Co-published in Association with the Victoria and Albert Museum, London This book is a timely and engaging introduction to the way that artists working in all media think about craft. Workmanship is key to todays visual arts, when high ‘production values are becoming increasingly commonplace. Yet crafts centrality to contemporary art has received little serious attention from critics and historians. Dispensing with clichéd arguments that craft is art, Adamson persuasively makes a case for defining craft in a more nuanced fashion. The interesting thing about craft, he argues, is that it is perceived to be 'inferior' to art. The book consists of an overview of various aspects of this second-class identity - supplementarity, sensuality, skill, the pastoral, and the amateur. It also provides historical case studies analysing crafts role in a variety of disciplines, including architecture, design, contemporary art, and the crafts themselves. Thinking Through Craft will be essential reading for anyone interested in craft or the broader visual arts.

Glenn Adamson is Deputy Head of Research and Head of Graduate Studies at the Victoria and Albert Museum, where he leads a graduate program in the History of Design. He holds degrees in Art History from Cornell University (BA) and from Yale University (PhD). Dr. Adamson was previously curator at the Chipstone Foundation, and in that capacity prepared exhibitions at the Milwaukee Art Museum and taught Art History at the University of Wisconsin-Madison. He is the co-editor (with Tanya Harrod and Edward S. Cooke, Jr.) of the Journal of Modern Craft, the only academic journal in the subject area, which will launch in March 2008.

Introduction * Chapter 1: Supplemental "Homage to Brancusi" * Wearable Sculptures: Modern Jewelry and the Problem of Autonomy  * Reframing the Pattern and Decoration Movement  * Props * Chapter 2: Sensual * Ceramic Presence: Peter Voulkos * The Essence of Clay: Yagi Kazuo  * The Materialization of the Art Object, 1966-72  * Breath  *  Chapter 3. Skilled  * Learning by Doing: Teaching Modern Craft  * Thinking in Situations: Josef Albers * Learning Architecture: Charles Jencks and Kenneth Frampton  * Chapter 4: Pastoral  * Regions Apart  * Two Versions of Pastoral * North, South, East, West  *  Chapter 5: Amateur  * "The World's Most Fascinating Hobby": Robert Arneson * Feminism and the Politics of Amateurism  * Abject Craft: Mike Kelley and Tracey Emin  *  Conclusion   Introduction Chapter 1: Supplemental "Homage to Brancusi" Wearable Sculptures: Modern Jewelry and the Problem of Autonomy Reframing the Pattern and Decoration Movement Props Chapter 2: Sensual Ceramic Presence: Peter Voulkos The Essence of Clay: Yagi Kazuo The Materialization of the Art Object, 1966-72 Breath Chapter 3. Skilled Learning by Doing: Teaching Modern Craft Thinking in Situations: Josef Albers Learning Architecture: Charles Jencks and Kenneth Frampton Chapter 4: Pastoral Regions Apart Two Versions of Pastoral North, South, East, West Chapter 5: Amateur "The World's Most Fascinating Hobby": Robert Arneson Feminism and the Politics of Amateurism Abject Craft: Mike Kelley and Tracey Emin Conclusion.