John Mandel was born on the west coast of British Columbia, Canada. She studied at The School of Toronto Dance Theatre and lived briefly in Montreal before relocating to New York. She currently lives in Brooklyn. Her first novel, Last Night in Montreal was a June 2009 Indie Next pick and a finalist for Foreword Magazine's 2009 Book of the Year. Her second novel, The Singers Gun, recently released in paperback, won the Indie Booksellers Choice Award and was the #1 Indie Next Pick for May 2010. It was also long-listed for The Morning News 2011 Tournament of Books and the 2011 Spinetingler Awards. She is currently a staff writer for The Millions, and she's had both essays and short fiction recently anthologized.
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