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The Dead Fish Museum: Stories

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The Dead Fish Museum: Stories Cover

 

Synopses & Reviews

Publisher Comments:

“In the fall, I went for walks and brought home bones. The best bones weren’t on trails—deer and moose don’t die conveniently—and soon I was wandering so far into the woods that I needed a map and compass to find my way home. When winter came and snow blew into the mountains, burying the bones, I continued to spend my days and often my nights in the woods. I vaguely understood that I was doing this because I could no longer think; I found relief in walking up hills. When the night temperatures dropped below zero, I felt visited by necessity, a baseline purpose, and I walked for miles, my only objective to remain upright, keep moving, preserve warmth. When I was lost, I told myself stories . . .”

So Charles D’Ambrosio recounted his life in Philipsburg, Montana, the genesis of the brilliant stories collected here, six of which originally appeared in The New Yorker. Each of these eight burnished, terrifying, masterfully crafted stories is set against a landscape that is both deeply American and unmistakably universal. A son confronts his father’s madness and his own hunger for connection on a misguided hike in the Pacific Northwest. A screenwriter fights for his sanity in the bleak corridors of a Manhattan psych ward while lusting after a ballerina who sets herself ablaze. A Thanksgiving hunting trip in Northern Michigan becomes the scene of a haunting reckoning with marital infidelity and desperation. And in the magnificent title story, carpenters building sets for a porn movie drift dreamily beneath a surface of sexual tension toward a racial violence they will never fully comprehend. Taking place in remote cabins, asylums, Indian reservations, the backloads of Iowa and the streets of Seattle, this collection of stories, as muscular and challenging as the best novels, is about people who have been orphaned, who have lost connection, and who have exhausted the ability to generate meaning in their lives. Yet in the midst of lacerating difficulty, the sensibility at work

in these fictions boldly insists on the enduring power of love. D’Ambrosio conjures a world that is fearfully inhospitable, darkly humorous, and touched by glory; here are characters, tested by every kind of failure, who struggle to remain human, whose lives have been sharpened rather than numbed by adversity, whose apprehension of truth and beauty has been deepened rather than defeated by their troubles. Many writers speak of the abyss. Charles D’Ambrosio writes as if he is inside of it, gazing upward, and the gaze itself is redemptive, a great yearning ache, poignant and wondrous, equal parts grit and grace.

A must read for everyone who cares about literary writing, The Dead Fish Museum belongs on the same shelf with the best American short fiction.

Synopsis:

In eight unforgettable stories, five of which previously appeared in The New Yorker, a son confronts his father's madness during a camping trip, two drifters share a ghostly vision of a young girl lost in an Iowa cornfield, a young writer battles for his sanity in a hospital psych ward, and more. By the author of The Point. 25,000 first printing.

Synopsis:

In the fall, I went for walks and brought home bones. The best bones weren't on trails deer and moose don't die conveniently and soon I was wandering so far into the woods that I needed a map and compass to find my way home. When winter came and snow blew into the mountains, burying the bones, I continued to spend my days and often my nights in the woods. I vaguely understood that I was doing this because I could no longer think; I found relief in walking up hills. When the night temperatures dropped below zero, I felt visited by necessity, a baseline purpose, and I walked for miles, my only objective to remain upright, keep moving, preserve warmth. When I was lost, I told myself stories . . .

So Charles D'Ambrosio recounted his life in Philipsburg, Montana, the genesis of the brilliant stories collected here, six of which originally appeared in The New Yorker. Each of these eight burnished, terrifying, masterfully crafted stories is set against a landscape that is both deeply American and unmistakably universal. A son confronts his father's madness and his own hunger for connection on a misguided hike in the Pacific Northwest. A screenwriter fights for his sanity in the bleak corridors of a Manhattan psych ward while lusting after a ballerina who sets herself ablaze. A Thanksgiving hunting trip in Northern Michigan becomes the scene of a haunting reckoning with marital infidelity and desperation. And in the magnificent

About the Author

Charles D’Ambrosio is the author of The Point and Orphans, a collection of essays. His fiction has appeared in The New Yorker, The Paris Review, Zoetrope All-Story, and A Public Space.

Table of Contents

The high divide — Drummond & son — Screenwriter — Up north — The scheme of things — The dead fish museum — Blessing — The bone game.

Product Details

ISBN:
9780307264732
Publisher:
Alfred A. Knopf
Subject:
Fiction-Short Stories (single author)
Author:
Dambrosio, Charles
Author:
Charles D'Ambrosio
Subject:
Fiction : Short Stories (single author)
Subject:
Short Stories (single author)
Subject:
Stories (single author)
Subject:
Literature-A to Z
Subject:
Pacific Northwest-Literature Folklore and Memoirs
Subject:
main_subject
Subject:
all_subjects
Publication Date:
20060418
Binding:
ELECTRONIC
Language:
English
Pages:
236

Related Subjects

Fiction and Poetry » Literature » A to Z
Fiction and Poetry » Science Fiction and Fantasy » Fantasy » Short Stories

The Dead Fish Museum: Stories
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Product details 236 pages Knopf Doubleday Publishing Group - English 9780307264732 Reviews:
"Synopsis" by , In eight unforgettable stories, five of which previously appeared in The New Yorker, a son confronts his father's madness during a camping trip, two drifters share a ghostly vision of a young girl lost in an Iowa cornfield, a young writer battles for his sanity in a hospital psych ward, and more. By the author of The Point. 25,000 first printing.
"Synopsis" by , In the fall, I went for walks and brought home bones. The best bones weren't on trails deer and moose don't die conveniently and soon I was wandering so far into the woods that I needed a map and compass to find my way home. When winter came and snow blew into the mountains, burying the bones, I continued to spend my days and often my nights in the woods. I vaguely understood that I was doing this because I could no longer think; I found relief in walking up hills. When the night temperatures dropped below zero, I felt visited by necessity, a baseline purpose, and I walked for miles, my only objective to remain upright, keep moving, preserve warmth. When I was lost, I told myself stories . . .

So Charles D'Ambrosio recounted his life in Philipsburg, Montana, the genesis of the brilliant stories collected here, six of which originally appeared in The New Yorker. Each of these eight burnished, terrifying, masterfully crafted stories is set against a landscape that is both deeply American and unmistakably universal. A son confronts his father's madness and his own hunger for connection on a misguided hike in the Pacific Northwest. A screenwriter fights for his sanity in the bleak corridors of a Manhattan psych ward while lusting after a ballerina who sets herself ablaze. A Thanksgiving hunting trip in Northern Michigan becomes the scene of a haunting reckoning with marital infidelity and desperation. And in the magnificent

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