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Evening's Empire

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   $17.49 Sale Hardcover add to wish list

   Evening's Empire: The Story of My Father's Murder

   Zachary Lazar

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Linda Shelnutt, May 17, 2008 (view all comments by Linda Shelnutt)
As Abraham’s God may have intended, a father’s child endures to honor a legacy lost.

This book is a winner within its own niche of brilliance, almost like the universe was holding a sun spot open for this author’s childhood chapters, for precisely his, "Memoirs of a Refugee Child's Triumph.”

The book felt almost like a child's book, but not like the sometimes silly stuff which is presented as children's literature. Instead, this book felt like it was meant for the children among us who were born adult, in the good sense of the word, born wise, born serious, born knowing there's much work to be done here; not work of the body, but work for the soul of humankind, which has been lost, ignored, pushed down, and choked.

What most makes me want to read Engelhard’s books, especially after [[ASIN:0595470793 The Bathsheba Deadline: An Original Novel]] (see my review), is the pleasant environment of his easy-flowing style, which percolates with a subtle sense of joy, possibly the result of his deep love of writing surging through every inspired or perfectly chosen word.

The next appeal for reading this author’s books is that I know I'll find truths in them I've looked for in print but have rarely found. The soul craves the freshness of finding something new, something regenerating, solidly hopeful in a quiet way which comes from facing ugliness without flinching, then moving forward again because there's still something of value ahead, something worth knowing. Nu, nu, nu (see the book’s introductory essays for an explanation of that saying).

I'm thankful that Jack Engelhard honored his resistance to attempting an overwhelming research project to write a different, redundant angle on this story. As he implied in his introduction, all the book needed was for his memories to be convinced he was dedicated, at that time, to collect them on paper.

Having received two of Jack Engelhard’s books together I couldn’t decide which I wanted to read first. When I was ready to begin one of them, I thought I might decide by reading a few paragraphs of the opening story of each. By default, I began with MORIAH, thinking I’d stop after a page or two, then do the same with INDECENT PROPOSAL. But, I didn’t quit reading MORIAH.

By the following morning I had read the whole of that balsamic bible of a book. I loved it. I was impressed as much as I hoped I would be...

When I first saw the book’s cover, I had puzzled at the biblical scene. I didn't immediately recognize it as the Rembrandt representation of God's request of Abraham to offer his son on Mount Moriah. I appreciated having the factual details presented inside the cover as well as on it. I was intensely intrigued about that event being said to have led to the creation of the Jewish people. I wanted to know more.

As I opened the covers of ESCAPE FROM MOUNT MORIAH, I was deeply curious about the childhood of a person who has come to write as Jack Engelhard has.

As I read further into the flap copy and introductory remarks, I began anticipating reading something special, not just a book I would welcome getting lost in, living in as a refreshing contrast to my daily routines; but a book in which I would find something worth knowing, something new, different from the repeated density in the majority of books available to readers, maybe something of actual truth.

The heart craves that, especially when it's rarely found.

Usually, I'm not attracted to short story collections, even knowing they might be true, significant, and well-composed. But, I was immediately attached to the chapter titles and blurbs here, especially the appealing Jewish feel of them. The meaning and number of Chai was magnetic to me, as were the type styles.

The book felt to me to be more of a bible than the established ones.

— Jack Engelhard may not have been the same type of prodigy as his father was (I have no doubt that his father, Noah ben Jacob, has gone to peace and is still there).

— Jack may not have assimilated every holy word and underlying truth in the Books of Moses, as his father had, but, with Jack’s light touch, he has written his own holy words of truth, and has honored his father in the process.

Jack wrote Noah as he was, as well as how he appeared to Jack in Jack’s efforts to know him in both his dark/wounded and bright/spiritual exposures, and Jack related to his father to the best of his straight-on, eyes-focused nature.

My favorite chapter was “A Telegram From Israel,” conveying a holy moment confirming compassion, even though it kept Jack’s father temporarily in the dark about his mother’s death. Describing the moment of that sacred omen, Engelhard writes, “... from utter darkness came incredible radiance.” The father’s response to Jack’s act of compassion was perfection, as was his father’s conclusion about the coincidence of the experience of brilliance breaking through dark clouds.

That situation made me wonder if God might have wanted Abraham to say “No” to His request of offering. I want to believe that Abraham's God was a loving one and would have made right either choice for that unique, splitting-of-universes decision.

Possibly my second favorite chapter was Engelhard’s holding to his words, “I resign,” (the chapter’s title) instead of damning himself with, “I quit.”

Or, was my next favorite the respect awarded to young Jack by the druggist, Mr. Roberts, following Jack’s successful grappling with fears surged in “The Purple Gang” territory.

The core of sadness for my empathy was in the uncle’s reaction to love from a nephew in “Relatives from America,” and the brutality trials Jack suffered in “The Fairmount Synagogue Choir.”

Jack Engelhard is the one who conveys emotion without emotion. (In his review of my Amazon Short, DARK DIAMOND TWILIGHT, Engelhard had said that of my writing style).

After finishing MORIAH, I felt great admiration for Engelhard’s father, and was devastated that Noah wasn’t allowed to live his life as the highest, holy Rabbi he could have been.

Yet, maybe he accomplished more, for his son, for himself, and for his world, through those dedicated times in the synagogues, in which he grew from a polite, quiet discounting of the officiating Rabbi’s inaccuracies in reading scripture, into a bold countering of the corruption of truth. Maybe the reason Noah never found his equal with whom to argue into the truest interpretations of the holy books, was because he had no equal in that. He had only the truth of the meaning in, under, and above the words. I would bet that every Rabbi Noah encountered with his corrections never forgot what Noah had said. Maybe those Rabbis went forth percolating with the right vision from Noah, somehow radiating that cleansing of misconception into our future, the future of rightness to come.

Through his books, Jack is continuing Noah ben Jacob’s legacy of synagogue interruption, contributing his literary voice, which I believe has surpassed the golden choir boy (Jack’s honed skill Vs the darling golden boy’s luck).

As I had read through each chapter, I noticed a flickering in the voice Engelhard used in MORIAH. He seemed to speak as the child he was, with flashes opening onto a voice of the present of his writing the book. One of my favorite uses of voice would be like that, the child writing about the child, except for those few cracks through time when the present heart slips back, sending wisdom gained through time, to heal the child that was, and still is.

To the child in each of us, living eternally,
Linda G. Shelnutt

Shelnutt is the author of several Kindle books, including MYRTLE’S ULTIMATE MYSTERY; including The Books of Gem: THE ROSE AND THE PYRAMID, FULL MOON RISING, NEW MOON BLUES, QUARTER MOON DUES; including in Amazon Shorts a serialized novel, MORNING COMES The Pre Dawn Blues (Book 2 in The Books of Gem); including a nonfiction series based off the Gem Books: MOLASSES MOON, and SLIDING DOWN MOON BEAMS; and including a VISCERAL HISTORY (my term) series of short true stories featuring the mining industry in a small town in Colorado.

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Product Details

ISBN:

9780967407487

Subtitle:

(memoirs of a refugee child's triumph )

Author:

Engelhard, Jack

Publisher:

ComteQ Publishing

Location:

Margate, N.J.

Subject:

Jews

Subject:

Holocaust

Subject:

Ethnic Cultures

Subject:

Holocaust survivors

Subject:

Childhood Memoir

Subject:

Montreal

Subject:

Autobiography/Biography

Subject:

Ethnic Cultures - General

Series Volume:

[6]

Publication Date:

c2001

Binding:

Hardcover

Language:

English

Pages:

117 p.

Dimensions:

7.84x5.34x.60 in. .59 lbs.